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	<title>SAH Commons | Yair Solan | Group Activity</title>
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	<description>Public group activity feed of which Yair Solan is a member.</description>
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				<title>Setsuko Yokoyama started the topic MLA 2027 CFP: Aural Reorientations, or Sound Studies as Listening Otherwise in the forum MS Sound</title>
				<link>https://mla.hcommons.org/groups/sound/forum/topic/mla-2027-cfp-aural-reorientations-or-sound-studies-as-listening-otherwise/</link>
				<pubDate>Sat, 28 Feb 2026 06:35:39 -0500</pubDate>

									<content:encoded><![CDATA[<p>Dear Sound Studies Communities,</p>
<p>The MS Sound Forum executive committee has just published the CFP for our guaranteed session at MLA 2027. We look forward to receiving many of your proposals! :- )</p>
<p>Sincerely,<br />
Setsuko</p>
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				<title>Alexa Alice Joubin started the topic CFP: Virtuality, Embodiment, and Meaning-Making in AI in the forum MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/groups/screen-arts-and-culture/forum/topic/cfp-virtuality-embodiment-and-meaning-making-in-ai/</link>
				<pubDate>Sun, 22 Feb 2026 05:48:02 -0500</pubDate>

									<content:encoded><![CDATA[<p>&lt;p style=&#8221;text-align: center;&#8221;&gt;Call for Papers&lt;/p&gt;<br />
&lt;p style=&#8221;text-align: center;&#8221;&gt;<em>Critical AI</em> (Duke University Press)&lt;/p&gt;<br />
&lt;p style=&#8221;text-align: center;&#8221;&gt;Virtuality, Embodiment, and Meaning-Making in AI Technologies&lt;/p&gt;<br />
&lt;p style=&#8221;text-align: center;&#8221;&gt;Special cluster edited by Alexa Alice Joubin&lt;/p&gt;<br />
&nbsp;</p>
<p>This special issue cluster calls on&hellip;<span class="activity-read-more" id="activity-read-more-1944517"><a href="https://mla.hcommons.org/groups/screen-arts-and-culture/forum/topic/cfp-virtuality-embodiment-and-meaning-making-in-ai/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Eric Aronoff started the topic DEADLINE EXTENDED: MLA Approaches to Teaching Moby-Dick (April 1) in the forum LLC 19th-Century American</title>
				<link>https://mla.hcommons.org/groups/19th-century-american/forum/topic/deadline-extended-mla-approaches-to-teaching-moby-dick-april-1/</link>
				<pubDate>Thu, 05 Feb 2026 00:43:27 -0500</pubDate>

									<content:encoded><![CDATA[<p><strong>EXTENDED DEADLINE: April 1 2026 </strong></p>
<p><strong>Call for Survey Participants and Contributors</strong></p>
<p><strong><em>Approaches to Teaching Melville’s</em></strong><strong> Moby-Dick, second edition</strong></p>
<p><strong>Eds. Eric Aronoff and Stephen Rachman, Michigan State University</strong></p>
<p>As with other, similar books published by the MLA, the volume will contain a discussion of the most important and useful strategies and ma&hellip;<span class="activity-read-more" id="activity-read-more-1943199"><a href="https://mla.hcommons.org/groups/19th-century-american/forum/topic/deadline-extended-mla-approaches-to-teaching-moby-dick-april-1/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Eric Aronoff started the topic Contribute to New edition of MLA Approaches to Teaching Moby-Dick (Feb. 1) in the forum LLC 19th-Century American</title>
				<link>https://mla.hcommons.org/groups/19th-century-american/forum/topic/contribute-to-new-edition-of-mla-approaches-to-teaching-moby-dick-feb-1/</link>
				<pubDate>Fri, 23 Jan 2026 22:33:43 -0500</pubDate>

									<content:encoded><![CDATA[<p><strong>Call for Survey Participants and Contributors</strong><br />
<strong><em>Approaches to Teaching Melville’s</em></strong><strong> Moby-Dick, second edition</strong><br />
<strong>Eds. Eric Aronoff and Stephen Rachman, Michigan State University</strong></p>
<p>As with other, similar books published by the MLA, the volume will contain a discussion of the most important and useful strategies and materials available to teachers of <em>Moby-Di&hellip;</em><span class="activity-read-more" id="activity-read-more-1941916"><a href="https://mla.hcommons.org/groups/19th-century-american/forum/topic/contribute-to-new-edition-of-mla-approaches-to-teaching-moby-dick-feb-1/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Berna Gueneli started the topic CF Applicants: Assistant Professor of Film Studies, UGA, Athens, due 1/15/26 in the forum MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/groups/screen-arts-and-culture/forum/topic/cf-applicants-assistant-professor-of-film-studies-uga-athens-due-1-15-26/</link>
				<pubDate>Thu, 20 Nov 2025 16:47:57 -0500</pubDate>

									<content:encoded><![CDATA[<p>&lt;span style=&#8221;font-weight: 400;&#8221;&gt;The Department of Theatre and Film at the University of Georgia welcomes applications for the position of Assistant Professor of Film Studies. &lt;/span&gt;</p>
<p>&nbsp;</p>
<p>&lt;span style=&#8221;font-weight: 400;&#8221;&gt;Area of specialization is open. Desired areas of specialization include, but are not limited to, one or more of the following:&hellip;<span class="activity-read-more" id="activity-read-more-1934957"><a href="https://mla.hcommons.org/groups/screen-arts-and-culture/forum/topic/cf-applicants-assistant-professor-of-film-studies-uga-athens-due-1-15-26/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Berna Gueneli started the topic CF Applications for the position of Assistant Professor of Film Studies, UGA in the forum MS Visual Culture</title>
				<link>https://mla.hcommons.org/groups/visual-culture/forum/topic/cf-applications-for-the-position-of-assistant-professor-of-film-studies-uga/</link>
				<pubDate>Tue, 18 Nov 2025 21:10:00 -0500</pubDate>

									<content:encoded><![CDATA[<p>The Department of Theatre and Film at the University of Georgia welcomes applications for the position of Assistant Professor of Film Studies.</p>
<p>&nbsp;</p>
<p>Area of specialization is open. Desired areas of specialization include, but are not limited to, one or more of the following: global animation; cinemas of East, Southeast, South, or Western Asia and&hellip;<span class="activity-read-more" id="activity-read-more-1934768"><a href="https://mla.hcommons.org/groups/visual-culture/forum/topic/cf-applications-for-the-position-of-assistant-professor-of-film-studies-uga/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Guylian Nemegeer started the topic CFP - Incontri. Rivista Europea di Studi Italiani in the forum MS Visual Culture</title>
				<link>https://mla.hcommons.org/groups/visual-culture/forum/topic/cfp-incontri-rivista-europea-di-studi-italiani-3/</link>
				<pubDate>Wed, 22 Oct 2025 14:03:43 -0400</pubDate>

									<content:encoded><![CDATA[<p>&lt;span style=&#8221;font-weight: 400;&#8221;&gt;Dear colleagues,&lt;/span&gt;</p>
<p>&lt;span style=&#8221;font-weight: 400;&#8221;&gt;For its upcoming issues, &lt;/span&gt;&lt;i&gt;&lt;span style=&#8221;font-weight: 400;&#8221;&gt;Incontri. Rivista europea di studi italiani&lt;/span&gt;&lt;/i&gt;&lt;span style=&#8221;font-weight: 400;&#8221;&gt; is currently accepting essay submissions and proposals for special issues.&lt;/span&gt;</p>
<p>&lt;i&gt;&lt;span&hellip;<span class="activity-read-more" id="activity-read-more-1932699"><a href="https://mla.hcommons.org/groups/visual-culture/forum/topic/cfp-incontri-rivista-europea-di-studi-italiani-3/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Nattie Golubov uploaded the file: CFP Love and Resistance: Popular Romance Fiction and the Right, 2025-2025 to TC Popular Culture</title>
				<link>https://mla.hcommons.org/activity/p/1924521/</link>
				<pubDate>Mon, 04 Aug 2025 17:30:00 -0400</pubDate>

									<content:encoded><![CDATA[<p>The first election of Donald Trump sparked a series of &#8220;Rogue&#8221; romance anthologies that framed love as resistance, and the romance genre as progressive and inclusive. Looking back after a decade, how has the genre registered and responded to ongoing political contexts&#8211;in the United States and elsewhere&#8211;of political radicalization, xenophobia,&hellip;<span class="activity-read-more" id="activity-read-more-1924521"><a href="https://mla.hcommons.org/activity/p/1924521/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Jennifer Stoever started the topic Recommendation for real-world assignment with Wiki Education! (not spam!) in the forum MS Sound</title>
				<link>https://mla.hcommons.org/groups/sound/forum/topic/recommendation-for-real-world-assignment-with-wiki-education-not-spam/</link>
				<pubDate>Mon, 07 Jul 2025 17:45:32 -0400</pubDate>

									<content:encoded><![CDATA[<p>&lt;span style=&#8221;font-weight: 400;&#8221;&gt;Dear all,&lt;/span&gt;</p>
<p>&lt;span style=&#8221;font-weight: 400;&#8221;&gt;I wanted to share with everyone a high-impact teaching opportunity that has added a lot to my own classroom – the &lt;/span&gt;<a href="https://youtu.be/5169hRHZqIk?feature=shared" rel="nofollow ugc">&lt;span style=&#8221;font-weight: 400;&#8221;&gt;Wikipedia assignment&lt;/span&gt;</a>&lt;span style=&#8221;font-weight: 400;&#8221;&gt;. &lt;/span&gt;</p>
<p>I have had great success and enjoyment fr&hellip;<span class="activity-read-more" id="activity-read-more-1921549"><a href="https://mla.hcommons.org/groups/sound/forum/topic/recommendation-for-real-world-assignment-with-wiki-education-not-spam/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Jennifer Stoever started the topic CFP: Hate and NonHuman Listening, Due 14 July 2025 in the forum MS Sound</title>
				<link>https://mla.hcommons.org/groups/sound/forum/topic/cfp-hate-and-nonhuman-listening-due-14-july-2025/</link>
				<pubDate>Sat, 28 Jun 2025 00:15:47 -0400</pubDate>

									<content:encoded><![CDATA[<p><strong>Call for Proposals<br />
Hate and NonHuman Listening<br />
</strong><em>A Guest Series for </em>Sounding Out! <em>guest edited by Kathryn Huether<br />
</em><strong>Submission Deadline: Monday, July 14, 2025, by 11:59pm PDT<br />
</strong></p>
<p>Please send a proposed title and 300–350 word abstract to: <strong><a href="mailto:kathryn.huether@gmail.com" rel="nofollow ugc">kathryn.huether@gmail.com</a><br />
</strong>Final pieces should be ~1200 words. Four will be selected for publication.</p>
<p>We invite subm&hellip;<span class="activity-read-more" id="activity-read-more-1921072"><a href="https://mla.hcommons.org/groups/sound/forum/topic/cfp-hate-and-nonhuman-listening-due-14-july-2025/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Autumn Womack started the topic Seeking Nominations For Prose Fiction Executive Committee in the forum GS Prose Fiction</title>
				<link>https://mla.hcommons.org/groups/prose-fiction/forum/topic/seeking-nominations-for/</link>
				<pubDate>Mon, 31 Mar 2025 21:47:10 -0400</pubDate>

									<content:encoded><![CDATA[<p>We’d very much like nominations (self nominations count!) for new committee members for the Prose Fiction Forum.  The term would begin Jan 2026 and run for three years.  Nominees must be MLA members and NOT be on any other MLA committee.   Feel free to email mail me directly with ideas: <a href="mailto:amwomack@princeton.edu" rel="nofollow ugc">amwomack@princeton.edu</a></p>
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				<title>Robert Nguyen started the topic MLA 2026 CFPs, TC Adaptation Studies forum in the forum MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/groups/screen-arts-and-culture/forum/topic/mla-2026-cfps-tc-adaptation-studies-forum/</link>
				<pubDate>Mon, 10 Mar 2025 15:39:32 -0400</pubDate>

									<content:encoded><![CDATA[<p>Good morning,</p>
<p>Good morning,</p>
<p>As I thought they may be of interest to folks working in Screen Arts and Culture, I am posting here info on the panels that the TC Adaptation Studies forum will be sponsoring for the 2026 MLA convention. Also included is further detail on the panel we are co-sponsoring with the GS Comics and Graphic Narratives&hellip;<span class="activity-read-more" id="activity-read-more-1913593"><a href="https://mla.hcommons.org/groups/screen-arts-and-culture/forum/topic/mla-2026-cfps-tc-adaptation-studies-forum/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Shashi Bhusan Nayak started the topic Call for Chapters – Scripting Selves: New Directions in Life Writing in the forum GS Prose Fiction</title>
				<link>https://mla.hcommons.org/groups/prose-fiction/forum/topic/call-for-chapters-scripting-selves-new-directions-in-life-writing-8/</link>
				<pubDate>Wed, 05 Mar 2025 17:26:29 -0500</pubDate>

									<content:encoded><![CDATA[<p><strong>Scripting Selves: New Directions in Life Writing</strong><br />
<strong>Editors: P. Muralidhar Sharma &amp; Shashibhusan Nayak</strong></p>
<p>Until recently, Life Writing has emerged as a loose critical label encompassing a variety of genres, including biographies, autobiographies, memoirs, letters, and dairies. The later decades of the 20th century, in particular, have witnessed a surge&hellip;<span class="activity-read-more" id="activity-read-more-1913272"><a href="https://mla.hcommons.org/groups/prose-fiction/forum/topic/call-for-chapters-scripting-selves-new-directions-in-life-writing-8/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Setsuko Yokoyama started the topic MLA 2026 CFP – Clapping Back in the forum MS Sound</title>
				<link>https://mla.hcommons.org/groups/sound/forum/topic/mla-2026-cfp-clapping-back-2/</link>
				<pubDate>Tue, 04 Mar 2025 13:34:05 -0500</pubDate>

									<content:encoded><![CDATA[<p>Dear MS Sound Forum,</p>
<p>I write on behalf of the MS Sound Forum Executive Committee members to share the MLA2026 CFP “<a href="https://docs.google.com/document/d/1KJ4fWrJGSMomZE8NnXvIVZdrio1XbLp3xPkNBDFg_k0/edit?usp=sharing" rel="nofollow ugc">Clapping Back: Responses from Sound Studies to Censorship &amp; Silencing</a>.” Please consider applying &amp; help spread the word :- )</p>
<p>Sincerely,<br />
Setsuko</p>
<p>p.s. We will soon launch a Discord channel for the Sound Studies scholars, in hopes of&hellip;<span class="activity-read-more" id="activity-read-more-1913155"><a href="https://mla.hcommons.org/groups/sound/forum/topic/mla-2026-cfp-clapping-back-2/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Tanya Shilina-Conte started the topic New Book: Black Screens, White Frames: Gilles Deleuze and the Filmmaking Machine in the forum MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/groups/screen-arts-and-culture/forum/topic/new-book-black-screens-white-frames-gilles-deleuze-and-the-filmmaking-machine-4/</link>
				<pubDate>Sun, 16 Feb 2025 03:38:23 -0500</pubDate>

									<content:encoded><![CDATA[<p><em><strong>Black Screens, White Frames: Gilles Deleuze and the Filmmaking Machine</strong></em><strong> by Tanya Shilina-Conte is now available from Oxford University Press&lt;u&gt;: &lt;/u&gt;</strong><a href="https://global.oup.com/academic/product/black-screens-white-frames-9780197511336?cc=us&amp;lang=en&amp;" rel="nofollow ugc">&lt;u&gt;</a><a href="https://global.oup.com/academic/product/black-screens-white-frames-9780197511336?cc=us&#038;lang=en&#038;#&lt;/u&#038;gt" rel="nofollow ugc">https://global.oup.com/academic/product/black-screens-white-frames-9780197511336?cc=us&#038;lang=en&#038;#&lt;/u&#038;gt</a>;<br />
&lt;div class=&#8221;clearfix text-formatted field field&#8211;name-body field&#8211;type-text-with-summary&hellip;<span class="activity-read-more" id="activity-read-more-1911692"><a href="https://mla.hcommons.org/groups/screen-arts-and-culture/forum/topic/new-book-black-screens-white-frames-gilles-deleuze-and-the-filmmaking-machine-4/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>John Melillo started the topic MS Sound Rountable at MLA 2025: Sound and Literature Now in the forum MS Sound</title>
				<link>https://mla.hcommons.org/groups/sound/forum/topic/ms-sound-rountable-at-mla-2025-sound-and-literature-now/</link>
				<pubDate>Mon, 30 Dec 2024 21:20:39 -0500</pubDate>

									<content:encoded><![CDATA[<p>Please join the MS Sound forum for a wide-ranging roundtable on &#8220;Sound and Literature Now.&#8221; Our roundtable will take place on Friday morning, January 10th, at 8:30 AM in Salon 16 of the Hilton New Orleans Riverside (first floor):</p>
<p>Description:</p>
<p>Panelists describe and discuss new academic and creative interventions that connect sound and literary&hellip;<span class="activity-read-more" id="activity-read-more-1907663"><a href="https://mla.hcommons.org/groups/sound/forum/topic/ms-sound-rountable-at-mla-2025-sound-and-literature-now/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Aarthi Vadde started the topic CFP Deadline Reminder: SNS 2025: Novel Languages in the forum GS Prose Fiction</title>
				<link>https://mla.hcommons.org/groups/prose-fiction/forum/topic/cfp-deadline-reminder-sns-2025-novel-languages-2/</link>
				<pubDate>Sun, 10 Nov 2024 20:58:34 -0500</pubDate>

									<content:encoded><![CDATA[<p>NOVEL LANGUAGES: The Biennial Meeting of the Society for Novel Studies</p>
<p><em>Hosted by Duke University (Organizers: Aarthi Vadde and Sarah Quesada)</em></p>
<p><strong>Location:</strong> Durham Convention Center in beautiful Downtown Durham!</p>
<p><strong>Dates:</strong> May 29-June 1, 2025</p>
<p><strong>SUBMISSION DEADLINE:</strong> Abstracts due November 15, 2024 to the conference we&hellip;<span class="activity-read-more" id="activity-read-more-1904458"><a href="https://mla.hcommons.org/groups/prose-fiction/forum/topic/cfp-deadline-reminder-sns-2025-novel-languages-2/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Juliane Braun deposited Modes of Recovery, Performative Commons, and Identity Formation in Early American Theater in the group LLC 19th-Century American</title>
				<link>https://mla.hcommons.org/activity/p/1902703/</link>
				<pubDate>Sat, 26 Oct 2024 03:01:49 -0400</pubDate>

									<content:encoded><![CDATA[<p>Review of </p>
<p>Bloody Tyrants and Little Pickles: Stage Roles of Anglo-American Girls in the Nineteenth Century. By Marlis Schweitzer.<br />
University of Iowa Press, 2020. 276 pp.</p>
<p>The Politics of Gender in Early American Theater: Revolutionary Dramatists and Theatrical Practices. Edited by Leopold Lippert and Ralph J. Poole. Transcript, 2021. 214&hellip;<span class="activity-read-more" id="activity-read-more-1902703"><a href="https://mla.hcommons.org/activity/p/1902703/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Juliane Braun deposited Recovering Virginie Gireaudeau: Race, Language, and Representation on the American Stage in the group LLC 19th-Century American</title>
				<link>https://mla.hcommons.org/activity/p/1902283/</link>
				<pubDate>Tue, 22 Oct 2024 04:01:50 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article recovers the life and career of Virginie Gireaudeau, one of the first African American actresses to appear in a major North American theater. Performing in New Orleans in 1826, she played the female lead in two tragedies, supported by a group of white professional actors and actresses from France. But despite Gireaudeau’s obvious s&hellip;<span class="activity-read-more" id="activity-read-more-1902283"><a href="https://mla.hcommons.org/activity/p/1902283/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Doris Hambuch deposited Humorous Takes on Marriage in the UAE: Digital Comics, Social Media Comedy and Short Films in the group TC Popular Culture</title>
				<link>https://mla.hcommons.org/activity/p/1900966/</link>
				<pubDate>Mon, 07 Oct 2024 03:13:45 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article investigates humorous representations of marriage in digital comics, standup comedy and short films created by Emirati artists and content creators who primarily rely on social media as their most effective form of distribution. Studied against theories of humor in the Western and the Arabic traditions, selected examples demonstrate&hellip;<span class="activity-read-more" id="activity-read-more-1900966"><a href="https://mla.hcommons.org/activity/p/1900966/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Doris Hambuch deposited Humorous Takes on Marriage in the UAE: Digital Comics, Social Media Comedy and Short Films in the group MS Visual Culture</title>
				<link>https://mla.hcommons.org/activity/p/1900965/</link>
				<pubDate>Mon, 07 Oct 2024 03:11:04 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article investigates humorous representations of marriage in digital comics, standup comedy and short films created by Emirati artists and content creators who primarily rely on social media as their most effective form of distribution. Studied against theories of humor in the Western and the Arabic traditions, selected examples demonstrate&hellip;<span class="activity-read-more" id="activity-read-more-1900965"><a href="https://mla.hcommons.org/activity/p/1900965/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Doris Hambuch deposited Humorous Takes on Marriage in the UAE: Digital Comics, Social Media Comedy and Short Films in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1900964/</link>
				<pubDate>Mon, 07 Oct 2024 03:08:29 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article investigates humorous representations of marriage in digital comics, standup comedy and short films created by Emirati artists and content creators who primarily rely on social media as their most effective form of distribution. Studied against theories of humor in the Western and the Arabic traditions, selected examples demonstrate&hellip;<span class="activity-read-more" id="activity-read-more-1900964"><a href="https://mla.hcommons.org/activity/p/1900964/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Doris Hambuch deposited Ways of Seeing Nujoom Alghanem’s Nearby Sky (سماء قريبة) and Sharp Tools (آلات حادة) as Docupoetry,Comment voir le ciel proche de Nujoom Alghanem (سماء قريبة) et les outils tranchants (آلات حادة) comme docupoésie in the group MS Visual Culture</title>
				<link>https://mla.hcommons.org/activity/p/1900963/</link>
				<pubDate>Mon, 07 Oct 2024 03:05:42 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article proposes to establish a<br />
sub-category called “docupoetry” to<br />
classify the documentary films by<br />
Emirati poet and filmmaker Nujoom<br />
Alghanem. Detailed analysis of two<br />
selected films, Sharp Tools (2017) and<br />
Nearby Sky (2014), illustrates the<br />
unique composition, cinematography,<br />
and use of poetic devices, such<br />
as rhythm, sym&hellip;<span class="activity-read-more" id="activity-read-more-1900963"><a href="https://mla.hcommons.org/activity/p/1900963/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">6ec34b11565be267a1b47eb36f4a4a09</guid>
				<title>Doris Hambuch deposited Ways of Seeing Nujoom Alghanem’s Nearby Sky (سماء قريبة) and Sharp Tools (آلات حادة) as Docupoetry,Comment voir le ciel proche de Nujoom Alghanem (سماء قريبة) et les outils tranchants (آلات حادة) comme docupoésie in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1900962/</link>
				<pubDate>Mon, 07 Oct 2024 03:03:00 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article proposes to establish a<br />
sub-category called “docupoetry” to<br />
classify the documentary films by<br />
Emirati poet and filmmaker Nujoom<br />
Alghanem. Detailed analysis of two<br />
selected films, Sharp Tools (2017) and<br />
Nearby Sky (2014), illustrates the<br />
unique composition, cinematography,<br />
and use of poetic devices, such<br />
as rhythm, sym&hellip;<span class="activity-read-more" id="activity-read-more-1900962"><a href="https://mla.hcommons.org/activity/p/1900962/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Alexa Alice Joubin deposited "Screens as Anthropomorphic Interfaces: How AI Changes Shakespearean Theatrical Publics," Shakespeare Bulletin 41.4 (Winter 2023): 529-553 in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1900896/</link>
				<pubDate>Sun, 06 Oct 2024 04:21:10 -0400</pubDate>

									<content:encoded><![CDATA[<p>Whom does the screen interface serve, and how do artificial intelligence (AI) tools affect theatrical publics across both the playing space and the playgoing space? Screens are a site where cultural and performative meanings are generated and negotiated. This article draws on interface theories to analyze the roles of screens in regulating&hellip;<span class="activity-read-more" id="activity-read-more-1900896"><a href="https://mla.hcommons.org/activity/p/1900896/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Alexa Alice Joubin deposited Enhancing the Trustworthiness of Generative Artificial Intelligence in Responsive Pedagogy in the Context of Humanities Higher Education in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1900890/</link>
				<pubDate>Sun, 06 Oct 2024 04:13:22 -0400</pubDate>

									<content:encoded><![CDATA[<p>How do we enhance the trustworthiness of generative artificial intelligence (AI) as a tool to foster students’ curiosity to learn about humanities subjects in higher education? This study analyzes what conversational AI tools can realistically accomplish in the humanities higher education context and what the substantive, rather than hyped, c&hellip;<span class="activity-read-more" id="activity-read-more-1900890"><a href="https://mla.hcommons.org/activity/p/1900890/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Alexa Alice Joubin deposited "Encountering global Shakespeare in Yemen, Kuwait and China," in Contemporary Readings in Global Performances of Shakespeare, ed. Alexa Alice Joubin (Arden Bloomsbury, 2024), pp. 285-294 in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1900885/</link>
				<pubDate>Sun, 06 Oct 2024 04:05:26 -0400</pubDate>

									<content:encoded><![CDATA[<p>This chapter consists of Alexa Alice Joubin&#8217;s interview of a scholar and educator who has practiced global Shakespeare around the globe. Katherine Hennessey has had the unique experiences and privilege of teaching Shakespeare in Yemen, Kuwait, China, and elsewhere. She has lived and worked in eight very different countries over the past fifteen&hellip;<span class="activity-read-more" id="activity-read-more-1900885"><a href="https://mla.hcommons.org/activity/p/1900885/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Alexa Alice Joubin deposited Contemporary Readings in Global Performances of Shakespeare, ed. Alexa Alice Joubin. London: Arden Bloomsbury, 2024 in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1900083/</link>
				<pubDate>Sun, 29 Sep 2024 04:05:17 -0400</pubDate>

									<content:encoded><![CDATA[<p>Focusing on the modern period, this book employs a site-specific lens to examine global performances of Shakespeare onstage and onscreen. Heterotopia and thick description as methodologies help us capture, rather than flatten, cultural spaces and their dynamic interplay. The global is a set of geographical and cultural sites created by artistic&hellip;<span class="activity-read-more" id="activity-read-more-1900083"><a href="https://mla.hcommons.org/activity/p/1900083/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Aarthi Vadde started the topic CFP: Novel Languages (Society of Novel Studies Biennial Conference) in the forum GS Prose Fiction</title>
				<link>https://mla.hcommons.org/groups/prose-fiction/forum/topic/cfp-novel-languages-society-of-novel-studies-biennial-conference/</link>
				<pubDate>Wed, 28 Aug 2024 17:48:12 -0400</pubDate>

									<content:encoded><![CDATA[<p>SNS 2025: NOVEL LANGUAGES</p>
<p><em>Hosted by Duke University (Organizers: Aarthi Vadde and Sarah Quesada)</em></p>
<p><strong>Location:</strong> Durham Convention Center in beautiful Downtown Durham!</p>
<p><strong>Dates:</strong> May 29-June 1, 2025</p>
<p><strong>SUBMISSION DEADLINE:</strong> Abstracts due November 15, 2024 to the conference website: <a href="https://sites.duke.edu/sns2025/cfpsubmissions/" rel="nofollow ugc">https://sites.duke.edu/sns2025/cfpsubmissions/</a></p>
<p>The 2025 conference t&hellip;<span class="activity-read-more" id="activity-read-more-1897414"><a href="https://mla.hcommons.org/groups/prose-fiction/forum/topic/cfp-novel-languages-society-of-novel-studies-biennial-conference/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Aarthi Vadde started the topic Society of Novel Studies 2025 CFP: Novel Languages in the forum GS Prose Fiction</title>
				<link>https://mla.hcommons.org/groups/prose-fiction/forum/topic/society-of-novel-studies-2025-cfp-novel-languages/</link>
				<pubDate>Wed, 28 Aug 2024 17:44:31 -0400</pubDate>

									<content:encoded><![CDATA[<p><strong>“NOVEL LANGUAGES” The Biennial Conference of the Society for Novel Studies</strong><br />
<em>Hosted by Duke University (Organizers: Aarthi Vadde and Sarah Quesada)</em></p>
<p><strong>Location:</strong> Durham Convention Center in beautiful Downtown Durham!</p>
<p><strong>Dates:</strong> May 29-June 1, 2025</p>
<p><strong>SUBMISSION DEADLINE:</strong> Abstracts due November 15, 2024 to the conference website</p>
<p>The 2025 conference theme—&hellip;<span class="activity-read-more" id="activity-read-more-1897413"><a href="https://mla.hcommons.org/groups/prose-fiction/forum/topic/society-of-novel-studies-2025-cfp-novel-languages/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Niamh Thornton deposited María Félix A Mexican Film Star and her Legacy in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1890470/</link>
				<pubDate>Fri, 28 Jun 2024 03:01:22 -0400</pubDate>

									<content:encoded><![CDATA[<p>María Félix (1914-2002) left her mark on Mexican and European film as well as fashion, art and jewellery design. Cartier created one-of-a-kind pieces; Leonora Carrington and Diego Rivera painted portraits; Carlos Fuentes wrote a play; Agustín Lara, a bestselling song. But she was nobody&#8217;s muse.</p>
<p>Did Félix really bring baby crocodiles to the Car&hellip;<span class="activity-read-more" id="activity-read-more-1890470"><a href="https://mla.hcommons.org/activity/p/1890470/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Susan Larson deposited Comfort and Domestic Space in Modern Spain in the group MS Visual Culture</title>
				<link>https://mla.hcommons.org/activity/p/1890327/</link>
				<pubDate>Thu, 27 Jun 2024 03:08:57 -0400</pubDate>

									<content:encoded><![CDATA[<p>Comfort and domestic space are complex narratives that can help draw our attention to everything from urban planning, everyday objects, and new technologies to class conflict, racial and ethnic segregation, and the gendering of domestic labour. Comfort and Domestic Space in Modern Spain delves into the history of ideas surrounding the modern home.&hellip;<span class="activity-read-more" id="activity-read-more-1890327"><a href="https://mla.hcommons.org/activity/p/1890327/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Susan Larson deposited Comfort and Domestic Space in Modern Spain in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1890326/</link>
				<pubDate>Thu, 27 Jun 2024 03:05:42 -0400</pubDate>

									<content:encoded><![CDATA[<p>Comfort and domestic space are complex narratives that can help draw our attention to everything from urban planning, everyday objects, and new technologies to class conflict, racial and ethnic segregation, and the gendering of domestic labour. Comfort and Domestic Space in Modern Spain delves into the history of ideas surrounding the modern home.&hellip;<span class="activity-read-more" id="activity-read-more-1890326"><a href="https://mla.hcommons.org/activity/p/1890326/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Ji Eun Lee deposited Wooshing London: Unsettling Acceleration in H. G. Wells’s Tono-Bungay in the group GS Prose Fiction</title>
				<link>https://mla.hcommons.org/activity/p/1889186/</link>
				<pubDate>Fri, 14 Jun 2024 03:21:53 -0400</pubDate>

									<content:encoded><![CDATA[<p>This essay reads H. G. Wells’s Tono-Bungay (1909) in the context of “wooshing” London—I take the word from the story—to see how the unsettling effect of this rapid urban mobility translates into the generic form of the novel. At the turn of the twentieth century, London was wooshing—that is to say, people and things in the city were moving by b&hellip;<span class="activity-read-more" id="activity-read-more-1889186"><a href="https://mla.hcommons.org/activity/p/1889186/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Ji Eun Lee deposited Prowling in London: Canines in Bram Stoker’s Dracula in the group GS Prose Fiction</title>
				<link>https://mla.hcommons.org/activity/p/1889181/</link>
				<pubDate>Fri, 14 Jun 2024 03:11:53 -0400</pubDate>

									<content:encoded><![CDATA[<p>Dracula first appears in front of the British public in England not as a gentleman but in the form of “an immense dog.” This article reads Bram Stoker’s Dracula (1897) in the context of human-animal encounters happening on the streets of London when the fear of rabid dogs swept the city. Victorian urban projects aimed at building an urban struc&hellip;<span class="activity-read-more" id="activity-read-more-1889181"><a href="https://mla.hcommons.org/activity/p/1889181/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Ji Eun Lee deposited Victorian Humanity in Colonial Korea, Where Asians Did Not See Themselves as the Other in the group GS Prose Fiction</title>
				<link>https://mla.hcommons.org/activity/p/1889176/</link>
				<pubDate>Fri, 14 Jun 2024 03:00:35 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article reconsiders the racial hierarchies rendering the nonwhite race as the Other in Anglo-American Victorian studies by examining the case of colonial Korea, where both the colonizer and the colonized were people of color. In colonial Korea, reading Victorian and Edwardian literature enabled Koreans to find an alternative humanity beyond&hellip;<span class="activity-read-more" id="activity-read-more-1889176"><a href="https://mla.hcommons.org/activity/p/1889176/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Alexa Alice Joubin deposited The Shakespearean International Yearbook: Disability Performance and Global Shakespeare. General Editor: Alexa Alice Joubin; Co-editor: Natalia Khomenko; Guest Editor: Katherine Schaap Williams. Routledge, 2024 in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1886051/</link>
				<pubDate>Mon, 13 May 2024 04:19:53 -0400</pubDate>

									<content:encoded><![CDATA[<p>The fields of critical disability studies and global Shakespeare have a great deal to say to each other, which is why we are creating this opportunity for an interdisciplinary dialogue and reflection.</p>
<p>     This year’s Shakespearean International Yearbook focuses on the theme of global disability performances of Shakespeare. Curated by K&hellip;<span class="activity-read-more" id="activity-read-more-1886051"><a href="https://mla.hcommons.org/activity/p/1886051/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Alexa Alice Joubin deposited "Screening Dutch Formosa in 2000: Taiwan as China’s Renegade Province in Wu Ziniu’s The Sino-Dutch War 1661," in Scenes from Dutch Formosa: Staging Taiwan’s Colonial Past, ed. Llyn Scott (Portland ME: MerwinAsia, 2014), pp. 153-179 in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1886042/</link>
				<pubDate>Mon, 13 May 2024 04:01:41 -0400</pubDate>

									<content:encoded><![CDATA[<p>What does Koxinga mean to today’s China and Taiwan? How does Wu Ziniu’s film The Sino-Dutch War 1661, a 2000 mainland Chinese film about seventeenth-century Dutch Formosa–with a mainland Chinese / Hong Kong / Japanese cast–complicate the questions of belonging and betrayal?</p>
<p>     Taiwan’s cultural identities have always been political&hellip;<span class="activity-read-more" id="activity-read-more-1886042"><a href="https://mla.hcommons.org/activity/p/1886042/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Fatma Fulya Tepe started the topic New Article: Banal misogynism in Turkish media in the discussion TC Popular Culture</title>
				<link>https://mla.hcommons.org/groups/popular-culture/forum/topic/new-article-banal-misogynism-in-turkish-media-3/</link>
				<pubDate>Wed, 27 Mar 2024 14:28:18 -0400</pubDate>

									<content:encoded><![CDATA[<p>Dear Colleagues,</p>
<p>I , Assoc. Prof. Dr. Fatma Fulya Tepe, from Istanbul Aydin University, Faculty of Education, published a new article titled “Banal misogynism in Turkish media at the beginning of the multi-party era: the case of Boşboğaz” in the Journal of Graphic Novels and Comics which is a Q1 journal. You can find the abstract and the link&hellip;<span class="activity-read-more" id="activity-read-more-1880908"><a href="https://mla.hcommons.org/groups/popular-culture/forum/topic/new-article-banal-misogynism-in-turkish-media-3/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Fatma Fulya Tepe started the topic New Article: Banal misogynism in Turkish media in the discussion MS Visual Culture</title>
				<link>https://mla.hcommons.org/groups/visual-culture/forum/topic/new-article-banal-misogynism-in-turkish-media/</link>
				<pubDate>Wed, 27 Mar 2024 14:24:30 -0400</pubDate>

									<content:encoded><![CDATA[<p>Dear Colleagues,</p>
<p>I , Assoc. Prof. Dr. Fatma Fulya Tepe, from Istanbul Aydin University, Faculty of Education, published a new article titled “Banal misogynism in Turkish media at the beginning of the multi-party era: the case of Boşboğaz” in the Journal of Graphic Novels and Comics which is a Q1 journal. You can find the abstract and the link&hellip;<span class="activity-read-more" id="activity-read-more-1880906"><a href="https://mla.hcommons.org/groups/visual-culture/forum/topic/new-article-banal-misogynism-in-turkish-media/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Alexa Alice Joubin deposited Keynote: Cinematic Representations of East Asian American Women, Tucker-Boatwright Festival and Symposium: Hollywood &#38; the Asian American Imagination, Richmond, February 23, 2024 in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1878852/</link>
				<pubDate>Thu, 07 Mar 2024 04:03:03 -0500</pubDate>

									<content:encoded><![CDATA[<p>My keynote explores such questions as: What are the patterns in Hollywood representations of East Asian American women from romantic comedy to science fiction films? How do racism and sexism intersect in these patterns? Watch the video recording on YouTube (<a href="https://youtu.be/iHjKOYf-IXQ" rel="nofollow ugc">https://youtu.be/iHjKOYf-IXQ</a>) to gain a better understanding how gender biases are&hellip;<span class="activity-read-more" id="activity-read-more-1878852"><a href="https://mla.hcommons.org/activity/p/1878852/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Alan J. Gravano started the topic #26425 - Italian American LLC Guaranteed Session Call for Papers in the discussion LLC 19th-Century American</title>
				<link>https://mla.hcommons.org/groups/19th-century-american/forum/topic/26425-italian-american-llc-guaranteed-session-call-for-papers-2/</link>
				<pubDate>Tue, 05 Mar 2024 21:15:12 -0500</pubDate>

									<content:encoded><![CDATA[<p><strong>#26425 &#8211; Italian American LLC Guaranteed Session </strong><strong>Call for Papers</strong></p>
<p><strong>Title: <em>Italoamericanos</em>: The Italian Diasporic Experience in the Americas</strong></p>
<p>New Orleans has for centuries been a port of call and interstitial space beckoning people to its banks, whether through choice, coercion, or bondage.</p>
<p>For the Italian diaspora, New Orleans has been one&hellip;<span class="activity-read-more" id="activity-read-more-1878664"><a href="https://mla.hcommons.org/groups/19th-century-american/forum/topic/26425-italian-american-llc-guaranteed-session-call-for-papers-2/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Alan J. Gravano started the topic #26426-Non-Guaranteed Italian American LLC Session in the discussion LLC 19th-Century American</title>
				<link>https://mla.hcommons.org/groups/19th-century-american/forum/topic/26426-non-guaranteed-italian-american-llc-session-2/</link>
				<pubDate>Tue, 05 Mar 2024 21:10:53 -0500</pubDate>

									<content:encoded><![CDATA[<p><strong>#26426-Non-Guaranteed Italian American LLC Session</strong></p>
<p><strong>Title:</strong> <strong>Italian Creole: Accents and Intersections</strong></p>
<p>This panel takes the rich history of Italian Americans in New Orleans as a starting point for exploring the politics and power of ethnic visibility in New Orleans. Italians and Italian Americans were foundational to the early infrastructure&hellip;<span class="activity-read-more" id="activity-read-more-1878661"><a href="https://mla.hcommons.org/groups/19th-century-american/forum/topic/26426-non-guaranteed-italian-american-llc-session-2/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Alan J. Gravano started the topic #26428-Non-Guaranteed Italian American LLC and AATI in the discussion LLC 20th- and 21st-Century American</title>
				<link>https://mla.hcommons.org/groups/20th-and-21st-century-american/forum/topic/26428-non-guaranteed-italian-american-llc-and-aati-2/</link>
				<pubDate>Tue, 05 Mar 2024 21:07:58 -0500</pubDate>

									<content:encoded><![CDATA[<p><strong>#26428-</strong><strong>Non-Guaranteed Italian American LLC and AATI Nonguaranteed Session</strong></p>
<p><strong>Title:  Helen Barolini’s <em>Dream Book: An Anthology of Writings by Italian American Women </em>at Forty</strong></p>
<p>This panel celebrates one of the seminal classics of Italian American literature on the advent of its fortieth anniversary. Helen Barolini’s 1985 anthology marked a fundam&hellip;<span class="activity-read-more" id="activity-read-more-1878659"><a href="https://mla.hcommons.org/groups/20th-and-21st-century-american/forum/topic/26428-non-guaranteed-italian-american-llc-and-aati-2/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Alan J. Gravano started the topic #25997: Guaranteed Allied Organization Session for IASA in the discussion LLC 20th- and 21st-Century American</title>
				<link>https://mla.hcommons.org/groups/20th-and-21st-century-american/forum/topic/25997-guaranteed-allied-organization-session-for-iasa-2/</link>
				<pubDate>Tue, 05 Mar 2024 21:04:41 -0500</pubDate>

									<content:encoded><![CDATA[<p><strong>#25997: Allied Organization Session for IASA Guaranteed</strong></p>
<p><strong>Title: (In)Visibility in the Marginalized Field of Italian American Studies</strong></p>
<p>MLA Description: Examines Morrison’s assertion that “Invisible ink is what lies under, between, outside the lines, hidden until the right reader discovers it,” then can only Italian Americans be the “right&hellip;<span class="activity-read-more" id="activity-read-more-1878657"><a href="https://mla.hcommons.org/groups/20th-and-21st-century-american/forum/topic/25997-guaranteed-allied-organization-session-for-iasa-2/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Alexa Alice Joubin deposited Global Shakespeare as Heterotopia, Lecture at University of Oxford and Georgetown University, February 26, 2024 in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1878067/</link>
				<pubDate>Thu, 29 Feb 2024 04:24:33 -0500</pubDate>

									<content:encoded><![CDATA[<p>Global Shakespeare as Heterotopia by Alexa Alice Joubin. Lecture video now available on YouTube, <a href="https://youtu.be/R8mbUd_mHjQ" rel="nofollow ugc">https://youtu.be/R8mbUd_mHjQ</a>   Drawing on her forthcoming book, Contemporary Readings in Global Performances of Shakespeare (Bloomsbury, 2024), Alexa Alice Joubin examines cultural encounters with Shakespeare’s plays as heterotopia, a set of parallel s&hellip;<span class="activity-read-more" id="activity-read-more-1878067"><a href="https://mla.hcommons.org/activity/p/1878067/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Kendra Leonard deposited Jewishness between Performance and Appropriation: Music for The Merchant of Venice (2004) in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1877420/</link>
				<pubDate>Thu, 22 Feb 2024 03:06:31 -0500</pubDate>

									<content:encoded><![CDATA[<p>The performance history of The Merchant of Venice is one entangled with what producers and directors hear as the sounds of Jewishness, be it traditional prayer, like the Shema or Kaddish, or contrived nonsense, like the “old Hebraic song of sacrifice” sung by Anthony Sher in a 1987 stage production. In this essay, I interrogate composer Joc&hellip;<span class="activity-read-more" id="activity-read-more-1877420"><a href="https://mla.hcommons.org/activity/p/1877420/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Kendra Leonard deposited Imagining Women’s Archives of Silent Film Music in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1877413/</link>
				<pubDate>Thu, 22 Feb 2024 03:01:54 -0500</pubDate>

									<content:encoded><![CDATA[<p>Although women comprised the majority of American cinema accompanists during the silent film period (c. 1895–1927), few of their music libraries or compositions have survived, whereas collections created by male cinema musicians dominate the silent film music archives. Women musicians suggested, shaped, and helped define the musical tastes of t&hellip;<span class="activity-read-more" id="activity-read-more-1877413"><a href="https://mla.hcommons.org/activity/p/1877413/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Hania A.M. Nashef deposited Inhabiting a Comfortable Fiction of the Self: J.M. Coetzee’s            Summertime in the group GS Prose Fiction</title>
				<link>https://mla.hcommons.org/activity/p/1877012/</link>
				<pubDate>Mon, 19 Feb 2024 04:05:35 -0500</pubDate>

									<content:encoded><![CDATA[<p>Abstract<br />
In his email conversations with Arabella Kurtz in The Good Story: Exchanges on Truth, Fiction and Psychotherapy, J.M. Coetzee entertains the notion of settling on fictions of ourselves, which we are able to inhabit more comfortably than what is perceived as our real life.  In addition, he implies that in order to form fictions of&hellip;<span class="activity-read-more" id="activity-read-more-1877012"><a href="https://mla.hcommons.org/activity/p/1877012/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Alexa Alice Joubin deposited Review of Rethinking Chinese Socialist Theaters of Reform, in CLEAR: Chinese Literature: Essays, Articles, Reviews 45 (2023): 335-338 in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1876066/</link>
				<pubDate>Mon, 12 Feb 2024 04:16:30 -0500</pubDate>

									<content:encoded><![CDATA[<p>Going against the grain, this collection counters the common perception of the Maoist era as a time of ideological conformity. The contributors persuasively demonstrate that theatre activities were varied and lively between the 1950s and 1970s. While there was state control over the arts, performances in urban spaces were more frequently censored&hellip;<span class="activity-read-more" id="activity-read-more-1876066"><a href="https://mla.hcommons.org/activity/p/1876066/" rel="nofollow ugc">[Read more]</a></span></p>
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