https://sah.hcommons.org/members/wajihayed/activity/ Activity feed for Wajih Ayed. Sat, 04 Apr 2026 18:43:54 -0400 https://buddypress.org/?v=10.6.0 en-US 30 hourly 2 b56a6723a3be59a59233f3277ab59a01 https://hcommons.org/activity/p/1595065/ Sat, 06 Jan 2018 05:38:26 -0500 In this work, I discuss the management of the initial iconic peritext of
Sir Gawain and the Green Knight in a paper edition, a translation, and a
digital facsimile. Writing from the perspective of cognitive narratology, I argue
that the miniature is not a disposable illustration but a framing border, the
(non) reproduction of which in each…[Read more]

]]> 0 b56a6723a3be59a59233f3277ab59a01 https://hcommons.org/activity/p/1595064/ Sat, 06 Jan 2018 05:38:26 -0500 In this work, I discuss the management of the initial iconic peritext of
Sir Gawain and the Green Knight in a paper edition, a translation, and a
digital facsimile. Writing from the perspective of cognitive narratology, I argue
that the miniature is not a disposable illustration but a framing border, the
(non) reproduction of which in each…[Read more]

]]> 0 edc6d16ac5e97ad3dd1cbb038cfc8891 https://hcommons.org/activity/p/1595063/ Sat, 06 Jan 2018 05:38:18 -0500 In this work, I discuss the management of the initial iconic peritext of
Sir Gawain and the Green Knight in a paper edition, a translation, and a
digital facsimile. Writing from the perspective of cognitive narratology, I argue
that the miniature is not a disposable illustration but a framing border, the
(non) reproduction of which in each…[Read more]

]]> 0 84773b7a583810cc48e5cece94ec5284 https://hcommons.org/activity/p/1594866/ Fri, 05 Jan 2018 10:43:10 -0500 In this work, I discuss the management of the initial iconic peritext of
Sir Gawain and the Green Knight in a paper edition, a translation, and a
digital facsimile. Writing from the perspective of cognitive narratology, I argue
that the miniature is not a disposable illustration but a framing border, the
(non) reproduction of which in each…[Read more]

]]> 0 aabb26066569981af67784d82d9f486b https://hcommons.org/activity/p/1588093/ Sun, 12 Nov 2017 18:24:16 -0500 Mourning becomes Shakespeare, perhaps; celebration too. Romeo and Juliet (1597) and Othello (1604) are tragedies of sweeping passion and rash action where love falters and lovers fall. In her 1988 play entitled Goodnight Desdemona (Good Morning Juliet), Ann-Marie MacDonald parodies the two Shakespearean texts and visits the intersections between…[Read more]

]]> 0 4715bcdc2201dd9089d61983a4e3b044 https://hcommons.org/activity/p/1587558/ Wed, 08 Nov 2017 06:08:36 -0500 Mourning becomes Shakespeare, perhaps; celebration too. Romeo and Juliet (1597) and Othello (1604) are tragedies of sweeping passion and rash action where love falters and lovers fall. In her 1988 play entitled Goodnight Desdemona (Good Morning Juliet), Ann-Marie MacDonald parodies the two Shakespearean texts and visits the intersections between…[Read more]

]]> 0 9566ab88efe03a975ba0bb6f09f2a493 https://hcommons.org/activity/p/1587552/ Wed, 08 Nov 2017 05:33:50 -0500 The Saracen is the master trope of alterity in English literature of the Middle Ages.
No matter how traumatising it can be, perception of otherness is a foundational
prerequisite for identity formation. Edward Said credibly argues that human cultures
“spin out a dialectic of self and other, the subject ‘I’ who is native, authentic, at home,…[Read more]

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