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	<title>SAH Commons | Noémie VILLACEQUE | Group Activity</title>
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	<description>Public group activity feed of which Noémie VILLACEQUE is a member.</description>
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				<title>Meredith Warren deposited Requiring Apologia? Merchants and Artisans in Acts of the Apostles in the group Ancient Greece &#38; Rome</title>
				<link>https://hcommons.org/activity/p/1898294/</link>
				<pubDate>Tue, 10 Sep 2024 03:00:05 -0400</pubDate>

									<content:encoded><![CDATA[<p>Christian merchants, artisans, and service providers were explicitly targeted by early critics of the movement, who felt, in line with contemporary prejudices, that such people were dirty, ignorant, and prone to the vices of greed and deceit. Detractors hoped to attack Christianity on two intersecting fronts: that the faith was morally bankrupt&hellip;<span class="activity-read-more" id="activity-read-more-1898294"><a href="https://hcommons.org/activity/p/1898294/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Stephe Harrop deposited Greek Tragedy in the Drama Studio: Lecoq, Agonism, and the Politics of Choral Pedagogy in the group Ancient Greece &#38; Rome</title>
				<link>https://hcommons.org/activity/p/1890994/</link>
				<pubDate>Fri, 05 Jul 2024 03:00:27 -0400</pubDate>

									<content:encoded><![CDATA[<p>This chapter considers the ways in which classics education takes place within the drama studio; the understandings of ancient theatre practice and its current meanings which are (explicitly or tacitly) promulgated within studio settings; and the implications of dominant training models and practices for wider cultural understandings and&hellip;<span class="activity-read-more" id="activity-read-more-1890994"><a href="https://hcommons.org/activity/p/1890994/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">27f8a574c6c7dcbf0291158b025e5b29</guid>
				<title>Stephe Harrop deposited Greek Tragedy in the Drama Studio: Lecoq, Agonism, and the Politics of Choral Pedagogy in the group Ancient Greece &#38; Rome</title>
				<link>https://hcommons.org/activity/p/1890993/</link>
				<pubDate>Fri, 05 Jul 2024 03:00:27 -0400</pubDate>

									<content:encoded><![CDATA[<p>This chapter considers the ways in which classics education takes place within the drama studio; the understandings of ancient theatre practice and its current meanings which are (explicitly or tacitly) promulgated within studio settings; and the implications of dominant training models and practices for wider cultural understandings and&hellip;<span class="activity-read-more" id="activity-read-more-1890993"><a href="https://hcommons.org/activity/p/1890993/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>James Robert Burns started the topic New Group: History of Slavery and Unfreedom in the discussion Ancient Greece &#38; Rome</title>
				<link>https://hcommons.org/groups/ancient-greece-rome/forum/topic/new-group-history-of-slavery-and-unfreedom-2/</link>
				<pubDate>Sat, 01 Jun 2024 22:07:01 -0400</pubDate>

									<content:encoded><![CDATA[<p><strong>Welcome to the &#8216;History of Slavery and Unfreedom&#8217;</strong></p>
<p>So far as I am aware, this is the first and only Humanities Commons group dedicated to the study of slavery.*</p>
<p>The past decade has seen a large number of publications that address slavery in a range of historical societies (e.g., <em><a href="https://www.cambridge.org/core/series/cambridge-world-history-of-slavery/23FA76D353956CE0B10BDAEAED4485B9" rel="nofollow ugc">The Cambridge World History</a></em>; <a href="https://link.springer.com/book/10.1007/978-3-031-13260-5" rel="nofollow ugc"><em>The Palgrave Handbook</em></a>; <a href="https://onlinelibrary.wiley.com/doi/book/10.1002/9781119162544" rel="nofollow ugc"><em>On Human&hellip;</em></a><span class="activity-read-more" id="activity-read-more-1887831"><a href="https://hcommons.org/groups/ancient-greece-rome/forum/topic/new-group-history-of-slavery-and-unfreedom-2/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">1fbd0124e8b56f051384020b58abc447</guid>
				<title>Thomas J. Nelson deposited Sappho’s Rose-Fingered Moon and Traditional Referentiality in the group Ancient Greece &#38; Rome</title>
				<link>https://hcommons.org/activity/p/1886477/</link>
				<pubDate>Sat, 18 May 2024 03:07:38 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article reassesses Sappho&#8217;s description of the moon as βροδοδάκτυλος, “rose-fingered” (fr. 96.8 Voigt)—an epithet that is usually restricted to Dawn in archaic poetry. This apparent incongruity has prompted much perplexity among scholars, with various attempts to explain the adjective’s significance, or even to emend the epithet away. Here, I&hellip;<span class="activity-read-more" id="activity-read-more-1886477"><a href="https://hcommons.org/activity/p/1886477/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">06012a6c4ca70cd6833bd0feb05dad01</guid>
				<title>Meredith Warren deposited Bearing a “Jewish Weight”: A New Interpretation of a Greek Comedic Papyrus About Athletics (CPJ 3.519) in the group Ancient Greece &#38; Rome</title>
				<link>https://hcommons.org/activity/p/1884596/</link>
				<pubDate>Wed, 01 May 2024 03:22:32 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article offers a new interpretation of the phrase “Jewish weight,” especially as it is used in the Greek papyrus known as CPJ 3.519. The Roman-era papyrus preserves part of a work of otherwise unknown fiction, probably a script of a comedic mime about an athletic contest in a gymnasium. Contrary to previous interpreters, a new reading of the&hellip;<span class="activity-read-more" id="activity-read-more-1884596"><a href="https://hcommons.org/activity/p/1884596/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Adam Parker deposited Teething Problems: Pierced tooth amulets and sensing pain in the Roman archaeological record in the group Ancient Greece &#38; Rome</title>
				<link>https://hcommons.org/activity/p/1877895/</link>
				<pubDate>Tue, 27 Feb 2024 03:00:03 -0500</pubDate>

									<content:encoded><![CDATA[<p>References in ancient literary texts refer to the use of pierced teeth as amulets used for the prevention and reduction of teething pains in infants. In this paper, I explore some of the sensory aspects of this phenomenon by centralising pain as a sensory experience. I draw on a dataset of these objects from Roman Britain in order to contextualise&hellip;<span class="activity-read-more" id="activity-read-more-1877895"><a href="https://hcommons.org/activity/p/1877895/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">747db96ae9f6b00aace7546889130d9e</guid>
				<title>Elodie Paillard deposited Les ludi Graeci chez Cicéron in the group Ancient Greece &#38; Rome</title>
				<link>https://hcommons.org/activity/p/1868901/</link>
				<pubDate>Fri, 22 Dec 2023 03:01:04 -0500</pubDate>

									<content:encoded><![CDATA[<p>This article re-analyses in detail the meaning of the expression ludi Graeci which appears in two of Cicero’s letters (Ad Fam. 7,1 and Ad Att. 15,5). A careful examination of the first instance reveals that ludi Graeci indeed referred to theatrical performances in Greek language and not merely to Latin plays that followed Greek models. A brief s&hellip;<span class="activity-read-more" id="activity-read-more-1868901"><a href="https://hcommons.org/activity/p/1868901/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">d6f8be6018bf326eeb7e7f16338f8bcd</guid>
				<title>Mark Beumer deposited From Mithras to Jesus. Ritual Dynamics of Christmas in the group Ancient Greece &#38; Rome</title>
				<link>https://hcommons.org/activity/p/1867642/</link>
				<pubDate>Tue, 12 Dec 2023 03:00:11 -0500</pubDate>

									<content:encoded><![CDATA[<p>At Christmas, Christians celebrate that Jesus was born on December 25 as the son of God andthe Virgin Mary. But this event is not unique. In this article, I show that the birth of Jesus hasseveral non-Christian predecessors, whereby various elements of the ritual dynamics have beenChristianized and implemented into the figure we know today as Jesus Christ.</p>
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				<guid isPermaLink="false">be492bc40d05fe4489194aaef5e4d6a7</guid>
				<title>Elodie Paillard deposited 5 Greek Theatre in Roman Italy: From Elite to Autocratic Performances in the group Ancient Greece &#38; Rome</title>
				<link>https://hcommons.org/activity/p/1862389/</link>
				<pubDate>Mon, 23 Oct 2023 03:00:03 -0400</pubDate>

									<content:encoded><![CDATA[<p>Elodie Paillard, &#8216;Greek Theatre in Roman Italy: From Elite to Autocratic Performances&#8217;, in E. Csapo, H.R. Goette, J. R. Green, B. Le Guen, E. Paillard, J. Stoop, P. Wilson, Theatre and Autocracy in the Ancient World, De Gruyter, 2022</p>
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				<guid isPermaLink="false">89bf0b8f938302a1b223f04e9e4fc7c3</guid>
				<title>Elodie Paillard deposited The Stage and the City in the group Ancient Greece &#38; Rome</title>
				<link>https://hcommons.org/activity/p/1862211/</link>
				<pubDate>Fri, 20 Oct 2023 03:00:03 -0400</pubDate>

									<content:encoded><![CDATA[<p>This book explores the staging of non-élite characters in the seven extant tragedies of Sophocles and how they related to contemporary middling citizens. The structure of fifth-century Athenian society underwent deep changes between the early and late plays of Sophocles. The appearance and growing political importance of a middling&hellip;<span class="activity-read-more" id="activity-read-more-1862211"><a href="https://hcommons.org/activity/p/1862211/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">e6ee4794da2811506ab3a73a731df70a</guid>
				<title>Lloyd Graham deposited A life in the balance: Divine judgement by weighing in the group Ancient Greece &#38; Rome</title>
				<link>https://hcommons.org/activity/p/1859627/</link>
				<pubDate>Mon, 25 Sep 2023 18:03:23 -0400</pubDate>

									<content:encoded><![CDATA[<p>This paper compares psychostasia and/or kerostasia concepts from Indo-European, Semitic and adjacent cultures, and relates them to Cognitive Metaphor Theory. In the context of metaphysical weighing, the religions of ancient Egypt, Greece and Rome all associated lightness with goodness and/or a favourable outcome; Hinduism does likewise. The&hellip;<span class="activity-read-more" id="activity-read-more-1859627"><a href="https://hcommons.org/activity/p/1859627/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">51c4b00b2f67e54db75d4a5bddfe145d</guid>
				<title>Danijela Tešić Radovanović deposited Some Aspects of Decorations on Early Christian Lamps from the Central Balkans, in the group Ancient Greece &#38; Rome</title>
				<link>https://hcommons.org/activity/p/1855371/</link>
				<pubDate>Thu, 17 Aug 2023 01:09:10 -0400</pubDate>

									<content:encoded><![CDATA[<p>This paper aims to examine models by which symbolism of light and lamp in<br />
the Mediterranean region was manifested in the early Christian visual culture,<br />
i.e. lamp representations from Central Balkans. Lamps with Early<br />
Christian representations are considered in the context of transculturality<br />
of Late Antiquity, as well as political and&hellip;<span class="activity-read-more" id="activity-read-more-1855371"><a href="https://hcommons.org/activity/p/1855371/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">48c627c4408977b8e93aac69abc2836e</guid>
				<title>Henry Colburn deposited A Brief Historiography of Parthian Art, from Winckelmann to Rostovtzeff in the group Ancient Greece &#38; Rome</title>
				<link>https://hcommons.org/activity/p/1847835/</link>
				<pubDate>Thu, 01 Jun 2023 02:24:29 -0400</pubDate>

									<content:encoded><![CDATA[<p>The early history of the study of Parthian art may be profitably divided into three overlapping phases. The first phase, ‘Ordering’, begins with Johann Joachim Winckelmann’s dismissive assessment of Parthian art, at this point known mainly from coins, as derivative and barbaric. The second phase, ‘Exploration’, begins in the mid-ninet&hellip;<span class="activity-read-more" id="activity-read-more-1847835"><a href="https://hcommons.org/activity/p/1847835/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">c1ef5e0fcd60e705707eca5943fa1ea7</guid>
				<title>Mark Beumer deposited Hygieia. Identity, Cult and Reception in the group Ancient Greece &#38; Rome</title>
				<link>https://hcommons.org/activity/p/1846899/</link>
				<pubDate>Tue, 23 May 2023 02:25:43 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article examines the Greek goddess Hygieia by looking at her identity, cult status in the ancient world and subsequent scholarly reception. Should she be viewed as a goddess or a personification? By studying Hygieia primarily as a concept of health within ancient medicine, as well as a personification and a goddess, it will be argued that&hellip;<span class="activity-read-more" id="activity-read-more-1846899"><a href="https://hcommons.org/activity/p/1846899/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">bd236189ca81233b944534ca8a576fb8</guid>
				<title>Mark Beumer deposited A Woman’s Touch. Hygieia, Health and Incubation in the group Ancient Greece &#38; Rome</title>
				<link>https://hcommons.org/activity/p/1846893/</link>
				<pubDate>Tue, 23 May 2023 02:25:04 -0400</pubDate>

									<content:encoded><![CDATA[<p>In this paper, I argue that Hygieia has to be viewed as a full goddess in Greek religion and medicine, with a special focus on her position within the Asklepios cult. I will examine her identity, to which scholars attribute several labels like goddess, abstraction and personification. I further argue that Hygieia’s role in performing incubation r&hellip;<span class="activity-read-more" id="activity-read-more-1846893"><a href="https://hcommons.org/activity/p/1846893/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">f73f81c80830a09eca68d868444c0b72</guid>
				<title>Mark Beumer deposited The Foundation of Anthropology to Ritual Studies in the group Ancient Greece &#38; Rome</title>
				<link>https://hcommons.org/activity/p/1846887/</link>
				<pubDate>Tue, 23 May 2023 02:24:06 -0400</pubDate>

									<content:encoded><![CDATA[<p>The present paper aims to investigate the role of anthropology in the development of Ritual Studies as an inter-disciplinary platform, with a focus on ritual dynamics by using a historiographic description, focusing on thetransition of Greco-Roman to Christian culture. This study attempts to shed light not only on the contributionof anthropology&hellip;<span class="activity-read-more" id="activity-read-more-1846887"><a href="https://hcommons.org/activity/p/1846887/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">04081e62157f754426a6d45af5870996</guid>
				<title>Elton Barker deposited Journeying through Space and Time with Pausanias’s Description of Greece in the group Ancient Greece &#38; Rome</title>
				<link>https://hcommons.org/activity/p/1839755/</link>
				<pubDate>Wed, 05 Apr 2023 02:23:53 -0400</pubDate>

									<content:encoded><![CDATA[<p>Sometime in the second century CE, Pausanias of Magnesia (modern-day Turkey) wrote the Description of Greece. Ostensibly a tour of the places to see on the Greek mainland, the Description also provides historical accounts related to the topography through which Pausanias moves. Little attention has been given to how these building blocks of&hellip;<span class="activity-read-more" id="activity-read-more-1839755"><a href="https://hcommons.org/activity/p/1839755/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">52b5ff9a92e6a35357d825fe47564479</guid>
				<title>Ermanno Malaspina deposited For a Pre-history and Post-history of the Corpus Leidense With a List of the Manuscripts of De natura deorum in the group Ancient Greece &#38; Rome</title>
				<link>https://hcommons.org/activity/p/1835113/</link>
				<pubDate>Thu, 23 Feb 2023 02:23:38 -0500</pubDate>

									<content:encoded><![CDATA[<p>The present article examines the Corpus Leidense, the group of eight Ciceronian treatises among which the De natura deorum was also transmitted, focusing on its archetype. The second and longer section contains the first complete list of the 174 identified manuscripts of De natura deorum, with 57 new items added to the 117 already listed by Pease&hellip;<span class="activity-read-more" id="activity-read-more-1835113"><a href="https://hcommons.org/activity/p/1835113/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">77f73f6404f7131aa2308f8c9bed4024</guid>
				<title>Elton Barker deposited BMCR review of  Greta Hawes, Pausanias in the world of Greek myth. Oxford; New York: Oxford University Press, 2021. Pp. xii, 237. ISBN 9780198832553 in the group Ancient Greece &#38; Rome</title>
				<link>https://hcommons.org/activity/p/1834850/</link>
				<pubDate>Mon, 20 Feb 2023 02:24:03 -0500</pubDate>

									<content:encoded><![CDATA[<p>Recent scholarship has done much to challenge the long-held antipathy towards Pausanias, even if some of the best studies appear “enamored not so much of Pausanias himself as they are of the idea of Pausanias”. As one of the leading new Pausaniacs, Greta Hawes has been at the vanguard of efforts to get the measure of this storied landscape. Her&hellip;<span class="activity-read-more" id="activity-read-more-1834850"><a href="https://hcommons.org/activity/p/1834850/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">e24fda2f56d9b9b59e5be94ac84be5d1</guid>
				<title>Elton Barker deposited Die Another Day: Sarpedon, Aristodemos, and Homeric Intertextuality in Herodotus in the group Ancient Greece &#38; Rome</title>
				<link>https://hcommons.org/activity/p/1833858/</link>
				<pubDate>Sat, 11 Feb 2023 02:27:59 -0500</pubDate>

									<content:encoded><![CDATA[<p>The subject of this chapter is a single contested word in Herodotus&#8217; Histories. In it I explore its semantic range and use it to think about broader questions of Herodotus’ interplay with Homer. Where many of the Homeric touches in Herodotus can be put down to, and more productively used, as examples of traditional referentiality or, at least, n&hellip;<span class="activity-read-more" id="activity-read-more-1833858"><a href="https://hcommons.org/activity/p/1833858/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">54f0db233885214df9a578b21281a56b</guid>
				<title>Olivier Dufault deposited Early Greek Alchemy, Patronage and Innovation in Late Antiquity in the group Ancient Greece &#38; Rome</title>
				<link>https://hcommons.org/activity/p/1816080/</link>
				<pubDate>Sun, 02 Oct 2022 02:23:45 -0400</pubDate>

									<content:encoded><![CDATA[<p>New evidence on scholarly patronage under the Roman empire can be garnered by analyzing the descriptions of learned magoi in several texts from the second to the fourth century CE. Since a common use of the term magos connoted flatterer-like figures (kolakes), it is likely that the figures of “learned sorcerers” found in texts such as Luc&hellip;<span class="activity-read-more" id="activity-read-more-1816080"><a href="https://hcommons.org/activity/p/1816080/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">b09cc5698114124e4a615fd6daec8a1f</guid>
				<title>Thomas J. Nelson deposited Iphigenia in the Iliad and the Architecture of Homeric Allusion in the group Ancient Greece &#38; Rome</title>
				<link>https://hcommons.org/activity/p/1793767/</link>
				<pubDate>Sun, 11 Sep 2022 02:26:45 -0400</pubDate>

									<content:encoded><![CDATA[<p>In this paper, I argue that the traditional narrative of Iphigenia’s sacrifice lies allusively behind the opening scenes of the Iliad (1.8–487). Scholars have long suspected that this episode is evoked in Agamemnon’s scathing rebuke of Calchas (1.105–8), but I contend that this is only one moment in a far more sustained allusive dialogue: both th&hellip;<span class="activity-read-more" id="activity-read-more-1793767"><a href="https://hcommons.org/activity/p/1793767/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">c512da43c2fcec190bcb86c2eca890ac</guid>
				<title>Thomas J. Nelson deposited Beating the Galatians: Ideologies, Analogies and Allegories in Hellenistic Literature and Art in the group Ancient Greece &#38; Rome</title>
				<link>https://hcommons.org/activity/p/1793766/</link>
				<pubDate>Sun, 11 Sep 2022 02:26:18 -0400</pubDate>

									<content:encoded><![CDATA[<p>Hellenistic literature and art commemorated victories over the Galatians through a variety of analogies and allegories, ranging from the historical Persian Wars to the cosmic Gigantomachy: each individual victory was incorporated into a larger sequence in which order constantly quelled the forces of chaos. This paper explores this analogical&hellip;<span class="activity-read-more" id="activity-read-more-1793766"><a href="https://hcommons.org/activity/p/1793766/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Thomas J. Nelson deposited Intertextual Agōnes in Archaic Greek Epic: Penelope vs. the Catalogue of Women in the group Ancient Greece &#38; Rome</title>
				<link>https://hcommons.org/activity/p/1793765/</link>
				<pubDate>Sun, 11 Sep 2022 02:25:52 -0400</pubDate>

									<content:encoded><![CDATA[<p>Archaic Greek epic exhibits a pervasive eristic intertextuality, repeatedly positioning its heroes and itself against pre-existing traditions. Here I focus on a specific case study from the Odyssey: Homer’s agonistic relationship with the Catalogue of Women tradition. Hesiodic-style Catalogue poetry has long been recognized as an important i&hellip;<span class="activity-read-more" id="activity-read-more-1793765"><a href="https://hcommons.org/activity/p/1793765/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Thomas J. Nelson deposited Archilochus’ Cologne Epode and Homer’s Quivering Spear (fr. 196a.52 IEG2) in the group Ancient Greece &#38; Rome</title>
				<link>https://hcommons.org/activity/p/1793764/</link>
				<pubDate>Sun, 11 Sep 2022 02:25:25 -0400</pubDate>

									<content:encoded><![CDATA[<p>In this note, I highlight a hitherto unrecognized literary resonance in the climactic final verses of Archilochus&#8217; First Cologne Epode: Archilochus parodically and subversively reworks the Homeric description of a quivering spear. This Homeric resonance caps the poem&#8217;s ongoing clash between the generic conventions of epic and iambus, while also&hellip;<span class="activity-read-more" id="activity-read-more-1793764"><a href="https://hcommons.org/activity/p/1793764/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">101f75986a29864b836328ffc4b2f6c2</guid>
				<title>Thomas J. Nelson deposited Repeating the Unrepeated: Allusions to Homeric Hapax Legomena in Archaic and Classical Greek Poetry in the group Ancient Greece &#38; Rome</title>
				<link>https://hcommons.org/activity/p/1793763/</link>
				<pubDate>Sun, 11 Sep 2022 02:24:59 -0400</pubDate>

									<content:encoded><![CDATA[<p>In this paper, I investigate the repetition of Homeric hapax legomena in archaic and classical Greek poetry. Scholars frequently assume that fine-grained engagement with Homeric rarities is a distinctive feature of the Hellenistic period, but I reveal the significant precedent for this phenomenon in earlier poetry. Proceeding through comedy,&hellip;<span class="activity-read-more" id="activity-read-more-1793763"><a href="https://hcommons.org/activity/p/1793763/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">6d279bdc8c63d6ecd22969c216fd9c2b</guid>
				<title>Thomas J. Nelson deposited Tragic Noise and Rhetorical Frigidity in Lycophron’s Alexandra in the group Ancient Greece &#38; Rome</title>
				<link>https://hcommons.org/activity/p/1793762/</link>
				<pubDate>Sun, 11 Sep 2022 02:24:33 -0400</pubDate>

									<content:encoded><![CDATA[<p>This paper seeks to shed fresh light on the aesthetic and stylistic affiliations of Lycophron’s Alexandra, approaching the poem from two distinct but complementary angles. First, it explores what can be gained by reading Lycophron’s poem against the backdrop of Callimachus’ poetry. It contends that the Alexandra presents a radical and polem&hellip;<span class="activity-read-more" id="activity-read-more-1793762"><a href="https://hcommons.org/activity/p/1793762/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">2698089e1deec8909eb9cc01358b74a6</guid>
				<title>Thomas J. Nelson deposited The Coma Stratonices: Royal Hair Encomia and Ptolemaic-Seleucid Rivalry? in the group Ancient Greece &#38; Rome</title>
				<link>https://hcommons.org/activity/p/1793761/</link>
				<pubDate>Sun, 11 Sep 2022 02:24:06 -0400</pubDate>

									<content:encoded><![CDATA[<p>In this paper, I investigate how Ptolemaic poets&#8217; presentation of their queens compares with and relates to the practice of their major rivals, the Seleucids. No poetic celebration of a Seleucid queen survives extant, but an anecdote preserved by Lucian sheds intriguing light on Seleucid poetic practice (Pro Imaginibus 5): queen Stratonice, bald&hellip;<span class="activity-read-more" id="activity-read-more-1793761"><a href="https://hcommons.org/activity/p/1793761/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">35b38f830ed29e2ed8eca941cf827c95</guid>
				<title>Thomas J. Nelson deposited Achilles’ Heel: (Im)mortality in the Iliad in the group Ancient Greece &#38; Rome</title>
				<link>https://hcommons.org/activity/p/1793760/</link>
				<pubDate>Sun, 11 Sep 2022 02:23:39 -0400</pubDate>

									<content:encoded><![CDATA[<p>In this article for sixth-formers and school teachers, I explore the story of Achilles&#8217; heel and Homer&#8217;s likely suppression of the myth in the Iliad. Homer&#8217;s Iliad appears to acknowledge, but simultaneously reject, an alternative tradition in which Achilles was more than mortal, part of a broader downplaying of heroic invulnerability and&hellip;<span class="activity-read-more" id="activity-read-more-1793760"><a href="https://hcommons.org/activity/p/1793760/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Sarah Bond deposited “Chapter 7: Maintaining the City Enslaved Labor and Trade in Roman Philippi” in the group Ancient Greece &#38; Rome</title>
				<link>https://hcommons.org/activity/p/1791359/</link>
				<pubDate>Wed, 24 Aug 2022 02:24:38 -0400</pubDate>

									<content:encoded><![CDATA[<p>“Chapter 7: Maintaining the City Enslaved Labor and Trade in Roman Philippi” in Philippi, From Colonia Augusta to Communitas Christiana: Religion and Society in Transition, edited by  Steven J. Friesen, Michalis Lychounas, and Daniel N. Schowalter (Leiden: Brill, 2021).</p>
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				<guid isPermaLink="false">465b278ed2752fa651d37f941f8f8b45</guid>
				<title>Johannes Bernhardt deposited From Homer to Solon. Continuity and Change in Archaic Greece in the group Ancient Greece &#38; Rome</title>
				<link>https://hcommons.org/activity/p/1790481/</link>
				<pubDate>Mon, 15 Aug 2022 02:24:04 -0400</pubDate>

									<content:encoded><![CDATA[<p>The study of Archaic Greece has undergone a fundamental transformation in recent decades. Whereas studies up to the 1980s had favoured narratives that converged on the more tangible reality of the Classical period and emphasized radical change, the increase in archaeological data and the cultural turn have led to an emphasis on long-term&hellip;<span class="activity-read-more" id="activity-read-more-1790481"><a href="https://hcommons.org/activity/p/1790481/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">de922a1bcbd2b5a1f6da55a414c842a5</guid>
				<title>John Penniman deposited The Health-Giving Cup: Cyprian's Ep. 63 and the Medicinal Power of Eucharistic Wine in the group Ancient Greece &#38; Rome</title>
				<link>https://hcommons.org/activity/p/1774709/</link>
				<pubDate>Tue, 15 Mar 2022 02:26:17 -0400</pubDate>

									<content:encoded><![CDATA[<p>Cyprian’s Epistle 63 represents the earliest extant account of the proper meaning and administration of the eucharistic cup. Against a group of Christians who were taking only water, Cyprian argues that wine is necessary for the ritual to be effective. While there has been much discussion surrounding the biblical references marshaled by Cyprian t&hellip;<span class="activity-read-more" id="activity-read-more-1774709"><a href="https://hcommons.org/activity/p/1774709/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">f9a10264d8c2708147d38cb69823df3f</guid>
				<title>John Penniman deposited Blended with the Savior: Gregory of Nyssa's Eucharistic Pharmacology in the group Ancient Greece &#38; Rome</title>
				<link>https://hcommons.org/activity/p/1774705/</link>
				<pubDate>Tue, 15 Mar 2022 02:25:30 -0400</pubDate>

									<content:encoded><![CDATA[<p>Humankind, for Gregory of Nyssa, was poisoned through a primordial act of eating the forbidden fruit from the Garden of Eden. As a result, the toxin of sin and death has been blended into the body and soul of each person, dispersing itself throughout the component parts of their nature. If eating and drinking initiated the spiritual and physical&hellip;<span class="activity-read-more" id="activity-read-more-1774705"><a href="https://hcommons.org/activity/p/1774705/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">017ce03923e850ef6db0491c7ea21107</guid>
				<title>John Penniman deposited How Gay Were the Early Christians? Or, The Perils of Hyperbole in Historiography in the group Ancient Greece &#38; Rome</title>
				<link>https://hcommons.org/activity/p/1774701/</link>
				<pubDate>Tue, 15 Mar 2022 02:24:51 -0400</pubDate>

									<content:encoded><![CDATA[<p>Review of Douglas Boin&#8217;s Coming Out Christian in the Roman World</p>
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				<guid isPermaLink="false">3090949c51c14bf1448a898a34d6bef9</guid>
				<title>John Penniman deposited Review of Seducing Augustine: Bodies, Desires, Confessions in the group Ancient Greece &#38; Rome</title>
				<link>https://hcommons.org/activity/p/1774696/</link>
				<pubDate>Tue, 15 Mar 2022 02:24:02 -0400</pubDate>

									<content:encoded><![CDATA[<p>Review of Seducing Augustine, by Virginia Burrus, Karmen MacKendrick, and Mark Jordan (2010)</p>
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				<guid isPermaLink="false">803a1dca06fc7334b70c6726b3de4f49</guid>
				<title>Elodie Paillard deposited Looking for Sociolects in Classical Greek Tragedy: A Digital Tool for Measuring Linguistic/Discursive Complexity in the group Ancient Greece &#38; Rome</title>
				<link>https://hcommons.org/activity/p/1772794/</link>
				<pubDate>Wed, 23 Feb 2022 02:23:38 -0500</pubDate>

									<content:encoded><![CDATA[<p>This paper re-examines the question of the presence of distinct sociolects in Classical Athenian tragedy (Aeschylus, Sophocles, Euripides). While the general idea is that all characters in tragedy spoke a similar language, without much distinction between sociolects that could have marked their socio-political status, some recent research has&hellip;<span class="activity-read-more" id="activity-read-more-1772794"><a href="https://hcommons.org/activity/p/1772794/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">33c23fe3caa0c35aaa86b4876ad7abf6</guid>
				<title>Travis Proctor deposited Hospitality, not Honors: Portraits and Patronage in the Acts of John in the group Ancient Greece &#38; Rome</title>
				<link>https://hcommons.org/activity/p/1772278/</link>
				<pubDate>Fri, 18 Feb 2022 02:23:38 -0500</pubDate>

									<content:encoded><![CDATA[<p>In this article, I examine how the apocryphal Acts of John depicts wealthy Christian<br />
converts as part of the “Christianization” of Ephesus. I note how the Acts of John<br />
uses its portrayal of leading citizens not only to critique, but to preserve and<br />
adapt prevailing expectations surrounding Greco-Roman cultic patronage. My<br />
analysis com&hellip;<span class="activity-read-more" id="activity-read-more-1772278"><a href="https://hcommons.org/activity/p/1772278/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">32d73de8687c4b42abe840e9c30a2fa4</guid>
				<title>Henry Colburn deposited King Darius' Red Sea Canal in the group Ancient Greece &#38; Rome</title>
				<link>https://hcommons.org/activity/p/1772056/</link>
				<pubDate>Wed, 16 Feb 2022 02:24:09 -0500</pubDate>

									<content:encoded><![CDATA[<p>The Persian King Darius I (reigned 522-486 BCE) constructed a canal connecting the Nile to the Red Sea – an ancient precursor to the Suez Canal that made it possible to sail from Egypt to Persia, and to places in between.</p>
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				<guid isPermaLink="false">dc7e1c5fc3055b52fa61a4b23fe6039e</guid>
				<title>Elodie Paillard deposited Greek to Latin and Back: Did Roman Theatre Change Greek Theatre? in the group Ancient Greece &#38; Rome</title>
				<link>https://hcommons.org/activity/p/1759754/</link>
				<pubDate>Fri, 26 Nov 2021 02:25:22 -0500</pubDate>

									<content:encoded><![CDATA[<p>Chapter on the interactions between Roman theatrical tradition and late dramatic production in Greek language.</p>
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				<title>Elodie Paillard deposited "Theatre", "Paratheatre", "Metatheatre": What are we talking about? in the group Ancient Greece &#38; Rome</title>
				<link>https://hcommons.org/activity/p/1759750/</link>
				<pubDate>Fri, 26 Nov 2021 02:24:50 -0500</pubDate>

									<content:encoded><![CDATA[<p>Introductory chapter to the collective volume &#8216;Theatre and Metatheare: Definitions, Problems, Limits&#8217;</p>
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				<title>Elodie Paillard deposited Theatre and Metatheatre: Definitions, Problems, Limits in the group Ancient Greece &#38; Rome</title>
				<link>https://hcommons.org/activity/p/1759746/</link>
				<pubDate>Fri, 26 Nov 2021 02:24:12 -0500</pubDate>

									<content:encoded><![CDATA[<p>The aim of this book is to explore the definition(s) of ‘theatre’ and ‘metatheatre’ that scholars use when studying the ancient Greek world. Although in modern languages their meaning is mostly straightforward, both concepts become problematical when applied to ancient reality. In fact, ‘theatre’ as well as ‘metatheatre’ are used in many differe&hellip;<span class="activity-read-more" id="activity-read-more-1759746"><a href="https://hcommons.org/activity/p/1759746/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">438b9acfee13665abd28360a3d217e16</guid>
				<title>Elton Barker deposited Pelagios – Connecting Histories of Place. Part I: Methods and Tools in the group Ancient Greece &#38; Rome</title>
				<link>https://hcommons.org/activity/p/1758312/</link>
				<pubDate>Fri, 12 Nov 2021 02:23:38 -0500</pubDate>

									<content:encoded><![CDATA[<p>This article provides a short history of the methods and tools developed by the Pelagios initiative: a series of seven projects dedicated to linking digital historical resources based on the geographic places to which they relate and refer. The first section of the article situates the work within the wider field of semantic and geospatial&hellip;<span class="activity-read-more" id="activity-read-more-1758312"><a href="https://hcommons.org/activity/p/1758312/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">33dc31baad04fe6ac9f6fa7a94509105</guid>
				<title>Thomas J. Nelson deposited Attalid Aesthetics. The Pergamene ‘Baroque’ Reconsidered in the group Ancient Greece &#38; Rome</title>
				<link>https://hcommons.org/activity/p/1758218/</link>
				<pubDate>Thu, 11 Nov 2021 02:24:28 -0500</pubDate>

									<content:encoded><![CDATA[<p>In this paper, I explore the literary aesthetics of Attalid Pergamon, one of the Ptolemies’ fiercest cultural rivals in the Hellenistic period. Traditionally, scholars have reconstructed Pergamene poetry from the city’s grand and monumental sculptural programme, hypothesizing an underlying aesthetic dichotomy between the two kingdoms: Ale&hellip;<span class="activity-read-more" id="activity-read-more-1758218"><a href="https://hcommons.org/activity/p/1758218/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">3dd5dcbb5ddf0c8028d34f542d487478</guid>
				<title>Thomas J. Nelson deposited Metapoetic Manoeuvres Between Callimachus and Apollonius: A Response to Annette Harder in the group Ancient Greece &#38; Rome</title>
				<link>https://hcommons.org/activity/p/1758217/</link>
				<pubDate>Thu, 11 Nov 2021 02:23:50 -0500</pubDate>

									<content:encoded><![CDATA[<p>This article reconsiders a number of the metapoetic oppositions which Harder has identified between Callimachus and Apollonius (in the lead article of this volume of Aevum Antiquum, &#8216;Aspects of the Interaction between Apollonius Rhodius and Callimachus&#8217;) and subjects them to closer scrutiny. First, I explore two metapoetic motifs (talking birds&hellip;<span class="activity-read-more" id="activity-read-more-1758217"><a href="https://hcommons.org/activity/p/1758217/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">c2c94cfa43db8790d5841a17d37367fd</guid>
				<title>Stephe Harrop deposited Herakles on Chesil Bank: The Archers, Disavowable Classicism, and The Small Back Room in the group Ancient Greece &#38; Rome</title>
				<link>https://hcommons.org/activity/p/1755622/</link>
				<pubDate>Sun, 17 Oct 2021 02:23:38 -0400</pubDate>

									<content:encoded><![CDATA[<p>The film The Small Back Room was written and directed by Michael Powell and Emeric Pressburger, and released in 1949. It is the wartime tale of an injured and embittered back-room scientist, who is recruited to help combat a new kind of explosive device. Based on Nigel Balchin’s 1943 novel, the film significantly alters the story’s climactic seq&hellip;<span class="activity-read-more" id="activity-read-more-1755622"><a href="https://hcommons.org/activity/p/1755622/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">f52c0581bedc2a442e246b91e483e499</guid>
				<title>Elodie Paillard deposited The Structural Evolution of Fifth-Century Athenian Society: Archaeological Evidence and Literary Sources in the group Ancient Greece &#38; Rome</title>
				<link>https://hcommons.org/activity/p/1755343/</link>
				<pubDate>Thu, 14 Oct 2021 02:23:39 -0400</pubDate>

									<content:encoded><![CDATA[<p>The structure of fifth-century Athenian society remains largely unknown, as is the distribution of its citizens into different socio-political categories. Ancient literary sources mostly describe a society divided into élite and poor. However, the model of a society alternately dominated by<br />
the élite and the ‘lower-class’ is to be recon&hellip;<span class="activity-read-more" id="activity-read-more-1755343"><a href="https://hcommons.org/activity/p/1755343/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Henry Colburn deposited A Parthian Shot of Potential Arsacid Date in the group Ancient Greece &#38; Rome</title>
				<link>https://hcommons.org/activity/p/1754499/</link>
				<pubDate>Sat, 09 Oct 2021 02:23:51 -0400</pubDate>

									<content:encoded><![CDATA[<p>This paper publishes a ceramic bowl in the Metropolitan Museum of Art depicting a Parthian shot. Although it lacks archaeological provenance, the bowl can be dated to the 4th to 2nd centuries BCE, and probably comes from northwestern Iran. It is, therefore, one of the few possible instances of a Parthian shot from the Arsacid Empire.</p>
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				<guid isPermaLink="false">be369bd0a65b946faa0e2ed86335e123</guid>
				<title>Elodie Paillard deposited Secondary Characters' Rhetorical Skills in Fifth-Century Athenian Tragedy in the group Ancient Greece &#38; Rome</title>
				<link>https://hcommons.org/activity/p/1754195/</link>
				<pubDate>Fri, 08 Oct 2021 02:23:38 -0400</pubDate>

									<content:encoded><![CDATA[<p>This chapter examines the rhetorical skills displayed by secondary (low–status)<br />
characters in the extant tragedies of Aeschylus, Sophocles, and Euripides. “Rhetorical<br />
skills” are here broadly understood as the abilities required to have one’s voice heard and<br />
one’s opinion taken into account. These speaking abilities contribute to the socio–pol&hellip;<span class="activity-read-more" id="activity-read-more-1754195"><a href="https://hcommons.org/activity/p/1754195/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">2967e630ffe66a0266399d1658f9c5f7</guid>
				<title>Henry Colburn deposited Von Silber und Getreide – Zahlungsmittel und Wirtschaft im Achämenidenreich in the group Ancient Greece &#38; Rome</title>
				<link>https://hcommons.org/activity/p/1750077/</link>
				<pubDate>Thu, 26 Aug 2021 02:24:55 -0400</pubDate>

									<content:encoded><![CDATA[<p>A short essay on the different forms of money used in the Achaemenid Persian Empire. Translated into German by Julia Linke.</p>
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