https://sah.hcommons.org/members/swithinbank/activity/ Activity feed for Christopher Swithinbank. Sat, 04 Apr 2026 03:00:28 -0400 https://buddypress.org/?v=10.6.0 en-US 30 hourly 2 166202fa8b3b3512484e13f6cede07f8 https://hcommons.org/activity/p/1628409/ Wed, 09 Jan 2019 01:42:02 -0500 On the music of Carolyn Chen and how New Materialist theories of vibration, vibrancy, and animation intersect with histories of race and subjecthood.

]]> 0 ab855e39882e539685482781174b1dbe https://hcommons.org/activity/p/1612173/ Sun, 01 Jul 2018 12:38:43 -0400 0 b940b686396c655feddcabb9f349ab30 https://hcommons.org/activity/p/1572892/ Fri, 02 Jun 2017 01:00:52 -0400 Two Pietàs in different media, the first by French painter William-Adolphe Bouguereau (1825–1905) and the second by Swedish composer Lisa Streich (1985-), permit an examination of the Pietà trope itself by laying open a range of its symbolic aspects. Bouguereau’s Pietà (1876) is discussed in terms of the grief and joy that are both presen…[Read more]

]]> 0 b940b686396c655feddcabb9f349ab30 https://hcommons.org/activity/p/1572891/ Fri, 02 Jun 2017 01:00:52 -0400 Two Pietàs in different media, the first by French painter William-Adolphe Bouguereau (1825–1905) and the second by Swedish composer Lisa Streich (1985-), permit an examination of the Pietà trope itself by laying open a range of its symbolic aspects. Bouguereau’s Pietà (1876) is discussed in terms of the grief and joy that are both presen…[Read more]

]]> 0 5466844fe8cb0d639bd6294da25f24ec https://hcommons.org/activity/p/1572890/ Fri, 02 Jun 2017 01:00:52 -0400 In April 2010, the Guildhall School of Music recognized German composer Helmut Lachenmann’s expertise in extended instrumental techniques, inviting him to give the keynote speech at a research day dedicated to contemporary performance practice; in May, he had a Fellowship of the Royal College of Music conferred upon him for his achievements as a…[Read more]

]]> 0 0be030586a6820d80b2c780953b35241 https://hcommons.org/activity/p/1572482/ Wed, 31 May 2017 12:23:37 -0400 Two Pietàs in different media, the first by French painter William-Adolphe Bouguereau (1825–1905) and the second by Swedish composer Lisa Streich (1985-), permit an examination of the Pietà trope itself by laying open a range of its symbolic aspects. Bouguereau’s Pietà (1876) is discussed in terms of the grief and joy that are both presen…[Read more]

]]> 0 22fe965ae7faa526755b942895d274a2 https://hcommons.org/activity/p/1572480/ Wed, 31 May 2017 12:16:59 -0400 In April 2010, the Guildhall School of Music recognized German composer Helmut Lachenmann’s expertise in extended instrumental techniques, inviting him to give the keynote speech at a research day dedicated to contemporary performance practice; in May, he had a Fellowship of the Royal College of Music conferred upon him for his achievements as a…[Read more]

]]> 0 185ee7bf06471fcb792f567896149980 https://hcommons.org/activity/p/1572478/ Wed, 31 May 2017 12:08:39 -0400 0