<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>SAH Commons | Stephen Llano | Activity</title>
	<link>https://sah.hcommons.org/members/stevellano/activity/</link>
	<atom:link href="https://sah.hcommons.org/members/stevellano/activity/feed/" rel="self" type="application/rss+xml" />
	<description>Activity feed for Stephen Llano.</description>
	<lastBuildDate>Sat, 04 Apr 2026 22:59:00 -0400</lastBuildDate>
	<generator>https://buddypress.org/?v=10.6.0</generator>
	<language>en-US</language>
	<ttl>30</ttl>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>2</sy:updateFrequency>
	
						<item>
				<guid isPermaLink="false">8ebefbbe2697d5003d04d4f26a51e0ef</guid>
				<title>Stephen Llano deposited Beating Rhetoric: Rhetorical Theory in the Beat Generation in the group Poetics and Poetry</title>
				<link>https://hcommons.org/activity/p/1565935/</link>
				<pubDate>Tue, 04 Apr 2017 01:00:33 -0400</pubDate>

									<content:encoded><![CDATA[<p>The beat generation has been examined as a social movement, literary period, and political statement from many different scholarly perspectives. Through the method of rhetorical criticism I tease out an implicit theory of rhetoric from the writings of the principal beat generation founders—namely Allen Ginsberg and Jack Kerouac. Offering a r&hellip;<span class="activity-read-more" id="activity-read-more-1565935"><a href="https://hcommons.org/activity/p/1565935/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">96ed68f898b6283a059fe301eedb763a</guid>
				<title>Stephen Llano deposited Beating Rhetoric: Rhetorical Theory in the Beat Generation in the group American Literature</title>
				<link>https://hcommons.org/activity/p/1565934/</link>
				<pubDate>Tue, 04 Apr 2017 01:00:21 -0400</pubDate>

									<content:encoded><![CDATA[<p>The beat generation has been examined as a social movement, literary period, and political statement from many different scholarly perspectives. Through the method of rhetorical criticism I tease out an implicit theory of rhetoric from the writings of the principal beat generation founders—namely Allen Ginsberg and Jack Kerouac. Offering a r&hellip;<span class="activity-read-more" id="activity-read-more-1565934"><a href="https://hcommons.org/activity/p/1565934/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">2a3705d8f90b936b8921a0ab182c2b5f</guid>
				<title>Stephen Llano deposited Placing the Poetic Corrective: William Carlos Williams, Kenneth Burke and the Poetic Imaginary in the group Rhetoric and Composition</title>
				<link>https://hcommons.org/activity/p/1565933/</link>
				<pubDate>Tue, 04 Apr 2017 01:00:21 -0400</pubDate>

									<content:encoded><![CDATA[<p>This essay explores the meaning of Kenneth Burke&#8217;s notion of the &#8220;poetic corrective&#8221; from his book Permanence and Change by examining the ideas of William Carlos Williams, a lifelong friend and frequent correspondent with Burke. Williams&#8217;s poetry is also examined as a potential model for the &#8220;poetic corrective,&#8221; which I suggest is what Burke might&hellip;<span class="activity-read-more" id="activity-read-more-1565933"><a href="https://hcommons.org/activity/p/1565933/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">75160606e67fa56c71ba1e90e01b1bab</guid>
				<title>Stephen Llano deposited Placing the Poetic Corrective: William Carlos Williams, Kenneth Burke and the Poetic Imaginary in the group American Literature</title>
				<link>https://hcommons.org/activity/p/1565932/</link>
				<pubDate>Tue, 04 Apr 2017 01:00:08 -0400</pubDate>

									<content:encoded><![CDATA[<p>This essay explores the meaning of Kenneth Burke&#8217;s notion of the &#8220;poetic corrective&#8221; from his book Permanence and Change by examining the ideas of William Carlos Williams, a lifelong friend and frequent correspondent with Burke. Williams&#8217;s poetry is also examined as a potential model for the &#8220;poetic corrective,&#8221; which I suggest is what Burke might&hellip;<span class="activity-read-more" id="activity-read-more-1565932"><a href="https://hcommons.org/activity/p/1565932/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">1d8e514c8cfc2bef9ea537bd9c21463e</guid>
				<title>Stephen Llano deposited Beating Rhetoric: Rhetorical Theory in the Beat Generation</title>
				<link>https://hcommons.org/activity/p/1565886/</link>
				<pubDate>Mon, 03 Apr 2017 16:59:33 -0400</pubDate>

									<content:encoded><![CDATA[<p>The beat generation has been examined as a social movement, literary period, and political statement from many different scholarly perspectives. Through the method of rhetorical criticism I tease out an implicit theory of rhetoric from the writings of the principal beat generation founders—namely Allen Ginsberg and Jack Kerouac. Offering a r&hellip;<span class="activity-read-more" id="activity-read-more-1565886"><a href="https://hcommons.org/activity/p/1565886/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">4c449414473e552afade15db46e94e09</guid>
				<title>Stephen Llano deposited Placing the Poetic Corrective: William Carlos Williams, Kenneth Burke and the Poetic Imaginary</title>
				<link>https://hcommons.org/activity/p/1565882/</link>
				<pubDate>Mon, 03 Apr 2017 16:51:07 -0400</pubDate>

									<content:encoded><![CDATA[<p>This essay explores the meaning of Kenneth Burke&#8217;s notion of the &#8220;poetic corrective&#8221; from his book _Permanence and Change_ by examining the ideas of William Carlos Williams, a lifelong friend and frequent correspondent with Burke. Williams&#8217;s poetry is also examined as a potential model for the &#8220;poetic corrective,&#8221; which I suggest is what Burke&hellip;<span class="activity-read-more" id="activity-read-more-1565882"><a href="https://hcommons.org/activity/p/1565882/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">10f4987be45b82aa7c4f4189776add03</guid>
				<title>Stephen Llano posted an update: This is new and exciting</title>
				<link>https://hcommons.org/activity/p/1565877/</link>
				<pubDate>Mon, 03 Apr 2017 16:24:55 -0400</pubDate>

									<content:encoded><![CDATA[<p>This is new and exciting</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">f90d83da002c47089eec228bad38d4fb</guid>
				<title>Stephen Llano changed their profile picture</title>
				<link>https://hcommons.org/activity/p/1565876/</link>
				<pubDate>Mon, 03 Apr 2017 16:10:37 -0400</pubDate>

				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">84629858c05d9f00f047855ae8e7d83b</guid>
				<title>Stephen Llano&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1565874/</link>
				<pubDate>Mon, 03 Apr 2017 16:09:08 -0400</pubDate>

				
									<slash:comments>0</slash:comments>
				
							</item>
		
	</channel>
</rss>