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	<title>SAH Commons | Raphael Grazziano | Activity</title>
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	<description>Activity feed for Raphael Grazziano.</description>
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				<title>Raphael Grazziano deposited Urban science between transparent management and corporate appropriation: A study concerning systems of urban assessment in the group Urban Studies</title>
				<link>https://hcommons.org/activity/p/1728727/</link>
				<pubDate>Wed, 24 Feb 2021 02:23:58 -0500</pubDate>

									<content:encoded><![CDATA[<p>Urban science is the planning branch that uses large scale data to establish new ways to govern cities, being systems of urban assessment an example of its contemporary manifestation. What Works Cities (WWC) from Bloomberg Philanthropies and Leadership in Energy and Environmental Design for Cities and Communities (LEED© CC) from US Green Building&hellip;<span class="activity-read-more" id="activity-read-more-1728727"><a href="https://hcommons.org/activity/p/1728727/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Raphael Grazziano deposited Urban science between transparent management and corporate appropriation: A study concerning systems of urban assessment in the group Environmental Humanities</title>
				<link>https://hcommons.org/activity/p/1728726/</link>
				<pubDate>Wed, 24 Feb 2021 02:23:55 -0500</pubDate>

									<content:encoded><![CDATA[<p>Urban science is the planning branch that uses large scale data to establish new ways to govern cities, being systems of urban assessment an example of its contemporary manifestation. What Works Cities (WWC) from Bloomberg Philanthropies and Leadership in Energy and Environmental Design for Cities and Communities (LEED© CC) from US Green Building&hellip;<span class="activity-read-more" id="activity-read-more-1728726"><a href="https://hcommons.org/activity/p/1728726/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Raphael Grazziano deposited Urban science between transparent management and corporate appropriation: A study concerning systems of urban assessment in the group Architectural History and Theory</title>
				<link>https://hcommons.org/activity/p/1728725/</link>
				<pubDate>Wed, 24 Feb 2021 02:23:43 -0500</pubDate>

									<content:encoded><![CDATA[<p>Urban science is the planning branch that uses large scale data to establish new ways to govern cities, being systems of urban assessment an example of its contemporary manifestation. What Works Cities (WWC) from Bloomberg Philanthropies and Leadership in Energy and Environmental Design for Cities and Communities (LEED© CC) from US Green Building&hellip;<span class="activity-read-more" id="activity-read-more-1728725"><a href="https://hcommons.org/activity/p/1728725/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Raphael Grazziano deposited Urban science between transparent management and corporate appropriation: A study concerning systems of urban assessment</title>
				<link>https://hcommons.org/activity/p/1728711/</link>
				<pubDate>Tue, 23 Feb 2021 22:07:40 -0500</pubDate>

									<content:encoded><![CDATA[<p>Urban science is the planning branch that uses large scale data to establish new ways to govern cities, being systems of urban assessment an example of its contemporary manifestation. What Works Cities (WWC) from Bloomberg Philanthropies and Leadership in Energy and Environmental Design for Cities and Communities (LEED© CC) from US Green Building&hellip;<span class="activity-read-more" id="activity-read-more-1728711"><a href="https://hcommons.org/activity/p/1728711/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Raphael Grazziano&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1728710/</link>
				<pubDate>Tue, 23 Feb 2021 21:58:51 -0500</pubDate>

				
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				<title>Raphael Grazziano deposited Todo objeto é uma imagem: Sauerbruch Hutton segundo Harun Farocki  Every object is an image: Sauerbruch Hutton according to Harun Farocki in the group Urban Studies</title>
				<link>https://hcommons.org/activity/p/1689682/</link>
				<pubDate>Wed, 03 Jun 2020 16:26:48 -0400</pubDate>

									<content:encoded><![CDATA[<p>Harun Farocki&#8217;s last film, Sauerbruch Hutton Architects (2013), is studied by comparing it to other works by the director and analyzing its scenes. The article elaborates what is the position of this office regarding architecture as a producer of images, and then verifies what is its underlying spatiality. As a result, one can see how the&hellip;<span class="activity-read-more" id="activity-read-more-1689682"><a href="https://hcommons.org/activity/p/1689682/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Raphael Grazziano deposited Todo objeto é uma imagem: Sauerbruch Hutton segundo Harun Farocki  Every object is an image: Sauerbruch Hutton according to Harun Farocki in the group History of Art</title>
				<link>https://hcommons.org/activity/p/1689681/</link>
				<pubDate>Wed, 03 Jun 2020 16:26:44 -0400</pubDate>

									<content:encoded><![CDATA[<p>Harun Farocki&#8217;s last film, Sauerbruch Hutton Architects (2013), is studied by comparing it to other works by the director and analyzing its scenes. The article elaborates what is the position of this office regarding architecture as a producer of images, and then verifies what is its underlying spatiality. As a result, one can see how the&hellip;<span class="activity-read-more" id="activity-read-more-1689681"><a href="https://hcommons.org/activity/p/1689681/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Raphael Grazziano deposited Todo objeto é uma imagem: Sauerbruch Hutton segundo Harun Farocki  Every object is an image: Sauerbruch Hutton according to Harun Farocki in the group Film Studies</title>
				<link>https://hcommons.org/activity/p/1689680/</link>
				<pubDate>Wed, 03 Jun 2020 16:26:39 -0400</pubDate>

									<content:encoded><![CDATA[<p>Harun Farocki&#8217;s last film, Sauerbruch Hutton Architects (2013), is studied by comparing it to other works by the director and analyzing its scenes. The article elaborates what is the position of this office regarding architecture as a producer of images, and then verifies what is its underlying spatiality. As a result, one can see how the&hellip;<span class="activity-read-more" id="activity-read-more-1689680"><a href="https://hcommons.org/activity/p/1689680/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Raphael Grazziano deposited Todo objeto é uma imagem: Sauerbruch Hutton segundo Harun Farocki  Every object is an image: Sauerbruch Hutton according to Harun Farocki in the group Contemporary Art</title>
				<link>https://hcommons.org/activity/p/1689679/</link>
				<pubDate>Wed, 03 Jun 2020 16:26:38 -0400</pubDate>

									<content:encoded><![CDATA[<p>Harun Farocki&#8217;s last film, Sauerbruch Hutton Architects (2013), is studied by comparing it to other works by the director and analyzing its scenes. The article elaborates what is the position of this office regarding architecture as a producer of images, and then verifies what is its underlying spatiality. As a result, one can see how the&hellip;<span class="activity-read-more" id="activity-read-more-1689679"><a href="https://hcommons.org/activity/p/1689679/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Raphael Grazziano deposited Todo objeto é uma imagem: Sauerbruch Hutton segundo Harun Farocki  Every object is an image: Sauerbruch Hutton according to Harun Farocki in the group Architectural History and Theory</title>
				<link>https://hcommons.org/activity/p/1689678/</link>
				<pubDate>Wed, 03 Jun 2020 16:26:25 -0400</pubDate>

									<content:encoded><![CDATA[<p>Harun Farocki&#8217;s last film, Sauerbruch Hutton Architects (2013), is studied by comparing it to other works by the director and analyzing its scenes. The article elaborates what is the position of this office regarding architecture as a producer of images, and then verifies what is its underlying spatiality. As a result, one can see how the&hellip;<span class="activity-read-more" id="activity-read-more-1689678"><a href="https://hcommons.org/activity/p/1689678/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Raphael Grazziano deposited Todo objeto é uma imagem: Sauerbruch Hutton segundo Harun Farocki  Every object is an image: Sauerbruch Hutton according to Harun Farocki</title>
				<link>https://hcommons.org/activity/p/1689571/</link>
				<pubDate>Wed, 03 Jun 2020 00:11:34 -0400</pubDate>

									<content:encoded><![CDATA[<p>Harun Farocki&#8217;s last film, Sauerbruch Hutton Architects (2013), is studied by comparing it to other works by the director and analyzing its scenes. The article elaborates what is the position of this office regarding architecture as a producer of images, and then verifies what is its underlying spatiality. As a result, one can see how the&hellip;<span class="activity-read-more" id="activity-read-more-1689571"><a href="https://hcommons.org/activity/p/1689571/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Raphael Grazziano deposited Virtualities and contradictions in the space under global patterns: LEED® and corporate architecture in São Paulo in the group Urban Studies</title>
				<link>https://hcommons.org/activity/p/1672542/</link>
				<pubDate>Fri, 13 Dec 2019 16:25:53 -0500</pubDate>

									<content:encoded><![CDATA[<p>LEED® is a North American system created to assess sustainability parameters in buildings. It is managed by USGBC®, that was formed in the early 1990s. LEED®&#8217;s technical aspects are examined in order to clarify its operation premises, following the research hypothesis that these premises would have impact in the disciplines of architecture and ur&hellip;<span class="activity-read-more" id="activity-read-more-1672542"><a href="https://hcommons.org/activity/p/1672542/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Raphael Grazziano deposited Virtualities and contradictions in the space under global patterns: LEED® and corporate architecture in São Paulo in the group Global &#38; Transnational Studies</title>
				<link>https://hcommons.org/activity/p/1672541/</link>
				<pubDate>Fri, 13 Dec 2019 16:25:48 -0500</pubDate>

									<content:encoded><![CDATA[<p>LEED® is a North American system created to assess sustainability parameters in buildings. It is managed by USGBC®, that was formed in the early 1990s. LEED®&#8217;s technical aspects are examined in order to clarify its operation premises, following the research hypothesis that these premises would have impact in the disciplines of architecture and ur&hellip;<span class="activity-read-more" id="activity-read-more-1672541"><a href="https://hcommons.org/activity/p/1672541/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Raphael Grazziano deposited Virtualities and contradictions in the space under global patterns: LEED® and corporate architecture in São Paulo in the group Environmental Humanities</title>
				<link>https://hcommons.org/activity/p/1672540/</link>
				<pubDate>Fri, 13 Dec 2019 16:25:45 -0500</pubDate>

									<content:encoded><![CDATA[<p>LEED® is a North American system created to assess sustainability parameters in buildings. It is managed by USGBC®, that was formed in the early 1990s. LEED®&#8217;s technical aspects are examined in order to clarify its operation premises, following the research hypothesis that these premises would have impact in the disciplines of architecture and ur&hellip;<span class="activity-read-more" id="activity-read-more-1672540"><a href="https://hcommons.org/activity/p/1672540/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Raphael Grazziano deposited Virtualities and contradictions in the space under global patterns: LEED® and corporate architecture in São Paulo in the group Architectural History and Theory</title>
				<link>https://hcommons.org/activity/p/1672539/</link>
				<pubDate>Fri, 13 Dec 2019 16:25:33 -0500</pubDate>

									<content:encoded><![CDATA[<p>LEED® is a North American system created to assess sustainability parameters in buildings. It is managed by USGBC®, that was formed in the early 1990s. LEED®&#8217;s technical aspects are examined in order to clarify its operation premises, following the research hypothesis that these premises would have impact in the disciplines of architecture and ur&hellip;<span class="activity-read-more" id="activity-read-more-1672539"><a href="https://hcommons.org/activity/p/1672539/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Raphael Grazziano deposited Virtualities and contradictions in the space under global patterns: LEED® and corporate architecture in São Paulo</title>
				<link>https://hcommons.org/activity/p/1671928/</link>
				<pubDate>Thu, 12 Dec 2019 19:25:55 -0500</pubDate>

									<content:encoded><![CDATA[<p>LEED® is a North American system created to assess sustainability parameters in buildings. It is managed by USGBC®, that was formed in the early 1990s. LEED®&#8217;s technical aspects are examined in order to clarify its operation premises, following the research hypothesis that these premises would have impact in the disciplines of architecture and ur&hellip;<span class="activity-read-more" id="activity-read-more-1671928"><a href="https://hcommons.org/activity/p/1671928/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Raphael Grazziano deposited O eficiente motor do status quo in the group Urban Studies</title>
				<link>https://hcommons.org/activity/p/1670700/</link>
				<pubDate>Thu, 21 Nov 2019 16:34:34 -0500</pubDate>

									<content:encoded><![CDATA[<p>Analysis of the idea of &#8220;efficiency&#8221; and its deadlock in environmental studies, mainly discussing the Jevons Paradox.</p>
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				<title>Raphael Grazziano deposited O eficiente motor do status quo in the group Architectural History and Theory</title>
				<link>https://hcommons.org/activity/p/1670699/</link>
				<pubDate>Thu, 21 Nov 2019 16:34:21 -0500</pubDate>

									<content:encoded><![CDATA[<p>Analysis of the idea of &#8220;efficiency&#8221; and its deadlock in environmental studies, mainly discussing the Jevons Paradox.</p>
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				<title>Raphael Grazziano deposited Aspectos do debate entre realismo socialista e concretismo: a obra de vilanova artigas in the group Urban Studies</title>
				<link>https://hcommons.org/activity/p/1670698/</link>
				<pubDate>Thu, 21 Nov 2019 16:34:21 -0500</pubDate>

									<content:encoded><![CDATA[<p>This monograph explores the ambivalent position of Artigas in the political-cultural debate of the Cold War, during the 1950s, when two principal art movements were opposed. On one side, socialist realist tendencies that emerged in post-revolutionary Russia, particularly after the ascension of Stalin, who intended it to be the new art of the&hellip;<span class="activity-read-more" id="activity-read-more-1670698"><a href="https://hcommons.org/activity/p/1670698/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Raphael Grazziano deposited Aspectos do debate entre realismo socialista e concretismo: a obra de vilanova artigas in the group History of Art</title>
				<link>https://hcommons.org/activity/p/1670697/</link>
				<pubDate>Thu, 21 Nov 2019 16:34:17 -0500</pubDate>

									<content:encoded><![CDATA[<p>This monograph explores the ambivalent position of Artigas in the political-cultural debate of the Cold War, during the 1950s, when two principal art movements were opposed. On one side, socialist realist tendencies that emerged in post-revolutionary Russia, particularly after the ascension of Stalin, who intended it to be the new art of the&hellip;<span class="activity-read-more" id="activity-read-more-1670697"><a href="https://hcommons.org/activity/p/1670697/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Raphael Grazziano deposited Aspectos do debate entre realismo socialista e concretismo: a obra de vilanova artigas in the group Contemporary Art</title>
				<link>https://hcommons.org/activity/p/1670696/</link>
				<pubDate>Thu, 21 Nov 2019 16:34:17 -0500</pubDate>

									<content:encoded><![CDATA[<p>This monograph explores the ambivalent position of Artigas in the political-cultural debate of the Cold War, during the 1950s, when two principal art movements were opposed. On one side, socialist realist tendencies that emerged in post-revolutionary Russia, particularly after the ascension of Stalin, who intended it to be the new art of the&hellip;<span class="activity-read-more" id="activity-read-more-1670696"><a href="https://hcommons.org/activity/p/1670696/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Raphael Grazziano deposited Aspectos do debate entre realismo socialista e concretismo: a obra de vilanova artigas in the group Architectural History and Theory</title>
				<link>https://hcommons.org/activity/p/1670695/</link>
				<pubDate>Thu, 21 Nov 2019 16:34:04 -0500</pubDate>

									<content:encoded><![CDATA[<p>This monograph explores the ambivalent position of Artigas in the political-cultural debate of the Cold War, during the 1950s, when two principal art movements were opposed. On one side, socialist realist tendencies that emerged in post-revolutionary Russia, particularly after the ascension of Stalin, who intended it to be the new art of the&hellip;<span class="activity-read-more" id="activity-read-more-1670695"><a href="https://hcommons.org/activity/p/1670695/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Raphael Grazziano deposited A arquitetura do século XX segundo Henri Lefebvre in the group Urban Studies</title>
				<link>https://hcommons.org/activity/p/1670684/</link>
				<pubDate>Thu, 21 Nov 2019 16:33:24 -0500</pubDate>

									<content:encoded><![CDATA[<p>The urban turn in Henri Lefebvre: its spatial tenets and his architectural references</p>
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				<title>Raphael Grazziano deposited A arquitetura do século XX segundo Henri Lefebvre in the group Philosophy</title>
				<link>https://hcommons.org/activity/p/1670683/</link>
				<pubDate>Thu, 21 Nov 2019 16:33:21 -0500</pubDate>

									<content:encoded><![CDATA[<p>The urban turn in Henri Lefebvre: its spatial tenets and his architectural references</p>
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				<title>Raphael Grazziano deposited A arquitetura do século XX segundo Henri Lefebvre in the group Architectural History and Theory</title>
				<link>https://hcommons.org/activity/p/1670682/</link>
				<pubDate>Thu, 21 Nov 2019 16:33:09 -0500</pubDate>

									<content:encoded><![CDATA[<p>The urban turn in Henri Lefebvre: its spatial tenets and his architectural references</p>
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				<title>Raphael Grazziano deposited Corporate urbanism internationally certified: use and contradiction of LEED© ND in Parque da Cidade in the group Urban Studies</title>
				<link>https://hcommons.org/activity/p/1670681/</link>
				<pubDate>Thu, 21 Nov 2019 16:33:08 -0500</pubDate>

									<content:encoded><![CDATA[<p>Leadership in Energy and Environmental Design (LEED©) is a certification used to assess the degree of environmental sustainability attained by a project. However, LEED© has an impact not only on the technical specifications, but also on design. The objective of this paper is to evaluate what the impact of its version for neighborhoods (LEED© ND&hellip;<span class="activity-read-more" id="activity-read-more-1670681"><a href="https://hcommons.org/activity/p/1670681/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Raphael Grazziano deposited Corporate urbanism internationally certified: use and contradiction of LEED© ND in Parque da Cidade in the group Architectural History and Theory</title>
				<link>https://hcommons.org/activity/p/1670680/</link>
				<pubDate>Thu, 21 Nov 2019 16:32:57 -0500</pubDate>

									<content:encoded><![CDATA[<p>Leadership in Energy and Environmental Design (LEED©) is a certification used to assess the degree of environmental sustainability attained by a project. However, LEED© has an impact not only on the technical specifications, but also on design. The objective of this paper is to evaluate what the impact of its version for neighborhoods (LEED© ND&hellip;<span class="activity-read-more" id="activity-read-more-1670680"><a href="https://hcommons.org/activity/p/1670680/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Raphael Grazziano deposited Space and the otherness: an anthology in the group Urban Studies</title>
				<link>https://hcommons.org/activity/p/1670676/</link>
				<pubDate>Thu, 21 Nov 2019 16:32:51 -0500</pubDate>

									<content:encoded><![CDATA[<p>Alexander Cuthbert published a daring anthology on architecture and urban design, completed in 2011. The project began in 2001 resulting in three volumes: Designing Cities (2003), The Form of the Cities (2006) and Understanding Cities (2011). Unlike other anthologies on architecture, this author organized it as follows: critical selection of&hellip;<span class="activity-read-more" id="activity-read-more-1670676"><a href="https://hcommons.org/activity/p/1670676/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Raphael Grazziano deposited Space and the otherness: an anthology in the group Architectural History and Theory</title>
				<link>https://hcommons.org/activity/p/1670675/</link>
				<pubDate>Thu, 21 Nov 2019 16:32:39 -0500</pubDate>

									<content:encoded><![CDATA[<p>Alexander Cuthbert published a daring anthology on architecture and urban design, completed in 2011. The project began in 2001 resulting in three volumes: Designing Cities (2003), The Form of the Cities (2006) and Understanding Cities (2011). Unlike other anthologies on architecture, this author organized it as follows: critical selection of&hellip;<span class="activity-read-more" id="activity-read-more-1670675"><a href="https://hcommons.org/activity/p/1670675/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Raphael Grazziano deposited O eficiente motor do status quo</title>
				<link>https://hcommons.org/activity/p/1670629/</link>
				<pubDate>Wed, 20 Nov 2019 23:57:43 -0500</pubDate>

									<content:encoded><![CDATA[<p>Analysis of the idea of &#8220;efficiency&#8221; and its deadlock in environmental studies, mainly discussing the Jevons Paradox.</p>
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				<title>Raphael Grazziano deposited Aspectos do debate entre realismo socialista e concretismo: a obra de vilanova artigas</title>
				<link>https://hcommons.org/activity/p/1670628/</link>
				<pubDate>Wed, 20 Nov 2019 23:41:46 -0500</pubDate>

									<content:encoded><![CDATA[<p>This monograph explores the ambivalent position of Artigas in the political-cultural debate of the Cold War, during the 1950s, when two principal art movements were opposed. On one side, socialist realist tendencies that emerged in post-revolutionary Russia, particularly after the ascension of Stalin, who intended it to be the new art of the&hellip;<span class="activity-read-more" id="activity-read-more-1670628"><a href="https://hcommons.org/activity/p/1670628/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Raphael Grazziano deposited A arquitetura do século XX segundo Henri Lefebvre</title>
				<link>https://hcommons.org/activity/p/1670624/</link>
				<pubDate>Wed, 20 Nov 2019 23:28:14 -0500</pubDate>

									<content:encoded><![CDATA[<p>The urban turn in Henri Lefebvre: its spatial tenets and his architectural references</p>
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				<title>Raphael Grazziano deposited Corporate urbanism internationally certified: use and contradiction of LEED© ND in Parque da Cidade</title>
				<link>https://hcommons.org/activity/p/1670623/</link>
				<pubDate>Wed, 20 Nov 2019 23:15:06 -0500</pubDate>

									<content:encoded><![CDATA[<p>Leadership in Energy and Environmental Design (LEED©) is a certification used to assess the degree of environmental sustainability attained by a project. However, LEED© has an impact not only on the technical specifications, but also on design. The objective of this paper is to evaluate what the impact of its version for neighborhoods (LEED© ND&hellip;<span class="activity-read-more" id="activity-read-more-1670623"><a href="https://hcommons.org/activity/p/1670623/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">579941402aa3139d7830ee0f4991aeaf</guid>
				<title>Raphael Grazziano deposited Space and the otherness: an anthology</title>
				<link>https://hcommons.org/activity/p/1670620/</link>
				<pubDate>Wed, 20 Nov 2019 23:06:59 -0500</pubDate>

									<content:encoded><![CDATA[<p>Alexander Cuthbert published a daring anthology on architecture and urban design, completed in 2011. The project began in 2001 resulting in three volumes: Designing Cities (2003), The Form of the Cities (2006) and Understanding Cities (2011). Unlike other anthologies on architecture, this author organized it as follows: critical selection of&hellip;<span class="activity-read-more" id="activity-read-more-1670620"><a href="https://hcommons.org/activity/p/1670620/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Raphael Grazziano deposited The presence of Henri Lefebvre in the contemporary academic debate of architecture in the group Urban Studies</title>
				<link>https://hcommons.org/activity/p/1670091/</link>
				<pubDate>Thu, 14 Nov 2019 16:25:56 -0500</pubDate>

									<content:encoded><![CDATA[<p>Henri Lefebvre’s (HL) large production about cities, urban, urban space and society could indicate its relevance to the architecture produced after the heyday of the neoliberal cycle and its crisis in 2008. This author introduced the practical-sensitive basis in the debate between the spatial and social processes to discuss the ideological d&hellip;<span class="activity-read-more" id="activity-read-more-1670091"><a href="https://hcommons.org/activity/p/1670091/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">8d07f4f1ae237134c7c0fcbeb5531c72</guid>
				<title>Raphael Grazziano deposited The presence of Henri Lefebvre in the contemporary academic debate of architecture in the group Philosophy</title>
				<link>https://hcommons.org/activity/p/1670090/</link>
				<pubDate>Thu, 14 Nov 2019 16:25:52 -0500</pubDate>

									<content:encoded><![CDATA[<p>Henri Lefebvre’s (HL) large production about cities, urban, urban space and society could indicate its relevance to the architecture produced after the heyday of the neoliberal cycle and its crisis in 2008. This author introduced the practical-sensitive basis in the debate between the spatial and social processes to discuss the ideological d&hellip;<span class="activity-read-more" id="activity-read-more-1670090"><a href="https://hcommons.org/activity/p/1670090/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">278d5d2cb42cfab8b2eadcc17ab596cb</guid>
				<title>Raphael Grazziano deposited The presence of Henri Lefebvre in the contemporary academic debate of architecture in the group Architectural History and Theory</title>
				<link>https://hcommons.org/activity/p/1670089/</link>
				<pubDate>Thu, 14 Nov 2019 16:25:40 -0500</pubDate>

									<content:encoded><![CDATA[<p>Henri Lefebvre’s (HL) large production about cities, urban, urban space and society could indicate its relevance to the architecture produced after the heyday of the neoliberal cycle and its crisis in 2008. This author introduced the practical-sensitive basis in the debate between the spatial and social processes to discuss the ideological d&hellip;<span class="activity-read-more" id="activity-read-more-1670089"><a href="https://hcommons.org/activity/p/1670089/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">a9d7cc1a9434f5a5228de0ef8fcadf78</guid>
				<title>Raphael Grazziano deposited A perspectiva tecnológica da sustentabilidade ambiental: Buckminster Fuller e a arquitetura dos anos 2000 / The technological perspective of environmental sustainability: Buckminster Fuller and the architecture of the 2000’s in the group Architectural History and Theory</title>
				<link>https://hcommons.org/activity/p/1670088/</link>
				<pubDate>Thu, 14 Nov 2019 16:25:28 -0500</pubDate>

									<content:encoded><![CDATA[<p>In the end of the 1980’s, the current hegemonic discourse about the environmental crisis settled the notion of “sustainability”. This notion was formulated in the Brundtland report, which argued that innovation in technology would overcome the impasses of environmental exploitation, in a way that could even result in social development. We choos&hellip;<span class="activity-read-more" id="activity-read-more-1670088"><a href="https://hcommons.org/activity/p/1670088/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">6426fc6972bc6f0e0e26967e7b5400d2</guid>
				<title>Raphael Grazziano deposited The presence of Henri Lefebvre in the contemporary academic debate of architecture</title>
				<link>https://hcommons.org/activity/p/1670029/</link>
				<pubDate>Wed, 13 Nov 2019 21:03:24 -0500</pubDate>

									<content:encoded><![CDATA[<p>Henri Lefebvre’s (HL) large production about cities, urban, urban space and society could indicate its relevance to the architecture produced after the heyday of the neoliberal cycle and its crisis in 2008. This author introduced the practical-sensitive basis in the debate between the spatial and social processes to discuss the ideological d&hellip;<span class="activity-read-more" id="activity-read-more-1670029"><a href="https://hcommons.org/activity/p/1670029/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">cdfb415a555da5226a25cb4b33f846a5</guid>
				<title>Raphael Grazziano deposited A perspectiva tecnológica da sustentabilidade ambiental: Buckminster Fuller e a arquitetura dos anos 2000 / The technological perspective of environmental sustainability: Buckminster Fuller and the architecture of the 2000’s</title>
				<link>https://hcommons.org/activity/p/1670026/</link>
				<pubDate>Wed, 13 Nov 2019 20:55:54 -0500</pubDate>

									<content:encoded><![CDATA[<p>In the end of the 1980’s, the current hegemonic discourse about the environmental crisis settled the notion of “sustainability”. This notion was formulated in the Brundtland report, which argued that innovation in technology would overcome the impasses of environmental exploitation, in a way that could even result in social development. We choos&hellip;<span class="activity-read-more" id="activity-read-more-1670026"><a href="https://hcommons.org/activity/p/1670026/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">fcf3ea60e7c1dba6380baaf2d6cbaafe</guid>
				<title>Raphael Grazziano&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1670024/</link>
				<pubDate>Wed, 13 Nov 2019 20:47:20 -0500</pubDate>

				
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				<guid isPermaLink="false">ec3aff48abcd4a840b6e8cfe4da7e3be</guid>
				<title>Raphael Grazziano&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1669955/</link>
				<pubDate>Wed, 13 Nov 2019 15:29:25 -0500</pubDate>

				
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				<guid isPermaLink="false">2c66a755a08b52f8c13ea818c32f5f45</guid>
				<title>Raphael Grazziano deposited An aesthetic impasse in Artigas: between socialist realism and concretism</title>
				<link>https://hcommons.org/activity/p/1656993/</link>
				<pubDate>Mon, 08 Jul 2019 15:21:49 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article explores the ambivalent position of Artigas in the political-cultural debate of the Cold War, during the 1950s, when two principal art movements were opposed. On one side, socialist realist tendencies that emerged in post-revolutionary Russia, particularly after the ascension of Stalin, who intended it to be the new art of the&hellip;<span class="activity-read-more" id="activity-read-more-1656993"><a href="https://hcommons.org/activity/p/1656993/" rel="nofollow ugc">[Read more]</a></span></p>
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