<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>SAH Commons | Klaus Rettinghaus | Group Activity</title>
	<link>https://sah.hcommons.org/members/rettinghaus/activity/groups/</link>
	<atom:link href="https://sah.hcommons.org/members/rettinghaus/activity/groups/feed/" rel="self" type="application/rss+xml" />
	<description>Public group activity feed of which Klaus Rettinghaus is a member.</description>
	<lastBuildDate>Fri, 03 Apr 2026 18:22:23 -0400</lastBuildDate>
	<generator>https://buddypress.org/?v=10.6.0</generator>
	<language>en-US</language>
	<ttl>30</ttl>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>2</sy:updateFrequency>
	
						<item>
				<guid isPermaLink="false">70281c5b0406436eee6caaac67571e67</guid>
				<title>Vivien Jiaqian Zhu started the topic CFP 2026 MLA Convention in the forum Music Encoding Initiative</title>
				<link>https://hcommons.org/groups/music-encoding-initiative/forum/topic/cfp-2026-mla-convention-10/</link>
				<pubDate>Tue, 04 Feb 2025 22:43:36 -0500</pubDate>

									<content:encoded><![CDATA[<p>Dear All,</p>
<p>&nbsp;</p>
<p>I’m pleased to share with you the Call for Paper for the Working Group/Seminar session for the upcoming MLA Convention in Toronto. See <a href="https://mla.confex.com/mla/2026/webprogrampreliminary/Paper29934.html" rel="nofollow ugc">https://mla.confex.com/mla/2026/webprogrampreliminary/Paper29934.html</a>.</p>
<p>&nbsp;</p>
<p>Best wishes,</p>
<p>Vivien Jiaqian Zhu</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">755f68bd3e726844652587e2f54e2b55</guid>
				<title>Anna E. Kijas deposited MEI Basic Workshop in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1901603/</link>
				<pubDate>Mon, 14 Oct 2024 03:00:48 -0400</pubDate>

									<content:encoded><![CDATA[<p>Final abstract</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">a5425d53c13917dd61d12fa20c7fd10b</guid>
				<title>Anna E. Kijas deposited Towards a standardization of lead sheet encoding: an experience in OMR in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1901602/</link>
				<pubDate>Mon, 14 Oct 2024 03:00:44 -0400</pubDate>

									<content:encoded><![CDATA[<p>Final abstract</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">eacebaa4cbc002fc8ab2a399c76fb390</guid>
				<title>Anna E. Kijas deposited Musical Instrument Encoding Matters in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1901601/</link>
				<pubDate>Mon, 14 Oct 2024 03:00:41 -0400</pubDate>

									<content:encoded><![CDATA[<p>Final abstract</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">c53b02de2025b6b768e3cf2a4f6e9036</guid>
				<title>Anna E. Kijas deposited GagakuXML: Markup for Hichiriki Scores and Enhancing Efficiency in Traditional Japanese Music Encoding in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1901600/</link>
				<pubDate>Mon, 14 Oct 2024 03:00:38 -0400</pubDate>

									<content:encoded><![CDATA[<p>Final abstract</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">4c0d27db7dfa96493f706d7c84b621fd</guid>
				<title>Anna E. Kijas deposited Critical Semantic Properties of Music Notation Datasets in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1901599/</link>
				<pubDate>Mon, 14 Oct 2024 03:00:35 -0400</pubDate>

									<content:encoded><![CDATA[<p>Final abstract</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">37989a800b5442596c4b26cde3d58a2f</guid>
				<title>Anna E. Kijas deposited Modelling Performance – Conceptual Realities vs. Practical Limitations in MEI in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1901598/</link>
				<pubDate>Mon, 14 Oct 2024 03:00:32 -0400</pubDate>

									<content:encoded><![CDATA[<p>Final abstract</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">fddecbf8055d428ffe384537a966210a</guid>
				<title>Anna E. Kijas deposited Beyond the Standard Model in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1901597/</link>
				<pubDate>Mon, 14 Oct 2024 03:00:29 -0400</pubDate>

									<content:encoded><![CDATA[<p>Final abstract</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">6e523655bad2bf890f9d5f7151bd70d0</guid>
				<title>Anna E. Kijas deposited Works of other authors and composers as templates – approaches to capture template research in digital music editions. A case study in the context of the Reger-Werkausgabe. in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1901596/</link>
				<pubDate>Mon, 14 Oct 2024 03:00:26 -0400</pubDate>

									<content:encoded><![CDATA[<p>Final abstract</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">a1de7daff1cb880500aa260656b6d2bf</guid>
				<title>Anna E. Kijas deposited Issues of FRBR systematics in indexing sources that represent different versions of works. The example of Franz Liszt. in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1901595/</link>
				<pubDate>Mon, 14 Oct 2024 03:00:22 -0400</pubDate>

									<content:encoded><![CDATA[<p>Final abstract</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">d5ce22760240a07a1656bf7de8217a17</guid>
				<title>Anna E. Kijas deposited Simplifying MEI for Searching Applications in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1901594/</link>
				<pubDate>Mon, 14 Oct 2024 03:00:19 -0400</pubDate>

									<content:encoded><![CDATA[<p>Final abstract</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">2e9e0e37d376f3263d443d20854d8b3f</guid>
				<title>Anna E. Kijas deposited MEI-Basic support in MuseScore 4.2 in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1901593/</link>
				<pubDate>Mon, 14 Oct 2024 03:00:16 -0400</pubDate>

									<content:encoded><![CDATA[<p>Final abstract</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">e70db161172ffeb687a6a7ef81cb923b</guid>
				<title>Anna E. Kijas deposited Indexing Hymnody: Comparative Analysis and Opportunities for Interoperability in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1901592/</link>
				<pubDate>Mon, 14 Oct 2024 03:00:13 -0400</pubDate>

									<content:encoded><![CDATA[<p>Final abstract</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">3bbfef8d4816e6c26fbf542625050c10</guid>
				<title>Anna E. Kijas deposited Encoding and Analysis of Early Music: Aquitanian and Square Music Scripts in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1901591/</link>
				<pubDate>Mon, 14 Oct 2024 03:00:10 -0400</pubDate>

									<content:encoded><![CDATA[<p>Final abstract</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">76ccf335e39080c5ba91c90f235bd19c</guid>
				<title>Anna E. Kijas deposited The “Clausula Archive of the Notre Dame Repertory”: End-to-end OMR, encoding, and analysis of medieval polyphony in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1901590/</link>
				<pubDate>Mon, 14 Oct 2024 03:00:07 -0400</pubDate>

									<content:encoded><![CDATA[<p>Final abstract</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">a9e566e690df3c8c578d054db8b0910b</guid>
				<title>Anna E. Kijas deposited Modelling Multi-domain Voicing in the Goldberg Variations in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1901588/</link>
				<pubDate>Mon, 14 Oct 2024 03:00:02 -0400</pubDate>

									<content:encoded><![CDATA[<p>Final abstract</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">bd50d5e71e25ff5f630b4819c4948375</guid>
				<title>Oleksii Sapov-Erlinger deposited The Diff Concept of the Digital Interactive Mozart Edition in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1884617/</link>
				<pubDate>Wed, 01 May 2024 03:24:59 -0400</pubDate>

									<content:encoded><![CDATA[<p>The Digital Interactive Mozart Edition (<a href="https://dme.mozarteum.at/en/music/edition/" rel="nofollow ugc">https://dme.mozarteum.at/en/music/edition/</a>) provides two types of editions: Reference Texts (the musical text of the Neue Mozart Ausgabe encoded in the Music Encoding Initiative format) and Alternative Texts (entirely new MEI-based editions of selected works). To illustrate the distinctions between editions&hellip;<span class="activity-read-more" id="activity-read-more-1884617"><a href="https://hcommons.org/activity/p/1884617/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">6641bf8326b7ff8079126e71165cb1c2</guid>
				<title>Anne Ferger deposited Presentation slides for "Building sustainable infrastructure for scholarly communities" in the group "Encoding Cultures" Joint MEC and TEI Conference</title>
				<link>https://hcommons.org/activity/p/1879321/</link>
				<pubDate>Wed, 13 Mar 2024 03:01:16 -0400</pubDate>

									<content:encoded><![CDATA[<p>Best practices for empowering research with collaboration in the TEI and MEI context using XGarage</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">49b77838bf20970fa74f4d0b8c430db1</guid>
				<title>Kristina Richts-Matthaei uploaded the file: Big (Work) Data. Making and Using MEI for Composers’ Digital Work Catalogues to &#34;Encoding Cultures&#34; Joint MEC and TEI Conference</title>
				<link>https://hcommons.org/activity/p/1865864/</link>
				<pubDate>Sat, 25 Nov 2023 22:32:21 -0500</pubDate>

									<content:encoded><![CDATA[<p>AUTHORS: Gammert, Jonathan / Neumann, Joshua / Richts-Matthaei, Kristina ABSTRACT:<br />
Interrogating any source philologically requires first the collection or creation and curation of data, whether analogue or digital. This praxis requires increasingly interdisciplinary methodologies as musicology continues its digital turn—methodologies that are mos&hellip;<span class="activity-read-more" id="activity-read-more-1865864"><a href="https://hcommons.org/activity/p/1865864/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">3d1aa4ea82cb75520d432b4338a9f65e</guid>
				<title>Kristina Richts-Matthaei uploaded the file: Transitional MerMEId – Responding to Community Needs in Software and Sustainability to &#34;Encoding Cultures&#34; Joint MEC and TEI Conference</title>
				<link>https://hcommons.org/activity/p/1863119/</link>
				<pubDate>Mon, 30 Oct 2023 21:50:39 -0400</pubDate>

									<content:encoded><![CDATA[<p>AUTHORS: Bue, Margrethe / Gammert, Jonathan / Gubsch, Clemens / Jettka, Daniel / Kolb, Severin / Lewis, David / Neumann, Joshua / Richter, Matthias / Richts-Matthaei, Kristina / Stadler, Peter<br />
ABSTRACT:<br />
MerMEId is an established – and the only – tool in digital musicology that has been developed explicitly for creating and managing musical cat&hellip;<span class="activity-read-more" id="activity-read-more-1863119"><a href="https://hcommons.org/activity/p/1863119/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">95b603599a95de7b53a8b3eb7076e43f</guid>
				<title>Andreas Münzmay uploaded the file: Five Aspects of ViFE to &#34;Encoding Cultures&#34; Joint MEC and TEI Conference</title>
				<link>https://hcommons.org/activity/p/1862793/</link>
				<pubDate>Fri, 27 Oct 2023 10:53:45 -0400</pubDate>

									<content:encoded><![CDATA[<p>Authors: Albrecht-Hohmaier, Martin / Capelle, Irmlind / Herold, Kristin / Kepper, Johannes / Münzmay, Andreas / Obert, Salome / Richts-Matthaei, Kristina / Saccomano, Mark / Seipelt, Agnes / Stadler, Peter / Ried, Dennis<br />
Abstract:<br />
The Virtual Research Group Edirom (Virtueller Forschungsverbund Edirom, ViFE) is an association of current and former&hellip;<span class="activity-read-more" id="activity-read-more-1862793"><a href="https://hcommons.org/activity/p/1862793/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">63e8ad8c978f2e838f21edc4d4625cae</guid>
				<title>Kiran Ramakant Karkera uploaded the file: Notation editor for transcribing Hindustani Classical music ‘Bandish’ to &#34;Encoding Cultures&#34; Joint MEC and TEI Conference</title>
				<link>https://hcommons.org/activity/p/1862718/</link>
				<pubDate>Thu, 26 Oct 2023 22:23:45 -0400</pubDate>

									<content:encoded><![CDATA[<p>In this paper we present the Bhatkhande Bandish editor, a notation editor for transcribing Hindustani (North Indian classical music) compositions known as Bandish in a traditional notation system known as Bhatkhande notation.<br />
Hindustani classical music (HCM) is a traditional form of music practiced in the Indian subcontinent. In this paper, we&hellip;<span class="activity-read-more" id="activity-read-more-1862718"><a href="https://hcommons.org/activity/p/1862718/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">af0a72b132580d7f4f62f0af7c184214</guid>
				<title>Daniel Jettka uploaded the file: Presentation slides for &#34;An annotation model for software mentions and citations&#34; to &#34;Encoding Cultures&#34; Joint MEC and TEI Conference</title>
				<link>https://hcommons.org/activity/p/1862620/</link>
				<pubDate>Thu, 26 Oct 2023 07:57:37 -0400</pubDate>

									<content:encoded><![CDATA[<p>Authors: Alvares Freire, Fernanda / Ferger, Anne / Henny-Krahmer, Ulrike / Jettka, Daniel<br />
ABSTRACT<br />
Appropriate citation of software plays an important role in academic publications to make research results reproducible and reusable. There are several recommendations and guidelines on how to deal with research software (Anzt et al. 2021; Smith et&hellip;<span class="activity-read-more" id="activity-read-more-1862620"><a href="https://hcommons.org/activity/p/1862620/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">cabb7097f849b79dee8e8b6bd2fff6fe</guid>
				<title>Anne Ferger uploaded the file: Presentation slides for &#34;Building sustainable infrastructure for scholarly communities&#34; to &#34;Encoding Cultures&#34; Joint MEC and TEI Conference</title>
				<link>https://hcommons.org/activity/p/1862074/</link>
				<pubDate>Wed, 18 Oct 2023 16:49:03 -0400</pubDate>

									<content:encoded><![CDATA[<p>Best practices for empowering research with collaboration in the TEI and MEI context using XGarage<br />
Authors: Stadler, Peter / Ferger, Anne<br />
[Abstract](<a href="https://teimec2023.uni-paderborn.de/contributions/105.html" rel="nofollow ugc">https://teimec2023.uni-paderborn.de/contributions/105.html</a>)</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">d67d47c427afda61078374e76682a83b</guid>
				<title>Oleksii Sapov-Erlinger deposited Interoperability of Text and Image in the Digital Edition of the Wenceslas Bible in the group "Encoding Cultures" Joint MEC and TEI Conference</title>
				<link>https://hcommons.org/activity/p/1861495/</link>
				<pubDate>Thu, 12 Oct 2023 03:00:06 -0400</pubDate>

									<content:encoded><![CDATA[<p>The Wenceslas Bible, created for the Bohemian King Wenceslas IV. around 1390-1400, is the first largely complete German-language translation of the Hebrew Bible after the Latin Vulgate, combined with elaborate and highly valuable illustrations. Therefore, it is one of the most precious cultural heritage objects of the Austrian National Library.&hellip;<span class="activity-read-more" id="activity-read-more-1861495"><a href="https://hcommons.org/activity/p/1861495/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">171498b4d41721cae7cd3ab746506875</guid>
				<title>Oleksii Sapov-Erlinger uploaded the file: Interoperability of Text and Image in the Digital Edition of the Wenceslas Bible [POSTER] to &#34;Encoding Cultures&#34; Joint MEC and TEI Conference</title>
				<link>https://hcommons.org/activity/p/1861396/</link>
				<pubDate>Wed, 11 Oct 2023 11:35:20 -0400</pubDate>

									<content:encoded><![CDATA[<p>The Wenceslas Bible, created for the Bohemian King Wenceslas IV. around 1390-1400, is the first largely complete German-language translation of the Hebrew Bible after the Latin Vulgate, combined with elaborate and highly valuable illustrations. Therefore, it is one of the most precious cultural heritage objects of the Austrian National Library.&hellip;<span class="activity-read-more" id="activity-read-more-1861396"><a href="https://hcommons.org/activity/p/1861396/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">6349716e5b4be484d96352f53131f039</guid>
				<title>Elsa De Luca uploaded the file: Brainstorming on the Encoding of Eastern Neumes: Middle-Byzantine Notation as a Case-Study to &#34;Encoding Cultures&#34; Joint MEC and TEI Conference</title>
				<link>https://hcommons.org/activity/p/1861179/</link>
				<pubDate>Mon, 09 Oct 2023 07:42:01 -0400</pubDate>

									<content:encoded><![CDATA[<p>Authors: De Luca, Elsa / Alexandru, Maria / Fujinaga, Ichiro<br />
ABSTRACT<br />
The effort to encode neumatic notations has primarily focused on Western European repertories, with little attention given to the neumes employed in the East. To address this gap, we propose to apply our knowledge of the MEI Neumes Module and Eastern notations to raise awareness&hellip;<span class="activity-read-more" id="activity-read-more-1861179"><a href="https://hcommons.org/activity/p/1861179/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">d8beb2f907d5f00bd23152f5ffb320ad</guid>
				<title>Wenlu Wang uploaded the file: Encoding Transcultural Texts - Applying TEI to Early Modern Chinese Christian Literature to &#34;Encoding Cultures&#34; Joint MEC and TEI Conference</title>
				<link>https://hcommons.org/activity/p/1860481/</link>
				<pubDate>Tue, 03 Oct 2023 12:21:15 -0400</pubDate>

				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">b139cfd96f9cc11b8ca0788442ef6f59</guid>
				<title>Stefan Dumont deposited CMIF v2 (work in progress) in the group "Encoding Cultures" Joint MEC and TEI Conference</title>
				<link>https://hcommons.org/activity/p/1860459/</link>
				<pubDate>Tue, 03 Oct 2023 03:02:12 -0400</pubDate>

									<content:encoded><![CDATA[<p>These slides give an overview of the new version 2 of the Correspondence Metadata Interchange Format (CMIF, see <a href="https://github.com/TEI-Correspondence-SIG/CMIF" rel="nofollow ugc">https://github.com/TEI-Correspondence-SIG/CMIF</a>). Please note that the slides reflect the state of development as of 6.9.2023.</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">6079b32a9402d5f730c32dd3aa78f278</guid>
				<title>Stefan Dumont deposited Travelling Humboldt—Data on the Move. The “edition humboldt digital” as data publication in the group "Encoding Cultures" Joint MEC and TEI Conference</title>
				<link>https://hcommons.org/activity/p/1860458/</link>
				<pubDate>Tue, 03 Oct 2023 03:02:10 -0400</pubDate>

									<content:encoded><![CDATA[<p>The long-term Academy project Travelling Humboldt–Science on the Move publishes the American, Russian-Siberian and European Travel Journals of the Prussian naturalist and explorer Alexander von Humboldt (1769–1859). The journals are accompanied by thematically related letters from his world-spanning correspondence network as well as man&hellip;<span class="activity-read-more" id="activity-read-more-1860458"><a href="https://hcommons.org/activity/p/1860458/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">1aa3e91122d724de44b883a0bcba92aa</guid>
				<title>Stefan Dumont deposited Towards correspSearch v3.0 in the group "Encoding Cultures" Joint MEC and TEI Conference</title>
				<link>https://hcommons.org/activity/p/1860457/</link>
				<pubDate>Tue, 03 Oct 2023 03:02:08 -0400</pubDate>

									<content:encoded><![CDATA[<p>The web service correspSearch aggregates correspondence metadata from digital and printed editions (or scholarly catalogues of correspondence) and offers them for central search and retrieval. The web service is based mainly on the Correspondence Metadata Interchange Format (CMIF), which is being developed within the TEI Correspondence SIG. The&hellip;<span class="activity-read-more" id="activity-read-more-1860457"><a href="https://hcommons.org/activity/p/1860457/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">03f0f476b788b19249ffe6117aceb92c</guid>
				<title>Stefan Dumont deposited PDB18: The German Letter in the 18th Century in the group "Encoding Cultures" Joint MEC and TEI Conference</title>
				<link>https://hcommons.org/activity/p/1860456/</link>
				<pubDate>Tue, 03 Oct 2023 03:02:06 -0400</pubDate>

									<content:encoded><![CDATA[<p>The project establishes a co-operative network and creates a representative digital collection of already edited and printed 18th-century letters. As an infrastructure project in the DFG funding program “Digitisation and Indexing”, PDB18 does not itself pursue a research question of its own, but will enable research on epistolary exchange in the&hellip;<span class="activity-read-more" id="activity-read-more-1860456"><a href="https://hcommons.org/activity/p/1860456/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">cd39cbe9ee2ff8681e48c88600ecce52</guid>
				<title>Thomas Kollatz uploaded the file: Poster: Text Encoding without //text. The use of //abstract as means to avoid the one-dimensionality of ego-networks in ›Buber-Correspondences Digital‹ project to &#34;Encoding Cultures&#34; Joint MEC and TEI Conference</title>
				<link>https://hcommons.org/activity/p/1860016/</link>
				<pubDate>Thu, 28 Sep 2023 12:31:58 -0400</pubDate>

									<content:encoded><![CDATA[<p>more information: <a href="https://gitlab.rlp.net/adwmainz/digicademy/bkd/bkd-presentations/teimec" rel="nofollow ugc">https://gitlab.rlp.net/adwmainz/digicademy/bkd/bkd-presentations/teimec</a></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">b4222e89ae5aac80a1877afeba1e5014</guid>
				<title>Natsuko Nakagawa uploaded the file: A multi-media dictionary of endangered languages with TEI Lex-0: A case study of Hatoma, Yaeyama Ryukyuan to &#34;Encoding Cultures&#34; Joint MEC and TEI Conference</title>
				<link>https://hcommons.org/activity/p/1859720/</link>
				<pubDate>Tue, 26 Sep 2023 07:23:33 -0400</pubDate>

									<content:encoded><![CDATA[<p>Currently, we are building a digital dictionary of Hatoma, a Yaeyama Ryukyuan language, in the TEI Lex-0 format (Romary and Tasovac 2018). The original dictionary was written by Shinichi Kajiku, a native speaker of Hatoma Ryukyuan and a linguist (Kajiku 2020). He spent more than 50 years compiling the dictionary, which was structured in a&hellip;<span class="activity-read-more" id="activity-read-more-1859720"><a href="https://hcommons.org/activity/p/1859720/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">1b63d494c733fad79e3bab50090911c8</guid>
				<title>Jun Ogawa uploaded the file: Poster: 3D Text Encoding and TEI: Text, Editions, and Spatiality to &#34;Encoding Cultures&#34; Joint MEC and TEI Conference</title>
				<link>https://hcommons.org/activity/p/1859389/</link>
				<pubDate>Sat, 23 Sep 2023 07:40:24 -0400</pubDate>

									<content:encoded><![CDATA[<p>This poster presents the 3D text encoding method using TEI schema. Based on the discussion we had in TEI2022, proposing the use ofto represent the three-dimensional spatiality and textual information, we have further developed the method in that more sophisticated encoding such as editorial marks using <abbr>, , and etc. can be now implemented and&hellip;</abbr><span class="activity-read-more" id="activity-read-more-1859389"><a href="https://hcommons.org/activity/p/1859389/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">72799f95ceeccc0734390a6f167411e9</guid>
				<title>Dimitra Grigoriou uploaded the file: Cracking the Code: Overcoming the Challenges of Encoding Correspondence to &#34;Encoding Cultures&#34; Joint MEC and TEI Conference</title>
				<link>https://hcommons.org/activity/p/1859166/</link>
				<pubDate>Thu, 21 Sep 2023 11:18:57 -0400</pubDate>

									<content:encoded><![CDATA[<p>W. H. Auden (1907-1973), a prominent figure in the English-language literary landscape of the twentieth century. Despite extensive scholarly exploration of Auden’s English and American periods, his life and artistic contributions in Austria remain comparatively under-explored. It was not until the early 2000s that this aspect of the poet’s lif&hellip;<span class="activity-read-more" id="activity-read-more-1859166"><a href="https://hcommons.org/activity/p/1859166/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">bf943b0a04fbccfa8ff10cecf66e09a0</guid>
				<title>Markus Lepper uploaded the file: Meta-Models Matter --- The tscore R&#38;D Project and &#34;Die Kunst der Fuge&#34; to &#34;Encoding Cultures&#34; Joint MEC and TEI Conference</title>
				<link>https://hcommons.org/activity/p/1859100/</link>
				<pubDate>Wed, 20 Sep 2023 15:37:00 -0400</pubDate>

									<content:encoded><![CDATA[<p>The poster shows all aggregates required to realize our user-controlled realization of &#8220;Die Kunst der Fuge&#8221;, with commens pointing out their specialities. All are arranged by the three distinct conceptual layers &#8220;Model&#8221;, &#8220;Meta-Model&#8221;, and &#8220;Meta-Meta-Model&#8221;. These assignments are possibly surprising.</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">8098eda9dbbd1aeb7ac2c2ad4e24dd5c</guid>
				<title>Christian Lück uploaded the file: Presentation Slides for &#34; for Non-Western Scripts&#34; to &#34;Encoding Cultures&#34; Joint MEC and TEI Conference</title>
				<link>https://hcommons.org/activity/p/1859069/</link>
				<pubDate>Wed, 20 Sep 2023 11:15:01 -0400</pubDate>

									<content:encoded><![CDATA[<p>Encoding right-to-left script in TEI-XML is a hassle unless one uses an editor that hides away the tags. The problem arises when element names in Latin script interrupt the right-to-left rendering on the editor screen by the Unicode Bidirectional Algorithm. (Davis et al. 2022) However, hiding the tags is not the only solution. With &lt;altIdent&gt; TEI&hellip;<span class="activity-read-more" id="activity-read-more-1859069"><a href="https://hcommons.org/activity/p/1859069/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">50c1b54c8a79377f9781b21fe84214b5</guid>
				<title>Christian Lück uploaded the file: Presentation Slides for &#34;TEI XPointer Schemes - Implementation and Example Application&#34; to &#34;Encoding Cultures&#34; Joint MEC and TEI Conference</title>
				<link>https://hcommons.org/activity/p/1859067/</link>
				<pubDate>Wed, 20 Sep 2023 11:11:36 -0400</pubDate>

									<content:encoded><![CDATA[<p>The XPointer framework is one of those W3C notions that is dead today. Same with the TEI XPointer schemes. The cause of dead is manifold and ranges from a lack of implementations to weaknesses of the specification: It is unclear, what a processor is to do with the pointers, that actually only point to a portion of a resource. As a consequence,&hellip;<span class="activity-read-more" id="activity-read-more-1859067"><a href="https://hcommons.org/activity/p/1859067/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">e70c57d387caa69fd087461064ce10e1</guid>
				<title>Klaus Rettinghaus deposited Comparison of MusicXML export capabilities of different scorewriters in the group "Encoding Cultures" Joint MEC and TEI Conference</title>
				<link>https://hcommons.org/activity/p/1859049/</link>
				<pubDate>Wed, 20 Sep 2023 01:08:15 -0400</pubDate>

									<content:encoded><![CDATA[<p>In digital musicology, the widely adopted de facto standard for creating digital critical editions is the encoding format defined by the Music Encoding Initiative. However, the usual workflow to arrive at the desired encoding involves the use of well-established WYSIWYG music notation software. Scores are mostly prepared in the conventional way&hellip;<span class="activity-read-more" id="activity-read-more-1859049"><a href="https://hcommons.org/activity/p/1859049/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">b296f6ba9b8c5971dd993d9a7c8b2009</guid>
				<title>Shintaro Seki deposited Encoding Traditional Court Music and Dance Scores Using the Music Encoding Initiative in the group "Encoding Cultures" Joint MEC and TEI Conference</title>
				<link>https://hcommons.org/activity/p/1859048/</link>
				<pubDate>Wed, 20 Sep 2023 01:08:13 -0400</pubDate>

									<content:encoded><![CDATA[<p>This presentation discusses the origin and significance of gagaku, a Japanese traditional culture encompassing music and dance, and the challenges it faces in digital archiving and accessibility. The paper aims to encode gagaku scores in machine-readable form using the Music Encoding Initiative, focusing on the unique challenges posed by the&hellip;<span class="activity-read-more" id="activity-read-more-1859048"><a href="https://hcommons.org/activity/p/1859048/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">03d229cf37db65aeabf488bb2924616f</guid>
				<title>Raffaele Viglianti deposited Introduction to publishing XML with static site and front-end technologies. in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1859045/</link>
				<pubDate>Wed, 20 Sep 2023 01:07:56 -0400</pubDate>

									<content:encoded><![CDATA[<p>Workshop material. This half-day workshop introduced strategies for handling XML when publishing with static site generators and front-end technologies. The workshop focused on isomorphic approaches to publishing XML data on the web or, in other words, publishing XML data with little or no transformation, or with a structure-preserving mapping&hellip;<span class="activity-read-more" id="activity-read-more-1859045"><a href="https://hcommons.org/activity/p/1859045/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">1f4a78696a2061334c870decb9b10173</guid>
				<title>Raffaele Viglianti deposited Introduction to publishing XML with static site and front-end technologies. in the group "Encoding Cultures" Joint MEC and TEI Conference</title>
				<link>https://hcommons.org/activity/p/1859044/</link>
				<pubDate>Wed, 20 Sep 2023 01:07:54 -0400</pubDate>

									<content:encoded><![CDATA[<p>Workshop material. This half-day workshop introduced strategies for handling XML when publishing with static site generators and front-end technologies. The workshop focused on isomorphic approaches to publishing XML data on the web or, in other words, publishing XML data with little or no transformation, or with a structure-preserving mapping&hellip;<span class="activity-read-more" id="activity-read-more-1859044"><a href="https://hcommons.org/activity/p/1859044/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">1c880be0d037dc32221cbd87a756c76d</guid>
				<title>Craig Stuart Sapp uploaded the file: Presentation slides for &#34;Studying Poetry through Music: The Tasso in Music Project&#34; to &#34;Encoding Cultures&#34; Joint MEC and TEI Conference</title>
				<link>https://hcommons.org/activity/p/1859007/</link>
				<pubDate>Tue, 19 Sep 2023 18:48:29 -0400</pubDate>

									<content:encoded><![CDATA[<p>The Tasso in Music Project (<a href="https://tassomusic.org" rel="nofollow ugc">https://tassomusic.org</a>) is a complete digital edition of the early modern musical settings of the poetry of Torquato Tasso (1544–95), the most prominent poet of late sixteenth-century Italy. Comprising about 800 musical settings and representing the work of over 200 composers, this repertoire is significant not only f&hellip;<span class="activity-read-more" id="activity-read-more-1859007"><a href="https://hcommons.org/activity/p/1859007/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">9817b95d43029e64ffee2462148705f8</guid>
				<title>Eka Kvirkvelia uploaded the file: A digital annotated parallel corpus of Athonite text types: Gospel of Matthew to &#34;Encoding Cultures&#34; Joint MEC and TEI Conference</title>
				<link>https://hcommons.org/activity/p/1858992/</link>
				<pubDate>Tue, 19 Sep 2023 17:21:07 -0400</pubDate>

									<content:encoded><![CDATA[<p>The paper aims to present the results of the ongoing research project “Digital edition of an annotated parallel corpus of Giorgi Athonite&#8217;s recension of the Gospel of Matthew” (2021-2023) funded by Shota Rustaveli National Science Foundation (YS-21-1562). The project is carried out on the technical base of the host institution: Ilia State Uni&hellip;<span class="activity-read-more" id="activity-read-more-1858992"><a href="https://hcommons.org/activity/p/1858992/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">07d83ca6ab8f3a723a5d0d35f46b294a</guid>
				<title>Stephan Kurz uploaded the file: Towards shared TEI model/s for institutional minutes and protocols – protokolleditionen.eu to &#34;Encoding Cultures&#34; Joint MEC and TEI Conference</title>
				<link>https://hcommons.org/activity/p/1858949/</link>
				<pubDate>Tue, 19 Sep 2023 12:24:36 -0400</pubDate>

									<content:encoded><![CDATA[<p>A group of scholarly editors working on TEI editions of minutes/protocols is working on common best practices for editing this textual genre. The »Arbeitskreis Digitale Protokolleditionen« group underlines the collaborative and social aspect of TEI editing. Its proposed poster hence does not claim to present results but intends to showcase and e&hellip;<span class="activity-read-more" id="activity-read-more-1858949"><a href="https://hcommons.org/activity/p/1858949/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">f86b4596858365ad4005f6e5fbc31b79</guid>
				<title>Laura Mazzagufo uploaded the file: Bellini Digital Correspondence meets MEI to &#34;Encoding Cultures&#34; Joint MEC and TEI Conference</title>
				<link>https://hcommons.org/activity/p/1858943/</link>
				<pubDate>Tue, 19 Sep 2023 11:12:06 -0400</pubDate>

									<content:encoded><![CDATA[<p>In this contribution, we show some features of the BDC digital scholarly edition along with some strategies implemented to automate, wherever possible, the process of textual encoding, analysis and normalisation, as well as some perspectives on the work in progress concerning the encoding of epistolary-related music materials in&hellip;<span class="activity-read-more" id="activity-read-more-1858943"><a href="https://hcommons.org/activity/p/1858943/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">7080217b7154fc5d45670e682c468d8f</guid>
				<title>Nick Thieberger uploaded the file: A (cautionary) tale of two texts to &#34;Encoding Cultures&#34; Joint MEC and TEI Conference</title>
				<link>https://hcommons.org/activity/p/1858911/</link>
				<pubDate>Tue, 19 Sep 2023 00:18:43 -0400</pubDate>

									<content:encoded><![CDATA[<p>In this presentation, we reflect on our experiences working on two contrasting manuscripts in an institutional environment where TEI has little uptake. In particular, we explore some of the challenges and tradeoffs we encountered creating digital editions with only limited institutional support for sustainable Digital Humanities research software&hellip;<span class="activity-read-more" id="activity-read-more-1858911"><a href="https://hcommons.org/activity/p/1858911/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">7db57ee4e5ef4bca8acafb74faadf344</guid>
				<title>Jan Niklas Jokisch uploaded the file: Forager Folklore Database to &#34;Encoding Cultures&#34; Joint MEC and TEI Conference</title>
				<link>https://hcommons.org/activity/p/1858879/</link>
				<pubDate>Mon, 18 Sep 2023 19:25:53 -0400</pubDate>

									<content:encoded><![CDATA[<p>Encoding previously Transcribed Oral Literature: The Forager Folklore Database (FFDB)<br />
The Forager Folklore Database (FFDB) assembles a large corpus of hunter-gatherer oral literature in English translation. It is designed as an empirical basis for the systematic study of narrative universals and the evolutionary origin of storytelling, as well as&hellip;<span class="activity-read-more" id="activity-read-more-1858879"><a href="https://hcommons.org/activity/p/1858879/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">bbe397738b76c92945b8805b09c72092</guid>
				<title>Andreas Kuczera uploaded the file: Applied Text as Graph (ATAG) to &#34;Encoding Cultures&#34; Joint MEC and TEI Conference</title>
				<link>https://hcommons.org/activity/p/1858857/</link>
				<pubDate>Mon, 18 Sep 2023 17:24:26 -0400</pubDate>

									<content:encoded><![CDATA[<p>&#8220;Applied Text as Graph&#8221; is a structured way to handle and analyze text by turning it into an interconnected graph. In this approach, every individual character in a block of text is represented by a &#8220;character node&#8221; (orange in the next figure). These nodes are connected in sequence, highlighting the linear arrangement of the text. Each block of&hellip;<span class="activity-read-more" id="activity-read-more-1858857"><a href="https://hcommons.org/activity/p/1858857/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
		
	</channel>
</rss>