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	<title>SAH Commons | SANNA PEDERSON | Activity</title>
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				<title>SANNA PEDERSON deposited On the Musically Beautiful and "Absolute Music"</title>
				<link>https://hcommons.org/activity/p/1624427/</link>
				<pubDate>Sun, 25 Nov 2018 19:05:03 -0500</pubDate>

									<content:encoded><![CDATA[<p>It is a common assumption that Hanslick was the main spokesperson for &#8220;absolute music.&#8221; My research shows that Hanslick did not come to be associated with the term until towards the end of the nineteenth century. Around 1880, polemics about Liszt’s concept of program music used “absolute music” to designate program music’s opposite.  But just as&hellip;<span class="activity-read-more" id="activity-read-more-1624427"><a href="https://hcommons.org/activity/p/1624427/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>SANNA PEDERSON created the site Musicological Papers and Publications by Sanna Pederson</title>
				<link>https://hcommons.org/activity/p/1624030/</link>
				<pubDate>Sun, 18 Nov 2018 13:12:23 -0500</pubDate>

				
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				<title>SANNA PEDERSON created the site Wilhelm Heinrich Riehl&#039;s cultural history of music</title>
				<link>https://hcommons.org/activity/p/1623299/</link>
				<pubDate>Thu, 08 Nov 2018 23:23:54 -0500</pubDate>

				
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				<title>SANNA PEDERSON created the site The Joachim Quartet in Berlin</title>
				<link>https://hcommons.org/activity/p/1618612/</link>
				<pubDate>Tue, 18 Sep 2018 17:25:39 -0400</pubDate>

				
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				<title>SANNA PEDERSON deposited Absolute Music</title>
				<link>https://hcommons.org/activity/p/1604294/</link>
				<pubDate>Fri, 23 Mar 2018 13:16:22 -0400</pubDate>

									<content:encoded><![CDATA[<p>The significance of absolute music for German culture.</p>
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