SAH Commons | Natascha Drubek | Activity https://sah.hcommons.org/members/nataschadrubek/activity/ Activity feed for Natascha Drubek. Sun, 05 Apr 2026 12:33:09 -0400 https://buddypress.org/?v=10.6.0 en-US 30 hourly 2 7154db62553ae27f5f2f2359fbba6140 Natascha Drubek's profile was updated https://mla.hcommons.org/activity/p/1734093/ Tue, 06 Apr 2021 13:20:13 -0400 0 de0f9a9c20f808005eb79780726628d2 Natascha Drubek deposited Filme über Vernichtung und Befreiung. Die Rhetorik der Filmdokumente aus Majdanek 1944-1945 in the group Soviet and Russian history and culture https://hcommons.org/activity/p/1725781/ Mon, 01 Feb 2021 02:24:19 -0500 In July 1944, the Red Army was advancing through Eastern Poland when they discovered the first traces of the camps. On reaching Lublin they found an enormous compound behind barbed wire in the city’s suburb of Majdanek. Embedded with the Soviet army were film crews, who made the first images of a Nazi camp, among them the “flight survivors” Olga a…[Read more]

]]> 0 48406d33609652181a95beb64f52872d Natascha Drubek deposited Filme über Vernichtung und Befreiung. Die Rhetorik der Filmdokumente aus Majdanek 1944-1945 in the group Holocaust history https://hcommons.org/activity/p/1725780/ Mon, 01 Feb 2021 02:24:18 -0500 In July 1944, the Red Army was advancing through Eastern Poland when they discovered the first traces of the camps. On reaching Lublin they found an enormous compound behind barbed wire in the city’s suburb of Majdanek. Embedded with the Soviet army were film crews, who made the first images of a Nazi camp, among them the “flight survivors” Olga a…[Read more]

]]> 0 939ac3e3ec51fcaab8c1cd98150adcf2 Natascha Drubek deposited Filme über Vernichtung und Befreiung. Die Rhetorik der Filmdokumente aus Majdanek 1944-1945 in the group Film Studies https://hcommons.org/activity/p/1725779/ Mon, 01 Feb 2021 02:24:12 -0500 In July 1944, the Red Army was advancing through Eastern Poland when they discovered the first traces of the camps. On reaching Lublin they found an enormous compound behind barbed wire in the city’s suburb of Majdanek. Embedded with the Soviet army were film crews, who made the first images of a Nazi camp, among them the “flight survivors” Olga a…[Read more]

]]> 0 f4fc869ca37e6147c031062ed6a82c45 Natascha Drubek deposited Filme über Vernichtung und Befreiung. Die Rhetorik der Filmdokumente aus Majdanek 1944-1945 https://hcommons.org/activity/p/1725653/ Sun, 31 Jan 2021 15:59:40 -0500 In July 1944, the Red Army was advancing through Eastern Poland when they discovered the first traces of the camps. On reaching Lublin they found an enormous compound behind barbed wire in the city’s suburb of Majdanek. Embedded with the Soviet army were film crews, who made the first images of a Nazi camp, among them the “flight survivors” Olga a…[Read more]

]]> 0 6b5999ff1ba3c4f6cd4ee2e5c2a608a6 Natascha Drubek deposited Exegi Monumentum Revolutionis – On Eisenstein’s "October" in the group Soviet and Russian history and culture https://hcommons.org/activity/p/1690503/ Wed, 10 Jun 2020 16:25:46 -0400 This essay discusses the cinematic representation of Revolution in Sergei Eisenstein’s film Oktiabr’ / October, a film which had a decisive impact on the revolutionary development of film history and theory. I will explore how Revolution can be re-enacted and shown in the medium of cinema, and how this medium is capable of not only staging his…[Read more]

]]> 0 64687945b1ac1ba52a738aed47b3a337 Natascha Drubek deposited Exegi Monumentum Revolutionis – On Eisenstein’s "October" in the group History https://hcommons.org/activity/p/1690502/ Wed, 10 Jun 2020 16:25:41 -0400 This essay discusses the cinematic representation of Revolution in Sergei Eisenstein’s film Oktiabr’ / October, a film which had a decisive impact on the revolutionary development of film history and theory. I will explore how Revolution can be re-enacted and shown in the medium of cinema, and how this medium is capable of not only staging his…[Read more]

]]> 0 2664587709684698230e415cad48770e Natascha Drubek deposited Exegi Monumentum Revolutionis – On Eisenstein’s "October" in the group Film Studies https://hcommons.org/activity/p/1690501/ Wed, 10 Jun 2020 16:25:34 -0400 This essay discusses the cinematic representation of Revolution in Sergei Eisenstein’s film Oktiabr’ / October, a film which had a decisive impact on the revolutionary development of film history and theory. I will explore how Revolution can be re-enacted and shown in the medium of cinema, and how this medium is capable of not only staging his…[Read more]

]]> 0 7897255f042aaac260f2a145142fbb3f Natascha Drubek deposited Exegi Monumentum Revolutionis – On Eisenstein’s "October" (1927) https://hcommons.org/activity/p/1690429/ Tue, 09 Jun 2020 22:05:48 -0400 This essay discusses the cinematic representation of Revolution in Sergei Eisenstein’s film Oktiabr’ / October, a film which had a decisive impact on the revolutionary development of film history and theory. I will explore how Revolution can be re-enacted and shown in the medium of cinema, and how this medium is capable of not only staging his…[Read more]

]]> 0 0073850711671f4cd656d9cb77954bdb Natascha Drubek's profile was updated https://hcommons.org/activity/p/1609292/ Sun, 27 May 2018 15:53:53 -0400 0 e64dc6f35690329e2ffb09efadfc8381 Natascha Drubek deposited 140 Jahre Russisches Licht in the group Film Studies https://hcommons.org/activity/p/1588881/ Fri, 17 Nov 2017 05:38:18 -0500 For archiving I made a couple of screenshots of this rare occasion. German director Alexander Kluge interviewing Natascha Drubek in June 2016. The whole film (45′) can be found when you follow the link below: “Von den Ikonen zum russischen Stummfilm”:
“Russisches Licht” hieß eine mondäne städtische Beleuchtungsart, zuerst in Paris erprobt, d…[Read more]

]]> 0 1cc31b07ec9c29d726594d7bbb801504 Natascha Drubek deposited 140 Jahre Russisches Licht https://hcommons.org/activity/p/1588737/ Thu, 16 Nov 2017 00:37:29 -0500 For archiving I made a couple of screenshots of this rare occasion. German director Alexander Kluge interviewing Natascha Drubek in June 2016. The whole film (45′) can be found when you follow the link below: “Von den Ikonen zum russischen Stummfilm”:
“Russisches Licht” hieß eine mondäne städtische Beleuchtungsart, zuerst in Paris erprobt, d…[Read more]

]]> 0 e3afed0dff0520750142c5977a82b6e8 Natascha Drubek created the group Czech Culture https://hcommons.org/activity/p/1588645/ Wed, 15 Nov 2017 19:16:48 -0500 0 53e54229fe6c0c45ba60788c8f344c69 Natascha Drubek deposited Ghettoisierte Sprachen: Die tschechisch-deutsche „Zwangsgemeinschaft“ der Juden von Theresienstadt in the group Holocaust history https://hcommons.org/activity/p/1586579/ Fri, 03 Nov 2017 01:11:02 -0400 Ghettoized Languages: Theresienstadt as Czech-German ‘Coerced Community’
(referring to Adler’s book “Theresienstadt 1941-1945; The Face of a Coerced Community”)
1. Theresienstadts Festungen: Von der josephinischen Architektur zum Militärgefängnis und nationalsozialistischen „Ghetto“
2. Nationen im „Ghetto”
3. Zum Begriff der „Zwangsgemein…[Read more]

]]> 0 53e54229fe6c0c45ba60788c8f344c69 Natascha Drubek deposited Ghettoisierte Sprachen: Die tschechisch-deutsche „Zwangsgemeinschaft“ der Juden von Theresienstadt in the group German Literature and Culture https://hcommons.org/activity/p/1586578/ Fri, 03 Nov 2017 01:11:02 -0400 Ghettoized Languages: Theresienstadt as Czech-German ‘Coerced Community’
(referring to Adler’s book “Theresienstadt 1941-1945; The Face of a Coerced Community”)
1. Theresienstadts Festungen: Von der josephinischen Architektur zum Militärgefängnis und nationalsozialistischen „Ghetto“
2. Nationen im „Ghetto”
3. Zum Begriff der „Zwangsgemein…[Read more]

]]> 0 9c7c48337e4b55c00d03d07e8e235fa5 Natascha Drubek deposited Ghettoisierte Sprachen: Die tschechisch-deutsche „Zwangsgemeinschaft“ der Juden von Theresienstadt in the group Holocaust history https://hcommons.org/activity/p/1586574/ Fri, 03 Nov 2017 01:10:58 -0400 Ghettoized Languages: Theresienstadt as Czech-German ‘Coerced Community’
(referring to Adler’s book “Theresienstadt 1941-1945; The Face of a Coerced Community”)
1. Theresienstadts Festungen: Von der josephinischen Architektur zum Militärgefängnis und nationalsozialistischen „Ghetto“
2. Nationen im „Ghetto”
3. Zum Begriff der „Zwangsgemein…[Read more]

]]> 0 9c7c48337e4b55c00d03d07e8e235fa5 Natascha Drubek deposited Ghettoisierte Sprachen: Die tschechisch-deutsche „Zwangsgemeinschaft“ der Juden von Theresienstadt in the group German Literature and Culture https://hcommons.org/activity/p/1586573/ Fri, 03 Nov 2017 01:10:58 -0400 Ghettoized Languages: Theresienstadt as Czech-German ‘Coerced Community’
(referring to Adler’s book “Theresienstadt 1941-1945; The Face of a Coerced Community”)
1. Theresienstadts Festungen: Von der josephinischen Architektur zum Militärgefängnis und nationalsozialistischen „Ghetto“
2. Nationen im „Ghetto”
3. Zum Begriff der „Zwangsgemein…[Read more]

]]> 0 afff1aa0e73a442aebad8a85645bb670 Natascha Drubek deposited Ghettoisierte Sprachen: Die tschechisch-deutsche „Zwangsgemeinschaft“ der Juden von Theresienstadt in the group Holocaust history https://hcommons.org/activity/p/1586569/ Fri, 03 Nov 2017 01:10:53 -0400 Ghettoized Languages: Theresienstadt as Czech-German ‘Coerced Community’
(referring to Adler’s book “Theresienstadt 1941-1945; The Face of a Coerced Community”)
1. Theresienstadts Festungen: Von der josephinischen Architektur zum Militärgefängnis und nationalsozialistischen „Ghetto“
2. Nationen im „Ghetto”
3. Zum Begriff der „Zwangsgemein…[Read more]

]]> 0 afff1aa0e73a442aebad8a85645bb670 Natascha Drubek deposited Ghettoisierte Sprachen: Die tschechisch-deutsche „Zwangsgemeinschaft“ der Juden von Theresienstadt in the group German Literature and Culture https://hcommons.org/activity/p/1586568/ Fri, 03 Nov 2017 01:10:53 -0400 Ghettoized Languages: Theresienstadt as Czech-German ‘Coerced Community’
(referring to Adler’s book “Theresienstadt 1941-1945; The Face of a Coerced Community”)
1. Theresienstadts Festungen: Von der josephinischen Architektur zum Militärgefängnis und nationalsozialistischen „Ghetto“
2. Nationen im „Ghetto”
3. Zum Begriff der „Zwangsgemein…[Read more]

]]> 0 05bed8bcd05e1bdf4a545fcf2f04687a Natascha Drubek deposited Вещь в немом кино / Vešč’ v nemom kino. Bauėr, Kulešov i Barnet [The Thing in Silent Cinema. Bauer, Kuleshov, Barnet] in the group Film Studies https://hcommons.org/activity/p/1586448/ Fri, 03 Nov 2017 01:04:53 -0400 От задника к квази-вещи и настоящему мясу: плоскость и трехмерность в кино 1900-1920
Бюсты-Цари Бауэра
Оживление вещи в 1910-е годы: Черепки кувшина и жест спинки кресла
«Душа декорации» и диковинки Бауeра в трактовке Кулешова
Вещи в глубинном постранстве
Освобожденная вещь в монтаже
«Убрать неработающие вещи!»
Столетие…[Read more]

]]> 0 0068f461bfa0e7cad781aba91b8decec Natascha Drubek deposited Вещь в немом кино / Vešč’ v nemom kino. Bauėr, Kulešov i Barnet [The Thing in Silent Cinema. Bauer, Kuleshov, Barnet] in the group Film Studies https://hcommons.org/activity/p/1586444/ Fri, 03 Nov 2017 01:04:50 -0400 От задника к квази-вещи и настоящему мясу: плоскость и трехмерность в кино 1900-1920
Бюсты-Цари Бауэра
Оживление вещи в 1910-е годы: Черепки кувшина и жест спинки кресла
«Душа декорации» и диковинки Бауeра в трактовке Кулешова
Вещи в глубинном постранстве
Освобожденная вещь в монтаже
«Убрать неработающие вещи!»
Столетие…[Read more]

]]> 0 d794385ea784dc4f1b331fa2ef8c64be Natascha Drubek deposited Вещь в немом кино / Vešč’ v nemom kino. Bauėr, Kulešov i Barnet [The Thing in Silent Cinema. Bauer, Kuleshov, Barnet] in the group Film Studies https://hcommons.org/activity/p/1586436/ Fri, 03 Nov 2017 01:04:34 -0400 От задника к квази-вещи и настоящему мясу: плоскость и трехмерность в кино 1900-1920
Бюсты-Цари Бауэра
Оживление вещи в 1910-е годы: Черепки кувшина и жест спинки кресла
«Душа декорации» и диковинки Бауeра в трактовке Кулешова
Вещи в глубинном постранстве
Освобожденная вещь в монтаже
«Убрать неработающие вещи!»
Столетие…[Read more]

]]> 0 bb039fbd8cccbd24f6895cee0af8647f Natascha Drubek deposited Ghettoisierte Sprachen: Die tschechisch-deutsche „Zwangsgemeinschaft“ der Juden von Theresienstadt https://hcommons.org/activity/p/1586026/ Sun, 29 Oct 2017 07:39:17 -0400 Ghettoized Languages: Theresienstadt as Czech-German ‘Coerced Community’
(referring to Adler’s book “Theresienstadt 1941-1945; The Face of a Coerced Community”)
1. Theresienstadts Festungen: Von der josephinischen Architektur zum Militärgefängnis und nationalsozialistischen „Ghetto“
2. Nationen im „Ghetto”
3. Zum Begriff der „Zwangsgemein…[Read more]

]]> 0 2b234a916dd055d3c7a48e801cc8e5dc Natascha Drubek's profile was updated https://hcommons.org/activity/p/1585886/ Fri, 27 Oct 2017 07:26:14 -0400 0 442409ff48032c1a15f36cf600ab23f3 Natascha Drubek changed their profile picture https://hcommons.org/activity/p/1585885/ Fri, 27 Oct 2017 07:15:36 -0400 0 2b8d857df35295bd9cc59a38f94058c7 Natascha Drubek changed their profile picture https://hcommons.org/activity/p/1585884/ Fri, 27 Oct 2017 07:11:37 -0400 0 3f3fcbc23267827835159ffadef10ddc Natascha Drubek deposited Вещь в немом кино / Vešč’ v nemom kino. Bauėr, Kulešov i Barnet [The Thing in Silent Cinema. Bauer, Kuleshov, Barnet] https://hcommons.org/activity/p/1585752/ Thu, 26 Oct 2017 08:24:29 -0400 От задника к квази-вещи и настоящему мясу: плоскость и трехмерность в кино 1900-1920
Бюсты-Цари Бауэра
Оживление вещи в 1910-е годы: Черепки кувшина и жест спинки кресла
«Душа декорации» и диковинки Бауeра в трактовке Кулешова
Вещи в глубинном постранстве
Освобожденная вещь в монтаже
«Убрать неработающие вещи!»
Столетие…[Read more]

]]> 0 554dac98725fdd7f214bd050e109d607 Natascha Drubek deposited Gender im nationalen Habitus. Ein Blick auf das zeitgenössische russische Kino: Rusalka, Kraj und Ovsjanki in the group Film Studies https://hcommons.org/activity/p/1584998/ Thu, 19 Oct 2017 01:02:01 -0400 Habitus​ ​und​ ​Gender:​ ​Dude​ ​Talk​ ​der​ ​pachucos​ ​und​ ​die​ ​stiljagi 2 Vorgestellte​ ​und​ ​gelenkte​ ​Gemeinschaften:​ ​Nationale​ ​und​ ​ ​religiöse​ ​Identität 5 1.​ ​Filmbeispiel:​ ​Die​ ​tote​ ​Frau​ ​in​ ​Ovsjanki​ ​(Ammern,​ ​2010) 8 Sprache​ ​und​ ​Gender​ ​in​ ​der​ ​postsowjetischen​ ​Situation 11 Feminismus​ ​in​ ​Russland;​ ​G…[Read more]

]]> 0 0db4494597671c2e44d451ba753a8eda Natascha Drubek deposited Gender im nationalen Habitus. Ein Blick auf das zeitgenössische russische Kino: Rusalka, Kraj und Ovsjanki in the group Film Studies https://hcommons.org/activity/p/1584995/ Thu, 19 Oct 2017 01:01:52 -0400 Habitus​ ​und​ ​Gender:​ ​Dude​ ​Talk​ ​der​ ​pachucos​ ​und​ ​die​ ​stiljagi 2 Vorgestellte​ ​und​ ​gelenkte​ ​Gemeinschaften:​ ​Nationale​ ​und​ ​ ​religiöse​ ​Identität 5 1.​ ​Filmbeispiel:​ ​Die​ ​tote​ ​Frau​ ​in​ ​Ovsjanki​ ​(Ammern,​ ​2010) 8 Sprache​ ​und​ ​Gender​ ​in​ ​der​ ​postsowjetischen​ ​Situation 11 Feminismus​ ​in​ ​Russland;​ ​G…[Read more]

]]> 0 9f768f99ef8bab9c6323a46c86a74036 Natascha Drubek deposited Gender im nationalen Habitus. Ein Blick auf das zeitgenössische russische Kino: Rusalka, Kraj und Ovsjanki https://hcommons.org/activity/p/1584816/ Tue, 17 Oct 2017 15:01:55 -0400 Habitus​ ​und​ ​Gender:​ ​Dude​ ​Talk​ ​der​ ​pachucos​ ​und​ ​die​ ​stiljagi 2
Vorgestellte​ ​und​ ​gelenkte​ ​Gemeinschaften:​ ​Nationale​ ​und​ ​ ​religiöse​ ​Identität 5
1.​ ​Filmbeispiel:​ ​Die​ ​tote​ ​Frau​ ​in​ ​Ovsjanki​ ​(Ammern,​ ​2010) 8
Sprache​ ​und​ ​Gender​ ​in​ ​der​ ​postsowjetischen​ ​Situation 11
Feminismus​ ​in​ ​Russland;…[Read more]

]]> 0 9605d604f0cdd3303ecd93d7087fc3a5 Natascha Drubek deposited Glocke und Ikone. Tarkovskijs Film "Andrej Rublev" / Bell and Icon. On Tarkovskijs Film "Andrei Rublev" https://hcommons.org/activity/p/1584666/ Sun, 15 Oct 2017 13:38:25 -0400 Die letzte der acht „Novellen“ des Films “Andrej Rublev” trägt den Titel “Die Glocke” (“Kolokol”). Hier bricht Rublev sein Schweigegelübde, um dem erschöpften jungen Glockengießer Boriska Trost zu spenden. Sobald Boriskas Glocke beginnt zu tönen, d. h. der Glockenschwengel (russ. jazyk – „Zunge“) sich bewegt, löst sich auch Rublevs Zunge…[Read more]

]]> 0