https://sah.hcommons.org/members/mrosatapia/activity/ Activity feed for Rosa Tapia. Sat, 04 Apr 2026 19:44:32 -0400 https://buddypress.org/?v=10.6.0 en-US 30 hourly 2 1d84b262a7de7894cfa05793282da2ac https://mla.hcommons.org/activity/p/1902132/ Sat, 19 Oct 2024 16:52:11 -0400 0 b9b4b597b62c27e1451d39f794787479 https://mla.hcommons.org/activity/p/1788386/ Fri, 22 Jul 2022 19:27:39 -0400 0 e7f8df5458b34de9fd3624a7f320ee70 https://hcommons.org/activity/p/1706988/ Tue, 01 Sep 2020 12:19:33 -0400 0 05d677e06e5568d214542403022ff039 https://hcommons.org/activity/p/1670280/ Sun, 17 Nov 2019 15:23:38 -0500 0 7a1c6f231089e80f617877c3dc4ca210 https://hcommons.org/activity/p/1664188/ Mon, 23 Sep 2019 16:25:26 -0400 Post Mortem by Chilean filmmaker Pablo Larraín challenges traditional cinematic conventions of affect and spectacle through a narrative of spaces and bodies that is neither realist, comedic, nor melodramatic. This chapter draws upon affect theories that study the spectacle of cinematic spaces and political bodies in Latin American film. The…[Read more]

]]> 0 fbaf73240174b7757f6e64b3232c5345 https://hcommons.org/activity/p/1664187/ Mon, 23 Sep 2019 16:25:21 -0400 Post Mortem by Chilean filmmaker Pablo Larraín challenges traditional cinematic conventions of affect and spectacle through a narrative of spaces and bodies that is neither realist, comedic, nor melodramatic. This chapter draws upon affect theories that study the spectacle of cinematic spaces and political bodies in Latin American film. The…[Read more]

]]> 0 cb275fdcb4d639f8d7021cade93f9cc7 https://hcommons.org/activity/p/1664143/ Sun, 22 Sep 2019 15:16:30 -0400 Post Mortem by Chilean filmmaker Pablo Larraín challenges traditional cinematic conventions of affect and spectacle through a narrative of spaces and bodies that is neither realist, comedic, nor melodramatic. This chapter draws upon affect theories that study the spectacle of cinematic spaces and political bodies in Latin American film. The…[Read more]

]]> 0 ee0969f769705fa3a2b185800d9eef55 https://hcommons.org/activity/p/1639889/ Thu, 09 May 2019 04:15:31 -0400 A study of the of the fictional representation of Catalan identities in the novels of Eduardo Mendoza, Juan Marsé, Enrique Vila-Matas , Nuria Amat and Manuel Vázquez Montalbán at the end of the 20th century.

]]> 0 dbc99cc8297e4d282a68058ef7ac53ab https://hcommons.org/activity/p/1639788/ Tue, 07 May 2019 18:03:49 -0400 This essay is an analysis of Eduardo Mendicutti’s portrayal of transgender bodies and voices in the context of Spain’s democratic transition. In “Una mala noche la tiene cualquiera,” the protagonist’s transgender body functions as a critical but problematic vehicle for the representation of the new national body between 1975 and 1982, follo…[Read more]

]]> 0 9a2d3c9237f4b827a2b8130830cda88d https://hcommons.org/activity/p/1639784/ Tue, 07 May 2019 17:46:33 -0400 This essay analyzes the film “Violete Went to Heaven (2011), by Chilean director Andrés Wood, as a model for the ethical dilemmas present in the creation and reception of Latin American cinema in the early twenty-first century. As the dichotomy global/homogeneous versus local/heterogeneous becomes blurrier, contemporary film analysis requires a…[Read more]

]]> 0 50e8ebddd5a4edfda55c16bc3e8cf521 https://hcommons.org/activity/p/1639782/ Tue, 07 May 2019 17:27:52 -0400 Study on Claudia Llosa’s film “The Milk of Sorrow” (Peru-Spain, 2009) dedicated to the
relationship among different representations of the body, cinematic gaze, and gender according to the
theoretical referents provided by Giorgio Agamben’s “Homo Sacer” and Teresa de Lauretis’ feminist
exploration of the “off camera” concept.

]]> 0 df48b15dedb8cdf2027d6d0aff21f2a3 https://hcommons.org/activity/p/1639780/ Tue, 07 May 2019 17:10:05 -0400 The short story “Pasión de historia” (1987) by the Puerto Rican writer Ana Lydia Vega offers a feminist and self-reflective viewpoint on metaliterary concerns about the fictional rewriting of history and the inherent violence that belies this enterprise, as well as the ties of culpability and complicity that bind writers and readers of such text…[Read more]

]]> 0 f77756a750ec7aff86d3743a1dd2c3d9 https://hcommons.org/activity/p/1626185/ Fri, 21 Dec 2018 16:36:35 -0500 0