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	<title>SAH Commons | Katrina Grant | Activity</title>
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	<description>Activity feed for Katrina Grant.</description>
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				<title>Katrina Grant&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1930280/</link>
				<pubDate>Tue, 07 Oct 2025 01:14:18 -0400</pubDate>

				
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				<title>Katrina Grant&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1908722/</link>
				<pubDate>Mon, 13 Jan 2025 06:01:56 -0500</pubDate>

				
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				<title>Katrina Grant deposited Collaboration, flexibility, skill-sharing: The future of museum and cultural heritage work in the age of digital transformation in Australia in the group Digital Humanists</title>
				<link>https://hcommons.org/activity/p/1888686/</link>
				<pubDate>Sat, 08 Jun 2024 03:00:19 -0400</pubDate>

									<content:encoded><![CDATA[<p>The COVID-19 pandemic created huge challenges for the galleries, libraries, archives and museum (GLAM) sector as institutions were shut and travel and tourism became almost non-existent. Globally, cultural institutions large and small suddenly had to rely almost entirely on digital platforms to engage their missing audiences. Digital&hellip;<span class="activity-read-more" id="activity-read-more-1888686"><a href="https://hcommons.org/activity/p/1888686/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Katrina Grant deposited Collaboration, flexibility, skill-sharing: The future of museum and cultural heritage work in the age of digital transformation in Australia in the group Digital Heritage</title>
				<link>https://hcommons.org/activity/p/1888685/</link>
				<pubDate>Sat, 08 Jun 2024 03:00:15 -0400</pubDate>

									<content:encoded><![CDATA[<p>The COVID-19 pandemic created huge challenges for the galleries, libraries, archives and museum (GLAM) sector as institutions were shut and travel and tourism became almost non-existent. Globally, cultural institutions large and small suddenly had to rely almost entirely on digital platforms to engage their missing audiences. Digital&hellip;<span class="activity-read-more" id="activity-read-more-1888685"><a href="https://hcommons.org/activity/p/1888685/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Katrina Grant deposited Collaboration, flexibility, skill-sharing: The future of museum and cultural heritage work in the age of digital transformation in Australia in the group Digital Art History</title>
				<link>https://hcommons.org/activity/p/1888684/</link>
				<pubDate>Sat, 08 Jun 2024 03:00:03 -0400</pubDate>

									<content:encoded><![CDATA[<p>The COVID-19 pandemic created huge challenges for the galleries, libraries, archives and museum (GLAM) sector as institutions were shut and travel and tourism became almost non-existent. Globally, cultural institutions large and small suddenly had to rely almost entirely on digital platforms to engage their missing audiences. Digital&hellip;<span class="activity-read-more" id="activity-read-more-1888684"><a href="https://hcommons.org/activity/p/1888684/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Katrina Grant deposited Collaboration, flexibility, skill-sharing: The future of museum and cultural heritage work in the age of digital transformation in Australia</title>
				<link>https://hcommons.org/activity/p/1888613/</link>
				<pubDate>Fri, 07 Jun 2024 02:40:44 -0400</pubDate>

									<content:encoded><![CDATA[<p>The COVID-19 pandemic created huge challenges for the galleries, libraries, archives and museum (GLAM) sector as institutions were shut and travel and tourism became almost non-existent. Globally, cultural institutions large and small suddenly had to rely almost entirely on digital platforms to engage their missing audiences. Digital&hellip;<span class="activity-read-more" id="activity-read-more-1888613"><a href="https://hcommons.org/activity/p/1888613/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Katrina Grant deposited Digital cartographies of the roman campagna</title>
				<link>https://hcommons.org/activity/p/1857636/</link>
				<pubDate>Thu, 07 Sep 2023 08:42:39 -0400</pubDate>

									<content:encoded><![CDATA[<p>The ongoing research project “Digital Cartographies of the Roman Campagna” is developing an interactive digital map to explore the relationship between artistic representation of the Roman Campagna and the history of the place itself, in the context of ecology, climate change, disease and social history from 1600 to 1900. In the following ess&hellip;<span class="activity-read-more" id="activity-read-more-1857636"><a href="https://hcommons.org/activity/p/1857636/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Katrina Grant deposited Planting ‘Italian Gusto’ in ‘a Gothick country’: The influence of Filippo Juvarra on William Kent in the group Italian Art Society</title>
				<link>https://hcommons.org/activity/p/1851614/</link>
				<pubDate>Thu, 13 Jul 2023 02:23:43 -0400</pubDate>

									<content:encoded><![CDATA[<p>After a lacklustre attempt to become a painter,William Kent (1685–1748) developed a career as a garden designer, working mainly for Lord Burlington and other patrons in his circle. His gardens represent some of the earliest gardens of a style that became known as the ‘English Landscape Garden’, exemplified by Stourhead in Wiltshire, Rousham in Ox&hellip;<span class="activity-read-more" id="activity-read-more-1851614"><a href="https://hcommons.org/activity/p/1851614/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Katrina Grant deposited Planting ‘Italian Gusto’ in ‘a Gothick country’: The influence of Filippo Juvarra on William Kent in the group Early Modern History</title>
				<link>https://hcommons.org/activity/p/1851613/</link>
				<pubDate>Thu, 13 Jul 2023 02:23:40 -0400</pubDate>

									<content:encoded><![CDATA[<p>After a lacklustre attempt to become a painter,William Kent (1685–1748) developed a career as a garden designer, working mainly for Lord Burlington and other patrons in his circle. His gardens represent some of the earliest gardens of a style that became known as the ‘English Landscape Garden’, exemplified by Stourhead in Wiltshire, Rousham in Ox&hellip;<span class="activity-read-more" id="activity-read-more-1851613"><a href="https://hcommons.org/activity/p/1851613/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Katrina Grant deposited Planting ‘Italian Gusto’ in ‘a Gothick country’: The influence of Filippo Juvarra on William Kent</title>
				<link>https://hcommons.org/activity/p/1851543/</link>
				<pubDate>Wed, 12 Jul 2023 01:34:51 -0400</pubDate>

									<content:encoded><![CDATA[<p>After a lacklustre attempt to become a painter,William Kent (1685–1748) developed a career as a garden designer, working mainly for Lord Burlington and other patrons in his circle. His gardens represent some of the earliest gardens of a style that became known as the ‘English Landscape Garden’, exemplified by Stourhead in Wiltshire, Rousham in Ox&hellip;<span class="activity-read-more" id="activity-read-more-1851543"><a href="https://hcommons.org/activity/p/1851543/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Katrina Grant deposited Students as Collaborators: a digital humanities and GLAM sector collaboration to produce new web-based content through student led projects</title>
				<link>https://hcommons.org/activity/p/1848110/</link>
				<pubDate>Sat, 03 Jun 2023 03:32:35 -0400</pubDate>

									<content:encoded><![CDATA[<p>This paper shares the success of research-led teaching and GLAM sector collaborations developed as part of the Digital Humanities (DH) teaching program at the Australian National University. This collaborative project offered a shared solution to two distinct problems. For teaching in DH we found that students, while fascinated by the GLAM and DH&hellip;<span class="activity-read-more" id="activity-read-more-1848110"><a href="https://hcommons.org/activity/p/1848110/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Katrina Grant deposited The Bosco Parrasio as a site of pleasure and of sadness</title>
				<link>https://hcommons.org/activity/p/1847584/</link>
				<pubDate>Wed, 31 May 2023 00:02:46 -0400</pubDate>

									<content:encoded><![CDATA[<p>This paper considers the way in which the garden, the « Bosco Parrasio », in which members of Rome’s Arcadian Academy met was not only a place of pleasurable escapism, but also a place of longing and mourning. This can be seen in the design of physical spaces – each real site that hosted the « Bosco Parrasio » was required to display the lapidi&hellip;<span class="activity-read-more" id="activity-read-more-1847584"><a href="https://hcommons.org/activity/p/1847584/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Katrina Grant&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1843231/</link>
				<pubDate>Tue, 02 May 2023 02:33:46 -0400</pubDate>

				
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				<title>Katrina Grant deposited "To make them gaze in wonder": emotional responses to stage scenery in seventeenth-century opera</title>
				<link>https://hcommons.org/activity/p/1838632/</link>
				<pubDate>Mon, 27 Mar 2023 01:59:24 -0400</pubDate>

									<content:encoded><![CDATA[<p>While the capacity of music to move the emotions has received a good deal of<br />
attention from musicologists, philosophers, and psychologists, the history of set design<br />
has not considered how these sets created immersive environments that induced an<br />
affective response. Instead, the attitudes expressed by Addison continue to cast a long<br />
shadow&hellip;<span class="activity-read-more" id="activity-read-more-1838632"><a href="https://hcommons.org/activity/p/1838632/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Katrina Grant&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1821162/</link>
				<pubDate>Thu, 10 Nov 2022 04:20:21 -0500</pubDate>

				
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				<title>Katrina Grant deposited Performances of Power - the site of public debate</title>
				<link>https://hcommons.org/activity/p/1785122/</link>
				<pubDate>Tue, 28 Jun 2022 03:31:06 -0400</pubDate>

									<content:encoded><![CDATA[<p>In 2009 the protests against election result in Iran began to play out not just on the streets of the capital (check) but online. Shortly after the protests Time magazine described Twitter (at that point the platform was only three years old) as &#8216;ideal for a mass protest movement, both very easy for the average citizen to use and very hard for any&hellip;<span class="activity-read-more" id="activity-read-more-1785122"><a href="https://hcommons.org/activity/p/1785122/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Katrina Grant deposited Landscape and the Arts in Early Modern Italy Theatre, Gardens and Visual Culture in the group Applied and decorative arts (1400-1700)</title>
				<link>https://hcommons.org/activity/p/1783146/</link>
				<pubDate>Fri, 03 Jun 2022 02:23:39 -0400</pubDate>

									<content:encoded><![CDATA[<p>Landscape and the Arts in Early Modern Italy: Theatre, Gardens and Visual Culture argues that theatre, and the new genre of opera in particular, played a key role in creating a new vision of landscape during the long seventeenth century in Italy. It explores how the idea of gardens as theatres emerged at the same time as opera was developed in&hellip;<span class="activity-read-more" id="activity-read-more-1783146"><a href="https://hcommons.org/activity/p/1783146/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Katrina Grant deposited Landscape and the Arts in Early Modern Italy Theatre, Gardens and Visual Culture</title>
				<link>https://hcommons.org/activity/p/1783062/</link>
				<pubDate>Thu, 02 Jun 2022 06:24:59 -0400</pubDate>

									<content:encoded><![CDATA[<p>Landscape and the Arts in Early Modern Italy: Theatre, Gardens and Visual Culture argues that theatre, and the new genre of opera in particular, played a key role in creating a new vision of landscape during the long seventeenth century in Italy. It explores how the idea of gardens as theatres emerged at the same time as opera was developed in&hellip;<span class="activity-read-more" id="activity-read-more-1783062"><a href="https://hcommons.org/activity/p/1783062/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">2cb52931d0da07f52580686fd3acb28b</guid>
				<title>Katrina Grant&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1783061/</link>
				<pubDate>Thu, 02 Jun 2022 05:57:17 -0400</pubDate>

				
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				<title>Katrina Grant deposited The Gardens of Lucca in the group Digital Art History</title>
				<link>https://hcommons.org/activity/p/1605803/</link>
				<pubDate>Mon, 09 Apr 2018 04:13:08 -0400</pubDate>

									<content:encoded><![CDATA[<p>The city of Lucca was never limited to the urban area within the walls. Autumn and winter would be lived in the city palazzo, with life concentrating upon commercial activities enlivened by entertainments such as music and theatre. In spring and summer life was relocated en masse to the villa. This article outlines the essentials of Lucchese&hellip;<span class="activity-read-more" id="activity-read-more-1605803"><a href="https://hcommons.org/activity/p/1605803/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Katrina Grant deposited Teatri di Verzura: Hedge Theatres in Baroque Lucca in the group Digital Art History</title>
				<link>https://hcommons.org/activity/p/1605802/</link>
				<pubDate>Mon, 09 Apr 2018 04:13:07 -0400</pubDate>

									<content:encoded><![CDATA[<p>The garden theatre can take many forms: it can erupt forth in an explosion of water and sound as in the teatro d’acqua; it can appear carved into a hedge as a teatro di verzura; or it can calmly wait to be filled with performers as in a teatro avanti il palazzo. The garden theatre was first a feature of the Baroque garden in Italy, before f&hellip;<span class="activity-read-more" id="activity-read-more-1605802"><a href="https://hcommons.org/activity/p/1605802/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Katrina Grant deposited The Gardens of Lucca</title>
				<link>https://hcommons.org/activity/p/1605789/</link>
				<pubDate>Mon, 09 Apr 2018 00:49:05 -0400</pubDate>

									<content:encoded><![CDATA[<p>The city of Lucca was never limited to the urban area within the walls. Autumn and winter would be lived in the city palazzo, with life concentrating upon commercial activities enlivened by entertainments such as music and theatre. In spring and summer life was relocated en masse to the villa. This article outlines the essentials of Lucchese&hellip;<span class="activity-read-more" id="activity-read-more-1605789"><a href="https://hcommons.org/activity/p/1605789/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Katrina Grant deposited Teatri di Verzura: Hedge Theatres in Baroque Lucca</title>
				<link>https://hcommons.org/activity/p/1605788/</link>
				<pubDate>Mon, 09 Apr 2018 00:27:01 -0400</pubDate>

									<content:encoded><![CDATA[<p>The garden theatre can take many forms: it can erupt forth in an explosion of water and sound as in the teatro d’acqua; it can appear carved into a hedge as a teatro di verzura; or it can calmly wait to be filled with performers as in a teatro avanti il palazzo. The garden theatre was first a feature of the Baroque garden in Italy, before f&hellip;<span class="activity-read-more" id="activity-read-more-1605788"><a href="https://hcommons.org/activity/p/1605788/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
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				<guid isPermaLink="false">bcdf67141655aabfc26b839ac2b8726e</guid>
				<title>Katrina Grant&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1605787/</link>
				<pubDate>Sun, 08 Apr 2018 23:46:28 -0400</pubDate>

				
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				<guid isPermaLink="false">3270ca0765d0ac86d3cb83a258b943b6</guid>
				<title>Katrina Grant&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1605747/</link>
				<pubDate>Sun, 08 Apr 2018 07:34:43 -0400</pubDate>

				
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