SAH Commons | Mariusz Kozak | Activity https://sah.hcommons.org/members/mkozak/activity/ Activity feed for Mariusz Kozak. Sat, 04 Apr 2026 17:27:03 -0400 https://buddypress.org/?v=10.6.0 en-US 30 hourly 2 68ba6a3eaef190c8cf18b828ecb616dd Mariusz Kozak deposited Anne Teresa De Keersmaeker’s Violin Phase and the Experience of Time, or Why Does Process Music Work? in the group Society for Music Theory (SMT) https://hcommons.org/activity/p/1743087/ Tue, 22 Jun 2021 02:39:40 -0400 Reich’s Violin Phase has been mired in questions of time since its inception. In this article I present a theory of time in process music based on the notion of kinesthetic knowledge, and the synthesis of musical temporality through the generative (chronopoietic) and transformational (chronopraxial) acts of the body. I illustrate this theory w…[Read more]

]]> 0 b8863c7595d70ffdf824c99e34efa28c Mariusz Kozak deposited Anne Teresa De Keersmaeker’s Violin Phase and the Experience of Time, or Why Does Process Music Work? in the group Performance Studies https://hcommons.org/activity/p/1743085/ Tue, 22 Jun 2021 02:39:37 -0400 Reich’s Violin Phase has been mired in questions of time since its inception. In this article I present a theory of time in process music based on the notion of kinesthetic knowledge, and the synthesis of musical temporality through the generative (chronopoietic) and transformational (chronopraxial) acts of the body. I illustrate this theory w…[Read more]

]]> 0 7a92015e92b903ca34ce616323778478 Mariusz Kozak's profile was updated https://hcommons.org/activity/p/1742925/ Mon, 21 Jun 2021 16:44:10 -0400 0 6f99f16c2806aedfe1386dd3b4447284 Mariusz Kozak deposited Anne Teresa De Keersmaeker’s Violin Phase and the Experience of Time, or Why Does Process Music Work? https://hcommons.org/activity/p/1742924/ Mon, 21 Jun 2021 16:41:52 -0400 Reich’s Violin Phase has been mired in questions of time since its inception. In this article I present a theory of time in process music based on the notion of kinesthetic knowledge, and the synthesis of musical temporality through the generative (chronopoietic) and transformational (chronopraxial) acts of the body. I illustrate this theory w…[Read more]

]]> 0 dc231970b6dbbc70bbd6c26c9640eb03 Mariusz Kozak deposited Kinesthesis, Affectivity, and Music's Temporal (Re-/Dis-)Orientations in the group Society for Music Theory (SMT) https://hcommons.org/activity/p/1718003/ Wed, 25 Nov 2020 02:24:39 -0500 In this talk, presented at the Plenary Session of the 2020 Annual Meeting of the Society for Music Theory, I examine the relationship between time, embodiment, and affectivity in music. I argue that music is temporal not because it unfolds in time, or because it takes time as its vector, or even because it has the capacity to alter our sense of…[Read more]

]]> 0 355ab03e1b9f46050d9f721e392c54fe Mariusz Kozak deposited Kinesthesis, Affectivity, and Music's Temporal (Re-/Dis-)Orientations in the group Music and Sound https://hcommons.org/activity/p/1718001/ Wed, 25 Nov 2020 02:24:31 -0500 In this talk, presented at the Plenary Session of the 2020 Annual Meeting of the Society for Music Theory, I examine the relationship between time, embodiment, and affectivity in music. I argue that music is temporal not because it unfolds in time, or because it takes time as its vector, or even because it has the capacity to alter our sense of…[Read more]

]]> 0 a5e1d9529a0324f10e2036181851a742 Mariusz Kozak deposited Kinesthesis, Affectivity, and Music's Temporal (Re-/Dis-)Orientations https://hcommons.org/activity/p/1717921/ Tue, 24 Nov 2020 11:58:37 -0500 In this talk, presented at the Plenary Session of the 2020 Annual Meeting of the Society for Music Theory, I examine the relationship between time, embodiment, and affectivity in music. I argue that music is temporal not because it unfolds in time, or because it takes time as its vector, or even because it has the capacity to alter our sense of…[Read more]

]]> 0 abbd20a07808292d0ca048e7668c150f Mariusz Kozak deposited Review of Music and Embodied Cognition: Listening, Moving, Feeling, and Thinking by Arnie Cox (2016) in the group Society for Music Theory (SMT) https://hcommons.org/activity/p/1710528/ Thu, 01 Oct 2020 02:24:32 -0400 .

]]> 0 114b0a336768709c0a0d1ee9e808deff Mariusz Kozak deposited Review of Music and Embodied Cognition: Listening, Moving, Feeling, and Thinking by Arnie Cox (2016) https://hcommons.org/activity/p/1710444/ Wed, 30 Sep 2020 15:53:14 -0400 .

]]> 0 48d03169484c378ac8d9525ec329158e Mariusz Kozak deposited Enacting Musical Time: Chapter 1: Meaning in the group Society for Music Theory (SMT) https://hcommons.org/activity/p/1686748/ Sat, 09 May 2020 16:26:19 -0400 This chapter develops two claims that are central to the book’s overall argument. The first is that certain temporal musical objects exist only as ephemera—always remaining outside of symbolic representation. These objects are constituted by lived time, or time as it shows up in human lives. The second claim is that the ephemeral meaning of mus…[Read more]

]]> 0 2b47dd78643c22be476d17e39e5aa5fe Mariusz Kozak deposited Enacting Musical Time: Chapter 1: Meaning https://hcommons.org/activity/p/1686677/ Fri, 08 May 2020 17:16:28 -0400 This chapter develops two claims that are central to the book’s overall argument. The first is that certain temporal musical objects exist only as ephemera—always remaining outside of symbolic representation. These objects are constituted by lived time, or time as it shows up in human lives. The second claim is that the ephemeral meaning of mus…[Read more]

]]> 0 37d30e34f0c4ff7dcb41dab86e388764 Mariusz Kozak's profile was updated https://hcommons.org/activity/p/1662898/ Mon, 09 Sep 2019 14:13:52 -0400 0 004888c1c0ad5aec38429cd99d047c66 Mariusz Kozak deposited Enacting Musical Time: The Bodily Experience of New Music in the group Performance Studies https://hcommons.org/activity/p/1662460/ Wed, 04 Sep 2019 16:26:17 -0400 ABSTRACT
What is musical time? Where is it manifested? How does it show up in our experience, and how do we capture it in our analyses? “Enacting Musical Time” offers several answers to these questions by considering musical time as the form of the listener’s interaction with music. Building on evidence from music theory, phenomenology, c…[Read more]

]]> 0 a9e7f71bcf2bd6fde75275560a3b0e48 Mariusz Kozak deposited Enacting Musical Time: The Bodily Experience of New Music in the group Music and Sound https://hcommons.org/activity/p/1662459/ Wed, 04 Sep 2019 16:26:11 -0400 ABSTRACT
What is musical time? Where is it manifested? How does it show up in our experience, and how do we capture it in our analyses? “Enacting Musical Time” offers several answers to these questions by considering musical time as the form of the listener’s interaction with music. Building on evidence from music theory, phenomenology, c…[Read more]

]]> 0 8c4c83e1d2a970f85be49263eb42e84c Mariusz Kozak deposited Enacting Musical Time: The Bodily Experience of New Music https://hcommons.org/activity/p/1662379/ Tue, 03 Sep 2019 15:34:06 -0400 ABSTRACT
What is musical time? Where is it manifested? How does it show up in our experience, and how do we capture it in our analyses? “Enacting Musical Time” offers several answers to these questions by considering musical time as the form of the listener’s interaction with music. Building on evidence from music theory, phenomenology, c…[Read more]

]]> 0 856bfba93a2b504e9bf195bc0896cea6 Mariusz Kozak's profile was updated https://hcommons.org/activity/p/1662377/ Tue, 03 Sep 2019 15:26:41 -0400 0 7683ded4e3277dc465f6e098a6cd3f34 Mariusz Kozak's profile was updated https://hcommons.org/activity/p/1590267/ Tue, 28 Nov 2017 05:48:20 -0500 0 4fefaf9d846e0766cf44d282653af3d6 Mariusz Kozak deposited Experiencing Structure in Penderecki’s Threnody: Analysis, Ear-Training, and Musical Understanding in the group Music and Sound https://hcommons.org/activity/p/1589989/ Mon, 27 Nov 2017 05:42:25 -0500 Elliott Carter once extolled the visceral, primitive effect of Penderecki’s Threnody on untrained listeners. In this article, I examine how a formalized analytical approach to the central section of the piece contributes positively to a phenomenological experience of the whole piece. Part 1 presents an ear-training progression aimed at bringing t…[Read more]

]]> 0 55ffd2fc850805657eae0e098bcb1df1 Mariusz Kozak deposited Listeners’ Bodies in Music Analysis: Gestures, Motor Intentionality, and Models in the group Performance Studies https://hcommons.org/activity/p/1589987/ Mon, 27 Nov 2017 05:42:12 -0500 In this article I demonstrate how listeners understand musical processes with their bodies, and how their gestures can be used to build analytical models. Specifically, I draw on the phenomenology of Maurice Merleau-Ponty to argue that situated, active listeners project their motor intentional gestures inside music, where they reconstitute the…[Read more]

]]> 0 55ffd2fc850805657eae0e098bcb1df1 Mariusz Kozak deposited Listeners’ Bodies in Music Analysis: Gestures, Motor Intentionality, and Models in the group Music and Sound https://hcommons.org/activity/p/1589986/ Mon, 27 Nov 2017 05:42:12 -0500 In this article I demonstrate how listeners understand musical processes with their bodies, and how their gestures can be used to build analytical models. Specifically, I draw on the phenomenology of Maurice Merleau-Ponty to argue that situated, active listeners project their motor intentional gestures inside music, where they reconstitute the…[Read more]

]]> 0 e737504e00300d866c42e1c60943547d Mariusz Kozak deposited Experiencing Structure in Penderecki’s Threnody: Analysis, Ear-Training, and Musical Understanding https://hcommons.org/activity/p/1589746/ Sun, 26 Nov 2017 14:16:33 -0500 Elliott Carter once extolled the visceral, primitive effect of Penderecki’s Threnody on untrained listeners. In this article, I examine how a formalized analytical approach to the central section of the piece contributes positively to a phenomenological experience of the whole piece. Part 1 presents an ear-training progression aimed at bringing t…[Read more]

]]> 0 c59d8d05117ff3e05e7877379da494a4 Mariusz Kozak deposited Listeners’ Bodies in Music Analysis: Gestures, Motor Intentionality, and Models https://hcommons.org/activity/p/1589745/ Sun, 26 Nov 2017 14:07:48 -0500 In this article I demonstrate how listeners understand musical processes with their bodies, and how their gestures can be used to build analytical models. Specifically, I draw on the phenomenology of Maurice Merleau-Ponty to argue that situated, active listeners project their motor intentional gestures inside music, where they reconstitute the…[Read more]

]]> 0 48be12baa232143c84743f6ac6eab65f Mariusz Kozak's profile was updated https://hcommons.org/activity/p/1589737/ Sun, 26 Nov 2017 13:47:17 -0500 0 b01e2f67852474d277ff76ffec7517cd Mariusz Kozak's profile was updated https://hcommons.org/activity/p/1588775/ Thu, 16 Nov 2017 14:05:01 -0500 0