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	<title>SAH Commons | Casie LeGette | Group Activity</title>
	<link>https://sah.hcommons.org/members/legette/activity/groups/</link>
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	<description>Public group activity feed of which Casie LeGette is a member.</description>
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				<title>Yoon-Sun Lee started the topic Nominations and Self-nominations for Executive Committee in the forum LLC English Romantic</title>
				<link>https://mla.hcommons.org/groups/english-romantic/forum/topic/nominations-and-self-nominations-for-executive-committee/</link>
				<pubDate>Mon, 12 Jan 2026 18:01:06 -0500</pubDate>

									<content:encoded><![CDATA[<p>&lt;span style=&#8221;font-weight: 400;&#8221;&gt;The English Romantic LLC Forum Executive Committee seeks nominations and self-nominations to join the committee for a five-year term, beginning in 2027. The committee typically meets during the convention to discuss and organize roundtables and panels for the following year’s convention, as well to nominate d&hellip;<span class="activity-read-more" id="activity-read-more-1940975"><a href="https://mla.hcommons.org/groups/english-romantic/forum/topic/nominations-and-self-nominations-for-executive-committee/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Dennis Denisoff started the topic extended deadline for a Vic/Ealy-20th-C Forum panel in the forum LLC Victorian and Early-20th-Century English</title>
				<link>https://mla.hcommons.org/groups/victorian-and-early-20th-century-english/forum/topic/extended-deadline-for-a-vic-ealy-20th-c-forum-panel/</link>
				<pubDate>Tue, 25 Mar 2025 22:59:44 -0400</pubDate>

									<content:encoded><![CDATA[<p>Dear all,</p>
<p>The &#8220;Victorian and Early-20th-C English&#8221; forum has extended the deadline to submit an abstract for Panel 30480 &#8220;Solidarity and Institutional (In)action &#8221; to <strong>March 28!</strong> They have also tweaked the description to emphasize their openness to a range of approaches to the topic; here is the new description:</p>
<p>&lt;span&hellip;<span class="activity-read-more" id="activity-read-more-1914747"><a href="https://mla.hcommons.org/groups/victorian-and-early-20th-century-english/forum/topic/extended-deadline-for-a-vic-ealy-20th-c-forum-panel/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">aef748796a789733b7c5b1b1b2927cba</guid>
				<title>Kevis Goodman started the topic Call for Self-nominations to Forum Executive Committee in the forum LLC English Romantic</title>
				<link>https://mla.hcommons.org/groups/english-romantic/forum/topic/call-for-self-nominations-to-forum-executive-committee/</link>
				<pubDate>Tue, 07 Jan 2025 18:57:46 -0500</pubDate>

									<content:encoded><![CDATA[<p>The British Romanticism Forum Executive Committee seeks self-nominations to join the committee for a five-year term, beginning in 2026. The committee typically meets during the convention to discuss and organize roundtables and panels for the following year’s convention, as well to nominate delegates to the MLA Delegate Assembly every three y&hellip;<span class="activity-read-more" id="activity-read-more-1908180"><a href="https://mla.hcommons.org/groups/english-romantic/forum/topic/call-for-self-nominations-to-forum-executive-committee/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">4e690ac0215a5f7b0830ba601e63d931</guid>
				<title>Amy Wong started the topic Nominations for New Member for Forum Executive Committee in the forum LLC Victorian and Early-20th-Century English</title>
				<link>https://mla.hcommons.org/groups/victorian-and-early-20th-century-english/forum/topic/nominations-for-new-member-for-forum-executive-committee/</link>
				<pubDate>Fri, 03 Jan 2025 17:27:28 -0500</pubDate>

									<content:encoded><![CDATA[<p>Hello LLC Victorian and Early 20thC English Members,</p>
<p>I&#8217;m writing on behalf of the Forum Executive Committee to solicit nominations (self-nominations welcome!) for appointing an additional member to the committee. Annual new appointments are completed in March. The committee typically meets during the convention to discuss and organize roundtables&hellip;<span class="activity-read-more" id="activity-read-more-1907851"><a href="https://mla.hcommons.org/groups/victorian-and-early-20th-century-english/forum/topic/nominations-for-new-member-for-forum-executive-committee/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Doris Hambuch deposited Ways of Seeing Nujoom Alghanem’s Nearby Sky (سماء قريبة) and Sharp Tools (آلات حادة) as Docupoetry,Comment voir le ciel proche de Nujoom Alghanem (سماء قريبة) et les outils tranchants (آلات حادة) comme docupoésie in the group GS Poetry and Poetics</title>
				<link>https://mla.hcommons.org/activity/p/1900961/</link>
				<pubDate>Mon, 07 Oct 2024 03:00:08 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article proposes to establish a<br />
sub-category called “docupoetry” to<br />
classify the documentary films by<br />
Emirati poet and filmmaker Nujoom<br />
Alghanem. Detailed analysis of two<br />
selected films, Sharp Tools (2017) and<br />
Nearby Sky (2014), illustrates the<br />
unique composition, cinematography,<br />
and use of poetic devices, such<br />
as rhythm, sym&hellip;<span class="activity-read-more" id="activity-read-more-1900961"><a href="https://mla.hcommons.org/activity/p/1900961/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Ryan Cordell deposited Surveying the Humanities MakerLab Movement in the group TM Book History, Print Cultures, Lexicography</title>
				<link>https://mla.hcommons.org/activity/p/1899999/</link>
				<pubDate>Sat, 28 Sep 2024 03:04:35 -0400</pubDate>

									<content:encoded><![CDATA[<p>SHMLM analyzes the humanities’ maker turn by surveying the research, pedagogical, and public service missions of existing humanities makerspaces; identifying commonalities among such efforts across disciplines, technologies, and organizational structures; comparing their activities and institutional identities with comparable contemporary STEM- o&hellip;<span class="activity-read-more" id="activity-read-more-1899999"><a href="https://mla.hcommons.org/activity/p/1899999/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Fatma Fulya Tepe started the topic New article on Turkish Girls' Studies in the discussion GS Poetry and Poetics</title>
				<link>https://mla.hcommons.org/groups/poetry-and-poetics/forum/topic/new-article-on-turkish-girls-studies-2/</link>
				<pubDate>Sun, 30 Jun 2024 08:32:30 -0400</pubDate>

									<content:encoded><![CDATA[<p>Dear All,</p>
<p>I am a Turkish researcher who is an associate professor in sociology with a focus on Turkish girlhood studies from İstanbul Aydın University, Turkey. I recently published an article with the title &#8220;A Study on the Poem “Zamane Kızları” (Girls of Today) Regarding the Representations of Young Turkish Girls from a Male-centered Perspec&hellip;<span class="activity-read-more" id="activity-read-more-1890681"><a href="https://mla.hcommons.org/groups/poetry-and-poetics/forum/topic/new-article-on-turkish-girls-studies-2/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Ji Eun Lee deposited Wooshing London: Unsettling Acceleration in H. G. Wells’s Tono-Bungay in the group LLC Victorian and Early-20th-Century English</title>
				<link>https://mla.hcommons.org/activity/p/1889187/</link>
				<pubDate>Fri, 14 Jun 2024 03:24:47 -0400</pubDate>

									<content:encoded><![CDATA[<p>This essay reads H. G. Wells’s Tono-Bungay (1909) in the context of “wooshing” London—I take the word from the story—to see how the unsettling effect of this rapid urban mobility translates into the generic form of the novel. At the turn of the twentieth century, London was wooshing—that is to say, people and things in the city were moving by b&hellip;<span class="activity-read-more" id="activity-read-more-1889187"><a href="https://mla.hcommons.org/activity/p/1889187/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Ji Eun Lee deposited Prowling in London: Canines in Bram Stoker’s Dracula in the group LLC Victorian and Early-20th-Century English</title>
				<link>https://mla.hcommons.org/activity/p/1889182/</link>
				<pubDate>Fri, 14 Jun 2024 03:14:46 -0400</pubDate>

									<content:encoded><![CDATA[<p>Dracula first appears in front of the British public in England not as a gentleman but in the form of “an immense dog.” This article reads Bram Stoker’s Dracula (1897) in the context of human-animal encounters happening on the streets of London when the fear of rabid dogs swept the city. Victorian urban projects aimed at building an urban struc&hellip;<span class="activity-read-more" id="activity-read-more-1889182"><a href="https://mla.hcommons.org/activity/p/1889182/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Ji Eun Lee deposited Victorian Humanity in Colonial Korea, Where Asians Did Not See Themselves as the Other in the group LLC Victorian and Early-20th-Century English</title>
				<link>https://mla.hcommons.org/activity/p/1889178/</link>
				<pubDate>Fri, 14 Jun 2024 03:04:39 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article reconsiders the racial hierarchies rendering the nonwhite race as the Other in Anglo-American Victorian studies by examining the case of colonial Korea, where both the colonizer and the colonized were people of color. In colonial Korea, reading Victorian and Edwardian literature enabled Koreans to find an alternative humanity beyond&hellip;<span class="activity-read-more" id="activity-read-more-1889178"><a href="https://mla.hcommons.org/activity/p/1889178/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Regenia Gagnier deposited Language and literature in the information economy: the state of English, English and the state in the group LLC Victorian and Early-20th-Century English</title>
				<link>https://mla.hcommons.org/activity/p/1887291/</link>
				<pubDate>Mon, 27 May 2024 04:02:03 -0400</pubDate>

									<content:encoded><![CDATA[<p>The impact of colonialism and empire and then of transport, logistics, advertising, media, cinema, radio, tourism, and the internet extended the global reach of English. With 1.13 billion speakers, one in seven in the world now has some English competence. Within this global circulation of English, we have the global teaching of English language&hellip;<span class="activity-read-more" id="activity-read-more-1887291"><a href="https://mla.hcommons.org/activity/p/1887291/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Dustin Friedman deposited Toward a Decolonial Queer Humanism: Thomas Hardy's The Well-Beloved and André Aciman's Call Me by Your Name in the group LLC Victorian and Early-20th-Century English</title>
				<link>https://mla.hcommons.org/activity/p/1878056/</link>
				<pubDate>Thu, 29 Feb 2024 04:01:26 -0500</pubDate>

									<content:encoded><![CDATA[<p>This essay situates queer negativity within the modernist tradition. In The Well-Beloved (1897), Thomas Hardy satirizes the then-popular notion of racial memory for its racist, colonialist implications, inaugurating the modernist critique of romantic love as complicit with the self-delusions of the liberal-humanist subject. Despite the view shared&hellip;<span class="activity-read-more" id="activity-read-more-1878056"><a href="https://mla.hcommons.org/activity/p/1878056/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Kevis Goodman started the topic Call for Abstracts: "Desire without Objects," MLA 2025 in the discussion LLC English Romantic</title>
				<link>https://mla.hcommons.org/groups/english-romantic/forum/topic/call-for-abstracts-desire-without-objects-mla-2025/</link>
				<pubDate>Sat, 17 Feb 2024 01:38:11 -0500</pubDate>

									<content:encoded><![CDATA[<p>The MLA Forum on English Romantic Studies invites you to submit an abstract for the following guaranteed forum session:</p>
<p><strong>Desire without Objects:  </strong></p>
<p>Romantic desire’s ambivalence toward objects: formlessness, the infinite, irony, disability, fragments, affects, music, rhythm, attunement, nostalgia, queerness, movement, conflict, aggregation, di&hellip;<span class="activity-read-more" id="activity-read-more-1876878"><a href="https://mla.hcommons.org/groups/english-romantic/forum/topic/call-for-abstracts-desire-without-objects-mla-2025/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Thomas Mazanec deposited Poet-Monks: The Invention of Buddhist Poetry in Late Medieval China in the group GS Poetry and Poetics</title>
				<link>https://mla.hcommons.org/activity/p/1874112/</link>
				<pubDate>Wed, 31 Jan 2024 04:00:15 -0500</pubDate>

									<content:encoded><![CDATA[<p>Poet-Monks focuses on the literary and religious practices of Buddhist poet-monks in Tang-dynasty China to propose an alternative historical arc of medieval Chinese poetry. Combining large-scale quantitative analysis with close readings of important literary texts, Thomas J. Mazanec describes how Buddhist poet-monks, who first appeared in the&hellip;<span class="activity-read-more" id="activity-read-more-1874112"><a href="https://mla.hcommons.org/activity/p/1874112/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Regenia Gagnier deposited The Geopolitics of Beauty in the group LLC Victorian and Early-20th-Century English</title>
				<link>https://mla.hcommons.org/activity/p/1870900/</link>
				<pubDate>Sat, 13 Jan 2024 04:01:52 -0500</pubDate>

									<content:encoded><![CDATA[<p>Building on eighteenth-century philosophical traditions, Victorian aesthetics were often posed as an antidote to the vicissitudes of the Industrial Revolution and the political and economic demands of the marketplace, and in most cultures undergoing modernization the Beautiful has often functioned in opposition to the forces of power and&hellip;<span class="activity-read-more" id="activity-read-more-1870900"><a href="https://mla.hcommons.org/activity/p/1870900/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Regenia Gagnier deposited The Futures of English: Introduction from the UK in the group LLC Victorian and Early-20th-Century English</title>
				<link>https://mla.hcommons.org/activity/p/1870889/</link>
				<pubDate>Sat, 13 Jan 2024 03:04:06 -0500</pubDate>

									<content:encoded><![CDATA[<p>Will students raised on social media still read English literature?<br />
• What is the role of English/American literature in the PRC, India,<br />
Australasia, the USA?<br />
• What is the role of English language in relation to other global<br />
and local languages?<br />
• What is the role of decolonising efforts?<br />
• How do our respective state apparatuses affect&hellip;<span class="activity-read-more" id="activity-read-more-1870889"><a href="https://mla.hcommons.org/activity/p/1870889/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">ea7d5818e4382fcbcfd270969c42f44e</guid>
				<title>Arif Camoglu deposited Provincializing Romanticism: Ottoman Hayaliyyun and Literary Globality in the Nineteenth Century in the group LLC English Romantic</title>
				<link>https://mla.hcommons.org/activity/p/1868242/</link>
				<pubDate>Sat, 16 Dec 2023 04:07:19 -0500</pubDate>

									<content:encoded><![CDATA[<p>This essay considers the shortfalls of globalizing tendencies in nineteenth-century<br />
literary studies with a focus on the Ottoman Turkish articulation of romanticism, i.e.,<br />
hayaliyyun. Retrieving a historically and geographically hybrid genealogy of romanticism<br />
through the Ottoman Turkish context, my discussion situates romantic imaginary&hellip;<span class="activity-read-more" id="activity-read-more-1868242"><a href="https://mla.hcommons.org/activity/p/1868242/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">e6873c1affb3a760931be2104e4f8c8f</guid>
				<title>Arif Camoglu deposited Provincializing Romanticism: Ottoman Hayaliyyun and Literary Globality in the Nineteenth Century in the group GS Poetry and Poetics</title>
				<link>https://mla.hcommons.org/activity/p/1868241/</link>
				<pubDate>Sat, 16 Dec 2023 04:04:28 -0500</pubDate>

									<content:encoded><![CDATA[<p>This essay considers the shortfalls of globalizing tendencies in nineteenth-century<br />
literary studies with a focus on the Ottoman Turkish articulation of romanticism, i.e.,<br />
hayaliyyun. Retrieving a historically and geographically hybrid genealogy of romanticism<br />
through the Ottoman Turkish context, my discussion situates romantic imaginary&hellip;<span class="activity-read-more" id="activity-read-more-1868241"><a href="https://mla.hcommons.org/activity/p/1868241/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Fatma Fulya Tepe started the topic new article: The Turkish Angel in the House: A Travelling Concept... in the discussion GS Poetry and Poetics</title>
				<link>https://mla.hcommons.org/groups/poetry-and-poetics/forum/topic/new-article-the-turkish-angel-in-the-house-a-travelling-concept/</link>
				<pubDate>Tue, 05 Dec 2023 15:18:44 -0500</pubDate>

									<content:encoded><![CDATA[<p>Dear Colleagues,</p>
<p>We would like to announce the publication of our new article titled &#8220;The Turkish Angel in the House: A Travelling Concept in the Housewife Poems of Ziya Gökalp and Halide Nusret Zorlutuna&#8221; in the Journal of International Women&#8217;s Studies. It is possible to download the article from the following link for free:&hellip;<span class="activity-read-more" id="activity-read-more-1866841"><a href="https://mla.hcommons.org/groups/poetry-and-poetics/forum/topic/new-article-the-turkish-angel-in-the-house-a-travelling-concept/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Arif Camoglu deposited Loving Sovereignty: Political Mysticism, Seyh Galib, and Giorgio Agamben in the group GS Poetry and Poetics</title>
				<link>https://mla.hcommons.org/activity/p/1866784/</link>
				<pubDate>Tue, 05 Dec 2023 04:03:40 -0500</pubDate>

									<content:encoded><![CDATA[<p>Centering on the poetry of Şeyh Galib (1757–1799), this article considers Ottoman imperial sovereignty in tandem with the discourse of mysticism that underpinned it. A key rhetorical device that enables the abstraction of the politics of empire in this discourse is the metaphor of the beloved sovereign. In the mystical writing of Galib, this me&hellip;<span class="activity-read-more" id="activity-read-more-1866784"><a href="https://mla.hcommons.org/activity/p/1866784/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Arif Camoglu deposited “Supreme in Ruin”: Empire’s Afterlife in Romantic Encounters with Imperial Ruins in the group LLC English Romantic</title>
				<link>https://mla.hcommons.org/activity/p/1866468/</link>
				<pubDate>Fri, 01 Dec 2023 04:05:48 -0500</pubDate>

									<content:encoded><![CDATA[<p>Registered in Romantic depictions of imperial ruins is the endurance of empire in its immateriality: the imageries of empire’s ruination announce a future where imperial sovereignty maintains its presence spectrally. Using Jacques Derrida’s notion of hauntology, and recruiting further insight from political theory, this essay argues that emp&hellip;<span class="activity-read-more" id="activity-read-more-1866468"><a href="https://mla.hcommons.org/activity/p/1866468/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Arif Camoglu deposited “Supreme in Ruin”: Empire’s Afterlife in Romantic Encounters with Imperial Ruins in the group GS Poetry and Poetics</title>
				<link>https://mla.hcommons.org/activity/p/1866467/</link>
				<pubDate>Fri, 01 Dec 2023 04:02:58 -0500</pubDate>

									<content:encoded><![CDATA[<p>Registered in Romantic depictions of imperial ruins is the endurance of empire in its immateriality: the imageries of empire’s ruination announce a future where imperial sovereignty maintains its presence spectrally. Using Jacques Derrida’s notion of hauntology, and recruiting further insight from political theory, this essay argues that emp&hellip;<span class="activity-read-more" id="activity-read-more-1866467"><a href="https://mla.hcommons.org/activity/p/1866467/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Sharon Smulders deposited "Medicated Music": Elizabeth Barrett Browning's Sonnets from the Portuguese in the group LLC Victorian and Early-20th-Century English</title>
				<link>https://mla.hcommons.org/activity/p/1864376/</link>
				<pubDate>Mon, 13 Nov 2023 03:03:10 -0500</pubDate>

									<content:encoded><![CDATA[<p>Although Elizabeth Barrett Browning&#8217;s experience of love undoubtedly informs the female speaker&#8217;s curative restoration in Sonnets from the Portuguese (1850), the series also shows the conscious deliberation of a Victorian poet engaged in the task of renovating generic imperatives to release feminine subjectivity — which had been invalidated by t&hellip;<span class="activity-read-more" id="activity-read-more-1864376"><a href="https://mla.hcommons.org/activity/p/1864376/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">7ed0ff2f9c60b03993dbcd456c289880</guid>
				<title>Steven Schroeder deposited as murder is to crow in the group GS Poetry and Poetics</title>
				<link>https://mla.hcommons.org/activity/p/1863980/</link>
				<pubDate>Thu, 09 Nov 2023 03:00:18 -0500</pubDate>

									<content:encoded><![CDATA[<p>Thomas à Kempis wrote that everyone desires peace but not the things that make for peace. Such a universal desire would be a hopeful sign, a foundation to build on as we contemplate (and, no doubt, debate) &#8220;the things that make for peace.&#8221; I offer as murder is to crow as a record of &#8220;perchings&#8221; in my contemplation of things that make for peace.&hellip;<span class="activity-read-more" id="activity-read-more-1863980"><a href="https://mla.hcommons.org/activity/p/1863980/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Sophie Christman deposited * Bustin’ Bonaparte: A Post-Apartheid Adaptation of Olive Schreiner’sThe Story of an African Farm in the group LLC Victorian and Early-20th-Century English</title>
				<link>https://mla.hcommons.org/activity/p/1861775/</link>
				<pubDate>Sun, 15 Oct 2023 04:11:59 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article examines how the South African film Bustin’ Bonaparte (2004) presents a<br />
post-apartheid adaptation of Victorian colonialism in Olive Schreiner’s 1883 English novel The Story<br />
of an African Farm. While both narratives utilize the surprising mode of play to unfold competing<br />
racial and gender hierarchies in colonial Africa, Lis&hellip;<span class="activity-read-more" id="activity-read-more-1861775"><a href="https://mla.hcommons.org/activity/p/1861775/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Sophie Christman deposited * The Rise of Proto-Environmentalism in George Eliot in the group LLC Victorian and Early-20th-Century English</title>
				<link>https://mla.hcommons.org/activity/p/1861769/</link>
				<pubDate>Sun, 15 Oct 2023 04:03:17 -0400</pubDate>

									<content:encoded><![CDATA[<p>The “Ilfracombe” journals, “Ex Oriente Lux,” and “A Minor Prophet” register the ways<br />
in which George Eliot’s nineteenth-century nonfiction prose and poetry evidence<br />
ecotheological concerns that are proto-environmental, concerns that are also<br />
reflected in some of her novels. Employing an ecocritical methodology, this article<br />
traces the&hellip;<span class="activity-read-more" id="activity-read-more-1861769"><a href="https://mla.hcommons.org/activity/p/1861769/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Jamie Callison deposited Modernism and Religion: Between Mysticism and Orthodoxy in the group GS Poetry and Poetics</title>
				<link>https://mla.hcommons.org/activity/p/1860579/</link>
				<pubDate>Wed, 04 Oct 2023 04:00:13 -0400</pubDate>

									<content:encoded><![CDATA[<p>&#8216;Modernism and Religion&#8217; argues that modernism participated in broader processes of religious change in the twentieth century. The new prominence accorded to immanence and immediacy in religious discourse is carried over into the modernist epiphany. Modernism became mystical. The emergence of Catholic theological modernism, human rights, Christian&hellip;<span class="activity-read-more" id="activity-read-more-1860579"><a href="https://mla.hcommons.org/activity/p/1860579/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Jonathan Senchyne deposited Introduction: Infrastructures of African American Print in the group TM Book History, Print Cultures, Lexicography</title>
				<link>https://mla.hcommons.org/activity/p/1855437/</link>
				<pubDate>Thu, 17 Aug 2023 01:24:42 -0400</pubDate>

									<content:encoded><![CDATA[<p>&#8220;The essays in this volume attend to both of these possible relations to the infrastructures of inscription. They explore not only how white supremacist histories and infrastructures have limited and foreclosed black expression but also how black expression has extended, recoded, and transformed some of these very structures, affording new possibilities.&#8221;</p>
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				<title>Christopher Warren deposited The Early Modern Book of Numbers in the group TM Book History, Print Cultures, Lexicography</title>
				<link>https://mla.hcommons.org/activity/p/1855398/</link>
				<pubDate>Thu, 17 Aug 2023 01:16:06 -0400</pubDate>

									<content:encoded><![CDATA[<p>A book&#8217;s a book, and numbers are numbers, right?  Well, maybe.  For the Shakespeare Association of America seminar on &#8220;Counting (in) Early Modern Drama,&#8221; I proposed to give myself the task of understanding and then communicating the technological underpinnings of a digital facsimile. One specific question I wanted to address, with the help of&hellip;<span class="activity-read-more" id="activity-read-more-1855398"><a href="https://mla.hcommons.org/activity/p/1855398/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Christopher Warren deposited Who Rpinted Shakespeare’s Fourth Folio? in the group TM Book History, Print Cultures, Lexicography</title>
				<link>https://mla.hcommons.org/activity/p/1854432/</link>
				<pubDate>Thu, 10 Aug 2023 01:13:23 -0400</pubDate>

									<content:encoded><![CDATA[<p>According to Fredson Bowers, writing in Shakespeare Quarterly in 1951, we will never know the printer of that section &#8220;until we know everything there is to be learned about seventeenth-century types.&#8221; 2 Bowers doubted we could ever list the full set of F4&#8217;s printers because F4 was printed anonymously, and the volume left few clues about its&hellip;<span class="activity-read-more" id="activity-read-more-1854432"><a href="https://mla.hcommons.org/activity/p/1854432/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Steven Schroeder deposited the epic opposite  &#124; poems and fragments, 2004-2013, volume ten in the group GS Poetry and Poetics</title>
				<link>https://mla.hcommons.org/activity/p/1854161/</link>
				<pubDate>Tue, 08 Aug 2023 01:13:36 -0400</pubDate>

									<content:encoded><![CDATA[<p>the epic opposite is the tenth of a series of ten collections that draw on material from notebooks I kept between 2004 and 2013. I returned to that material in 2021 with Basho and haibun in mind, as well as the prosimetrum tradition that flourished in medieval Europe. Both play off a tension between poetry and prose, and, looking back, that is&hellip;<span class="activity-read-more" id="activity-read-more-1854161"><a href="https://mla.hcommons.org/activity/p/1854161/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Steven Schroeder deposited solitude is another matter &#124; poems and fragments, 2004-2013, volume nine in the group GS Poetry and Poetics</title>
				<link>https://mla.hcommons.org/activity/p/1854160/</link>
				<pubDate>Tue, 08 Aug 2023 01:10:59 -0400</pubDate>

									<content:encoded><![CDATA[<p>solitude is another matter is the ninth of a series of ten collections that draw on material from notebooks I kept between 2004 and 2013. I returned to that material in 2021 with Basho and haibun in mind, as well as the prosimetrum tradition that flourished in medieval Europe. Both play off a tension between poetry and prose, and, looking back,&hellip;<span class="activity-read-more" id="activity-read-more-1854160"><a href="https://mla.hcommons.org/activity/p/1854160/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Steven Schroeder deposited a composition of fractions &#124; poems and fragments, 2004-2013, volume eight in the group GS Poetry and Poetics</title>
				<link>https://mla.hcommons.org/activity/p/1854159/</link>
				<pubDate>Tue, 08 Aug 2023 01:07:59 -0400</pubDate>

									<content:encoded><![CDATA[<p>a composition of fractions is the eighth of a series of ten collections that draw on material from notebooks I kept between 2004 and 2013. I returned to that material in 2021 with Basho and haibun in mind, as well as the prosimetrum tradition that flourished in medieval Europe. Both play off a tension between poetry and prose, and, looking back,&hellip;<span class="activity-read-more" id="activity-read-more-1854159"><a href="https://mla.hcommons.org/activity/p/1854159/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">9538c7bf1d2cfe2269b0e0c6c83ea446</guid>
				<title>Steven Schroeder deposited how this city lies &#124; poems and fragments, 2004-2013, volume seven in the group GS Poetry and Poetics</title>
				<link>https://mla.hcommons.org/activity/p/1853857/</link>
				<pubDate>Fri, 04 Aug 2023 02:26:45 -0400</pubDate>

									<content:encoded><![CDATA[<p>The seventh of ten notebooks, drafted between June 2008 and March 2009. Some of the material has appeared previously in poetry collections I have published since 2006, but I have gone back to the original drafts to rethink and reconfigure what appears here.</p>
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				<guid isPermaLink="false">87fbb21f14bb6552ea962e516704b0f1</guid>
				<title>Steven Schroeder deposited the fleeting possibility of otherwise &#124; poems and fragments, 2004-2013, volume six in the group GS Poetry and Poetics</title>
				<link>https://mla.hcommons.org/activity/p/1853856/</link>
				<pubDate>Fri, 04 Aug 2023 02:23:40 -0400</pubDate>

									<content:encoded><![CDATA[<p>The sixth of ten notebooks, drafted between June 2007 and June 2008. Some of the material has appeared previously in poetry collections I have published since 2006, but I have gone back to the original drafts to rethink and reconfigure what appears here. Many of the poems in part two are included in a dim sum of the day before, published by Ink&hellip;<span class="activity-read-more" id="activity-read-more-1853856"><a href="https://mla.hcommons.org/activity/p/1853856/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">eae592cce7e3af51b8d0ebade781cc8d</guid>
				<title>Steven Schroeder deposited before the body was cold &#124; poems and fragments, 2004-2013, volume five in the group GS Poetry and Poetics</title>
				<link>https://mla.hcommons.org/activity/p/1853271/</link>
				<pubDate>Tue, 01 Aug 2023 02:23:40 -0400</pubDate>

									<content:encoded><![CDATA[<p>The fifth of ten notebooks, drafted between April 2006 and June 2007. Some of the material has appeared previously in poetry collections I have published since 2006, but I have gone back to the original drafts to rethink and reconfigure what appears here. While particular places are referenced in the text of some of the poems in this volume, only&hellip;<span class="activity-read-more" id="activity-read-more-1853271"><a href="https://mla.hcommons.org/activity/p/1853271/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">b233785285bed1f828be67108ae2e5d0</guid>
				<title>Steven Schroeder deposited an orchestration of silences &#124; poems and fragments, 2004-2013, volume four in the group GS Poetry and Poetics</title>
				<link>https://mla.hcommons.org/activity/p/1853086/</link>
				<pubDate>Sat, 29 Jul 2023 02:28:05 -0400</pubDate>

									<content:encoded><![CDATA[<p>The fourth of ten notebooks, drafted between February and August 2006. Some of the material has appeared previously in poetry collections I have published since 2006, but I have gone back to the original drafts to rethink and reconfigure what appears here. This fourth volume differs from the first three in that all of the compositions are clearly&hellip;<span class="activity-read-more" id="activity-read-more-1853086"><a href="https://mla.hcommons.org/activity/p/1853086/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">20e140ccbfcde129dc0cd8ffc8fdb84d</guid>
				<title>Steven Schroeder deposited the fragility of gathering &#124; poems and fragments, 2004-2013, volume three in the group GS Poetry and Poetics</title>
				<link>https://mla.hcommons.org/activity/p/1853085/</link>
				<pubDate>Sat, 29 Jul 2023 02:24:46 -0400</pubDate>

									<content:encoded><![CDATA[<p>The third of a series of collections that draw on material from notebooks I kept between 2004 and 2013. I returned to that material in 2021 with Basho and haibun in mind, as well as the prosimetrum tradition that flourished in medieval Europe. Both play off a tension between poetry and prose, and, looking back, that is what I found myself doing&hellip;<span class="activity-read-more" id="activity-read-more-1853085"><a href="https://mla.hcommons.org/activity/p/1853085/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">9e9d4e476b83a091365554a754118ac8</guid>
				<title>Steven Schroeder deposited deep enough to hold a city &#124; poems and fragments, 2004-2013, volume two in the group GS Poetry and Poetics</title>
				<link>https://mla.hcommons.org/activity/p/1852466/</link>
				<pubDate>Sat, 22 Jul 2023 02:23:51 -0400</pubDate>

									<content:encoded><![CDATA[<p>The second of a series of collections that draw on material from notebooks I kept between 2004 and 2013. I returned to that material in 2021 with Basho and haibun in mind, as well as the prosimetrum tradition that flourished in medieval Europe. Both play off a tension between poetry and prose, and, looking back, that is what I found myself doing&hellip;<span class="activity-read-more" id="activity-read-more-1852466"><a href="https://mla.hcommons.org/activity/p/1852466/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">f0783317a4a393b57099344e3fad8d8b</guid>
				<title>Steven Schroeder deposited a tiny circle tessellated &#124; poems and fragments, 2004-2013, volume one in the group GS Poetry and Poetics</title>
				<link>https://mla.hcommons.org/activity/p/1852241/</link>
				<pubDate>Wed, 19 Jul 2023 02:28:34 -0400</pubDate>

									<content:encoded><![CDATA[<p>a tiny circle tessellated is the first of a series of collections that draw on material from notebooks I kept between 2004 and 2013. I returned to that material in 2021 with Basho and haibun in mind, as well as the prosimetrum tradition that flourished in medieval Europe. Both play off a tension between poetry and prose, and, looking back, that is&hellip;<span class="activity-read-more" id="activity-read-more-1852241"><a href="https://mla.hcommons.org/activity/p/1852241/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">58a53c9c57c188b24d73ae1806224bd6</guid>
				<title>Andrea Zemgulys deposited Bullied Young Women, Virginia Woolf's Sex Japes, and Modernist Sociability in the Time of #MeToo in the group LLC Victorian and Early-20th-Century English</title>
				<link>https://mla.hcommons.org/activity/p/1843717/</link>
				<pubDate>Fri, 05 May 2023 03:48:45 -0400</pubDate>

									<content:encoded><![CDATA[<p>Salacious rumors about Alfred Tennyson&#8217;s conduct with young women inspired Virginia Woolf&#8217;s satirical depiction of Tennyson and Ellen Terry in her draft and produced play -Freshwater.- In considering whether Woolf&#8217;s satire silences the whispers of Victorian women and/or corrects salacious rumor-mongering, this essay decides that the play more&hellip;<span class="activity-read-more" id="activity-read-more-1843717"><a href="https://mla.hcommons.org/activity/p/1843717/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">956527711cba4aac5dc809d7df8fd42c</guid>
				<title>Dustin Friedman deposited Do Queer Theory and Victorian Studies Still Have Anything to Learn from Each Other? in the group LLC Victorian and Early-20th-Century English</title>
				<link>https://mla.hcommons.org/activity/p/1838061/</link>
				<pubDate>Tue, 21 Mar 2023 03:50:11 -0400</pubDate>

									<content:encoded><![CDATA[<p>This essay argues that an antiracist, anticolonialist Victorian studies must remain open to universalizing claims of the kind found in early works of queer theory, particularly Eve Kosofsky Sedgwick&#8217;s Epistemology of the Closet (1990). Although recent work in queer studies (as well as literary studies generally) finds inspiration in Sedgwick&#8217;s&hellip;<span class="activity-read-more" id="activity-read-more-1838061"><a href="https://mla.hcommons.org/activity/p/1838061/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Stefania Irene Sini started the topic Rhythm, Speed, Path: Spatiotemporal Experiences in Narrative, Poetry, and Drama in the discussion GS Poetry and Poetics</title>
				<link>https://mla.hcommons.org/groups/poetry-and-poetics/forum/topic/rhythm-speed-path-spatiotemporal-experiences-in-narrative-poetry-and-drama/</link>
				<pubDate>Mon, 27 Feb 2023 21:54:54 -0500</pubDate>

									<content:encoded><![CDATA[<p>Dear colleagues,</p>
<p>we&#8217;ve extended the deadline for submitting to ENN7, the European Narratology Network conference.</p>
<p>The new deadline is: 10th March 2023 (timezone: anywhere in the world).</p>
<p>This year’s conference is co-located with IGEL 2023, the conference of the International Society for the Empirical Study of Literature, and the common theme i&hellip;<span class="activity-read-more" id="activity-read-more-1835638"><a href="https://mla.hcommons.org/groups/poetry-and-poetics/forum/topic/rhythm-speed-path-spatiotemporal-experiences-in-narrative-poetry-and-drama/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">a0889bba58491081846e2be766965bbc</guid>
				<title>Steven Schroeder deposited still in the group GS Poetry and Poetics</title>
				<link>https://mla.hcommons.org/activity/p/1834088/</link>
				<pubDate>Mon, 13 Feb 2023 02:23:38 -0500</pubDate>

									<content:encoded><![CDATA[<p>&#8220;Steven Schroeder&#8217;s most recent collection of poems, Still, offers an amazing juxtaposition of imaginary elements and sensible phenomena that keeps the reader turning page after page in wonder. Poems of varied textures, from Zen-like shorts to lengthier narratives, offer shifts in perspective that surprise and delight, many with seasonal beauty or&hellip;<span class="activity-read-more" id="activity-read-more-1834088"><a href="https://mla.hcommons.org/activity/p/1834088/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">3f142e726b81d1206287c6af70517c41</guid>
				<title>Steven Schroeder deposited one well ordered collision among others in the group GS Poetry and Poetics</title>
				<link>https://mla.hcommons.org/activity/p/1833987/</link>
				<pubDate>Sun, 12 Feb 2023 02:34:40 -0500</pubDate>

									<content:encoded><![CDATA[<p>The title of this collection, taken from the poem with which the collection closes, calls to mind Helen Frankenthaler’s description of the places where colors converge on raw canvas in her “soak-stain” paintings. That closing poem is a meditation on her “Seven Forms of Ambiguity” in the “1940s to Now” section of the Crystal Bridges Museum in Ark&hellip;<span class="activity-read-more" id="activity-read-more-1833987"><a href="https://mla.hcommons.org/activity/p/1833987/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">7b3f4fd2df015b91808a96ac7545fcdc</guid>
				<title>Steven Schroeder deposited learning to see nothing: new and recent work on paper and canvas in the group GS Poetry and Poetics</title>
				<link>https://mla.hcommons.org/activity/p/1830072/</link>
				<pubDate>Tue, 17 Jan 2023 02:31:20 -0500</pubDate>

									<content:encoded><![CDATA[<p>Exhibition Catalog for &#8220;learning to see nothing: new and recent work on paper and canvas,&#8221; by Steven Schroeder. Eleanor Hayes Art Gallery, Kinzer Performing Arts Center, Northern Oklahoma College, Tonkawa, Oklahoma, 4 September – 18 October 2018.</p>
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				<guid isPermaLink="false">60c4c16d97c66ee22be952e172a02045</guid>
				<title>Steven Schroeder deposited in the path of totality in the group GS Poetry and Poetics</title>
				<link>https://mla.hcommons.org/activity/p/1830069/</link>
				<pubDate>Tue, 17 Jan 2023 02:23:38 -0500</pubDate>

									<content:encoded><![CDATA[<p>The forty poems in this collection have percolated through more than forty years of meditation on “city” that began when I was an undergraduate studying with Richard Luecke at Valparaiso University. The title, In the Path of Totality, references a phrase made familiar by media coverage leading up to the total solar eclipse that was visible acr&hellip;<span class="activity-read-more" id="activity-read-more-1830069"><a href="https://mla.hcommons.org/activity/p/1830069/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">d36f8adf9cc0094fc0ae34184e62db47</guid>
				<title>Steven Schroeder deposited fallen prose in the group GS Poetry and Poetics</title>
				<link>https://mla.hcommons.org/activity/p/1829953/</link>
				<pubDate>Mon, 16 Jan 2023 02:38:57 -0500</pubDate>

									<content:encoded><![CDATA[<p>China is the occasion, not the subject or the object, of the forty-seven poems collected in Steven Schroeder&#8217;s Fallen Prose – lyrical glimpses of the “new” city in Southern light. Most of the poems in the collection are set in Shenzhen, a few in Zhuhai, Macao, Guangzhou, and Hong Kong – and one or two a bit further west, in Kunming. All attend&hellip;<span class="activity-read-more" id="activity-read-more-1829953"><a href="https://mla.hcommons.org/activity/p/1829953/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Steven Schroeder deposited the imperfection of the eye in the group GS Poetry and Poetics</title>
				<link>https://mla.hcommons.org/activity/p/1829949/</link>
				<pubDate>Mon, 16 Jan 2023 02:31:54 -0500</pubDate>

									<content:encoded><![CDATA[<p>There is an all at once quality to lyric poetry that makes it akin to mysticism. It knows there is more to vision than meets the eye. It takes the whole world in while knowing the whole of it is always known imperfectly, always here, always now. The here and now of the seventy-one poems in Steven Schroeder&#8217;s new collection is most often Chicago,&hellip;<span class="activity-read-more" id="activity-read-more-1829949"><a href="https://mla.hcommons.org/activity/p/1829949/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Steven Schroeder deposited turn in the group GS Poetry and Poetics</title>
				<link>https://mla.hcommons.org/activity/p/1829946/</link>
				<pubDate>Mon, 16 Jan 2023 02:23:55 -0500</pubDate>

									<content:encoded><![CDATA[<p>In the spirit of the old Shaker hymn, the poems in Steven Schroeder’s new collection turn and turn – from a question Laozi raises to Woody Guthrie’s holy ground, from Chicago to Texas to Shenzhen to Macao, in conversation with poets and philosophers from Euclid and Thoreau to Emily Dickinson, John Donne, Gertrude Stein, Buddy Holly, Lyle Lovet&hellip;<span class="activity-read-more" id="activity-read-more-1829946"><a href="https://mla.hcommons.org/activity/p/1829946/" rel="nofollow ugc">[Read more]</a></span></p>
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