https://sah.hcommons.org/members/irinaschulzki/activity/ Activity feed for Irina Schulzki. Sat, 04 Apr 2026 08:23:54 -0400 https://buddypress.org/?v=10.6.0 en-US 30 hourly 2 b54722f41256173573b48d1e834dd7fc https://hcommons.org/activity/p/1782254/ Mon, 23 May 2022 02:23:42 -0400 Сommenting on “Notes of Larionov”, Mikhail Shishkin defined his own authorial role in it as follows: «A novel is a means of finding the way to that very primordial love. The author for the characters is similar to God». One can extrapolate this by saying that the author is not only and not as much God to the fictional characters as a ps…[Read more]

]]> 0 3c1aa88b16822d0b7a1d1e354ff34ccb https://hcommons.org/activity/p/1782253/ Mon, 23 May 2022 02:23:40 -0400 Сommenting on “Notes of Larionov”, Mikhail Shishkin defined his own authorial role in it as follows: «A novel is a means of finding the way to that very primordial love. The author for the characters is similar to God». One can extrapolate this by saying that the author is not only and not as much God to the fictional characters as a ps…[Read more]

]]> 0 680fd5008c9e46e29e13d3eb8f4ece32 https://hcommons.org/activity/p/1782217/ Sun, 22 May 2022 16:21:59 -0400 Сommenting on “Notes of Larionov”, Mikhail Shishkin defined his own authorial role in it as follows: «A novel is a means of finding the way to that very primordial love. The author for the characters is similar to God». One can extrapolate this by saying that the author is not only and not as much God to the fictional characters as a ps…[Read more]

]]> 0 2b30e1e7bdcb63d02e72a6eb5c14b665 https://hcommons.org/activity/p/1758216/ Thu, 11 Nov 2021 02:23:41 -0500 The long-term creative collaboration between Kira Muratova and Renata Litvinova began with the film “Uvlechen’ya” (“Pastimes”, 1994), in which Litvinova took part both as an actress and a screenwriter. Since then, Litvinova has become one of the most striking personifications of Muratova’s ornamental film style, which brings about a specific re…[Read more]

]]> 0 c0c2f8f5517d2da3bffa80558fe833be https://hcommons.org/activity/p/1758215/ Thu, 11 Nov 2021 02:23:39 -0500 The long-term creative collaboration between Kira Muratova and Renata Litvinova began with the film “Uvlechen’ya” (“Pastimes”, 1994), in which Litvinova took part both as an actress and a screenwriter. Since then, Litvinova has become one of the most striking personifications of Muratova’s ornamental film style, which brings about a specific re…[Read more]

]]> 0 f38e0a9cf3a8ba9c13f5d5d7d6a198b8 https://hcommons.org/activity/p/1758164/ Wed, 10 Nov 2021 15:46:15 -0500 The long-term creative collaboration between Kira Muratova and Renata Litvinova began with the film “Uvlechen’ya” (“Pastimes”, 1994), in which Litvinova took part both as an actress and a screenwriter. Since then, Litvinova has become one of the most striking personifications of Muratova’s ornamental film style, which brings about a specific re…[Read more]

]]> 0 6c64fe64a8b1527bd26580192ccd0179 https://hcommons.org/activity/p/1665794/ Tue, 08 Oct 2019 16:38:57 -0400 The article focuses on aspects of gesture in Mikhail Shishkin’s novel “Taking Izmail” (“Vziatie Izmaila”, 1999). The concept of gesture is frequently evoked in search of an alternative to speaking and rational meaning, since gesture, as a figure of muteness by itself, signals the nonsensical in the text and its production problematising the very p…[Read more]

]]> 0 d0c398ab6323bdb8df0cedb5aa439a36 https://hcommons.org/activity/p/1665793/ Tue, 08 Oct 2019 16:38:55 -0400 The article focuses on aspects of gesture in Mikhail Shishkin’s novel “Taking Izmail” (“Vziatie Izmaila”, 1999). The concept of gesture is frequently evoked in search of an alternative to speaking and rational meaning, since gesture, as a figure of muteness by itself, signals the nonsensical in the text and its production problematising the very p…[Read more]

]]> 0 5f2e49040ae318a6872c8ef4cf5fe469 https://hcommons.org/activity/p/1665696/ Tue, 08 Oct 2019 06:23:08 -0400 The article focuses on aspects of gesture in Mikhail Shishkin’s novel “Taking Izmail”. The concept of gesture is frequently evoked in search of an alternative to speaking and rational meaning, since gesture, as a figure of muteness by itself, signals the nonsensical in the text and its production problematising the very possibility of verbal e…[Read more]

]]> 0 ac0fac15edb080cc40e1649678cd2543 https://hcommons.org/activity/p/1643458/ Sun, 30 Jun 2019 16:25:35 -0400 “‘The Underlying Gesture’. Towards the Notion of Gesture in Jean d’Udine and Sergei Eisenstein”. In: Rossella Catanese, Francesca Scotto Lavina, Valentina Valente (eds.), From Sensation to Synaesthesia in Film and New Media. Cambridge Scholars Publishing 2019, 102-115.

]]> 0 d2c0106dcaba9567d6d93d62042bc6bd https://hcommons.org/activity/p/1643435/ Sun, 30 Jun 2019 07:59:59 -0400 “‘The Underlying Gesture’. Towards the Notion of Gesture in Jean d’Udine and Sergei Eisenstein”. In: Rossella Catanese, Francesca Scotto Lavina, Valentina Valente (eds.), From Sensation to Synaesthesia in Film and New Media. Cambridge Scholars Publishing 2019, 102-115.

]]> 0 486dc3cefeacd858550f2c5ad2cf065f https://hcommons.org/activity/p/1595066/ Sat, 06 Jan 2018 05:38:27 -0500 Editorial Article to the special issue “Mise en geste. Studies of Gesture in Cinema” (ed. by Ana Hedberg Olenina and Irina Schulzki) in journal “Apparatus. Film, Media and Digital Cultures in Central and Eastern Europe” 5 (2017). 1. Gesture as a Figure of Speech. About this Issue 2. Liberated Gestures: Theories of Bodily Statements beyond the…[Read more]

]]> 0 299fd53d5fceca3680c546af65752a3c https://hcommons.org/activity/p/1594871/ Fri, 05 Jan 2018 12:27:06 -0500 Editorial Article to the special issue “Mise en geste. Studies of Gesture in Cinema” (ed. by Ana Hedberg Olenina and Irina Schulzki) in journal “Apparatus. Film, Media and Digital Cultures in Central and Eastern Europe” 5 (2017). 1. Gesture as a Figure of Speech. About this Issue 2. Liberated Gestures: Theories of Bodily Statements beyond the…[Read more]

]]> 0 a0cbc81efd28abec881b350ad2087f32 https://hcommons.org/activity/p/1588206/ Mon, 13 Nov 2017 12:37:24 -0500 Collective monograph in Russian edited by Anna Skotnicka and Janusz Świeży

]]> 0 ead475dd0f9719bb56c6c3e8ec7ee631 https://hcommons.org/activity/p/1586719/ Sat, 04 Nov 2017 16:28:12 -0400 In 2008 Mikhail Epstein suggested a new discipline, sciptorics, that would bring back the subject of writing hastily effaced by the poststructuralist concept of the “death of the author”. In scriptorics, the act of writing gains an anthropological and personalised dimension. The scriptor’s mode of existence consists in “leaving traces” by litera…[Read more]

]]> 0 a04c3ad4324afd5f53d4aafcd8b48f5d https://hcommons.org/activity/p/1586622/ Fri, 03 Nov 2017 08:20:24 -0400 In the following remarks, I introduce Jean-Luc Marion’s categories of his phenomenology of the given and of the erotic in the narrow context of one film, Paul Thomas Anderson’s “Magnolia” (1999). Apart from using Marion’s terminology as a set of analytical categories, I also apply his method of the socalled ‘third’ phenomenological reduction…[Read more]

]]> 0 4eba5a49b4d1886b42aaa5df56c7944d https://hcommons.org/activity/p/1586559/ Fri, 03 Nov 2017 01:07:23 -0400 In: Hajo Diekmanshenke, Stefan Neuhaus and Uta Schaffers (eds.): Das Komische in der Kultur. Dynamiken der Vermittlung: Koblenzer Studien zur Germanistik. Marburg: Tectum-Verlag 2015, 413-429.

]]> 0 2ce47c981d4d85edfbb43b96e598e45d https://hcommons.org/activity/p/1586549/ Fri, 03 Nov 2017 01:07:18 -0400 In: Hajo Diekmanshenke, Stefan Neuhaus and Uta Schaffers (eds.): Das Komische in der Kultur. Dynamiken der Vermittlung: Koblenzer Studien zur Germanistik. Marburg: Tectum-Verlag 2015, 413-429.

]]> 0 7df5634578bcaa35ce2f51821c54dba1 https://hcommons.org/activity/p/1586534/ Fri, 03 Nov 2017 01:07:05 -0400 In: Hajo Diekmanshenke, Stefan Neuhaus and Uta Schaffers (eds.): Das Komische in der Kultur. Dynamiken der Vermittlung: Koblenzer Studien zur Germanistik. Marburg: Tectum-Verlag 2015, 413-429.

]]> 0 5797df04e485b3dce5e89d8030535f08 https://hcommons.org/activity/p/1585893/ Fri, 27 Oct 2017 10:48:31 -0400 0 431b0549edaa9267a6ba4bf720624b89 https://hcommons.org/activity/p/1585892/ Fri, 27 Oct 2017 10:37:04 -0400 In: Hajo Diekmanshenke, Stefan Neuhaus and Uta Schaffers (eds.): Das Komische in der Kultur. Dynamiken der Vermittlung: Koblenzer Studien zur Germanistik. Marburg: Tectum-Verlag 2015, 413-429.

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