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	<title>SAH Commons | Adrian Horsewood | Group Activity</title>
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	<description>Public group activity feed of which Adrian Horsewood is a member.</description>
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				<title>Laura Francis started the topic CFP: Migration and the Early Modern Spanish Empire (June 10-12, 2026 @ NUIM) in the forum Renaissance/ Early Modern Studies</title>
				<link>https://hcommons.org/groups/renaissance-early-modern-studies/forum/topic/cfp-migration-and-the-early-modern-spanish-empire-june-10-12-2026-nuim/</link>
				<pubDate>Thu, 30 Oct 2025 14:35:22 -0400</pubDate>

									<content:encoded><![CDATA[<p>Dear Colleagues,</p>
<p>I am excited to announce the following call for papers for a conference on &#8220;Migration and the Early Modern Spanish Empire&#8221; that will take place from June 10th-12th, 2026 at the National University of Ireland in Maynooth.</p>
<p>Please see the attached PDF for more details. &lt;span style=&#8221;text-decoration: underline;&#8221;&gt;The deadline for&hellip;<span class="activity-read-more" id="activity-read-more-1933355"><a href="https://hcommons.org/groups/renaissance-early-modern-studies/forum/topic/cfp-migration-and-the-early-modern-spanish-empire-june-10-12-2026-nuim/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">638e7e0117ad13579f2e48d1d9b07b13</guid>
				<title>Guylian Nemegeer started the topic CFP - Incontri. Rivista Europea di Studi Italiani in the forum Renaissance/ Early Modern Studies</title>
				<link>https://hcommons.org/groups/renaissance-early-modern-studies/forum/topic/cfp-incontri-rivista-europea-di-studi-italiani/</link>
				<pubDate>Wed, 22 Oct 2025 14:05:25 -0400</pubDate>

									<content:encoded><![CDATA[<p>&lt;span style=&#8221;font-weight: 400;&#8221;&gt;Dear colleagues,&lt;/span&gt;</p>
<p>&lt;span style=&#8221;font-weight: 400;&#8221;&gt;For its upcoming issues, &lt;/span&gt;&lt;i&gt;&lt;span style=&#8221;font-weight: 400;&#8221;&gt;Incontri. Rivista europea di studi italiani&lt;/span&gt;&lt;/i&gt;&lt;span style=&#8221;font-weight: 400;&#8221;&gt; is currently accepting essay submissions and proposals for special issues.&lt;/span&gt;</p>
<p>&lt;i&gt;&lt;span&hellip;<span class="activity-read-more" id="activity-read-more-1932700"><a href="https://hcommons.org/groups/renaissance-early-modern-studies/forum/topic/cfp-incontri-rivista-europea-di-studi-italiani/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Vivien Jiaqian Zhu started the topic CFP 2026 MLA Convention in the forum Music Encoding Initiative</title>
				<link>https://hcommons.org/groups/music-encoding-initiative/forum/topic/cfp-2026-mla-convention-10/</link>
				<pubDate>Tue, 04 Feb 2025 22:43:36 -0500</pubDate>

									<content:encoded><![CDATA[<p>Dear All,</p>
<p>&nbsp;</p>
<p>I’m pleased to share with you the Call for Paper for the Working Group/Seminar session for the upcoming MLA Convention in Toronto. See <a href="https://mla.confex.com/mla/2026/webprogrampreliminary/Paper29934.html" rel="nofollow ugc">https://mla.confex.com/mla/2026/webprogrampreliminary/Paper29934.html</a>.</p>
<p>&nbsp;</p>
<p>Best wishes,</p>
<p>Vivien Jiaqian Zhu</p>
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				<title>Vivien Jiaqian Zhu started the topic CFP 2026 MLA Convention in the forum Renaissance/ Early Modern Studies</title>
				<link>https://hcommons.org/groups/renaissance-early-modern-studies/forum/topic/cfp-2026-mla-convention-9/</link>
				<pubDate>Tue, 04 Feb 2025 22:42:10 -0500</pubDate>

									<content:encoded><![CDATA[<p>Dear All,</p>
<p>&nbsp;</p>
<p>I’m pleased to share with you the Call for Paper for the Working Group/Seminar session for the upcoming MLA Convention in Toronto. See <a href="https://mla.confex.com/mla/2026/webprogrampreliminary/Paper29934.html" rel="nofollow ugc">https://mla.confex.com/mla/2026/webprogrampreliminary/Paper29934.html</a>.</p>
<p>&nbsp;</p>
<p>Best wishes,</p>
<p>Vivien Jiaqian Zhu</p>
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				<title>Anna E. Kijas deposited MEI Basic Workshop in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1901603/</link>
				<pubDate>Mon, 14 Oct 2024 03:00:48 -0400</pubDate>

									<content:encoded><![CDATA[<p>Final abstract</p>
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				<title>Anna E. Kijas deposited Towards a standardization of lead sheet encoding: an experience in OMR in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1901602/</link>
				<pubDate>Mon, 14 Oct 2024 03:00:44 -0400</pubDate>

									<content:encoded><![CDATA[<p>Final abstract</p>
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				<guid isPermaLink="false">eacebaa4cbc002fc8ab2a399c76fb390</guid>
				<title>Anna E. Kijas deposited Musical Instrument Encoding Matters in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1901601/</link>
				<pubDate>Mon, 14 Oct 2024 03:00:41 -0400</pubDate>

									<content:encoded><![CDATA[<p>Final abstract</p>
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				<title>Anna E. Kijas deposited GagakuXML: Markup for Hichiriki Scores and Enhancing Efficiency in Traditional Japanese Music Encoding in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1901600/</link>
				<pubDate>Mon, 14 Oct 2024 03:00:38 -0400</pubDate>

									<content:encoded><![CDATA[<p>Final abstract</p>
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				<title>Anna E. Kijas deposited Critical Semantic Properties of Music Notation Datasets in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1901599/</link>
				<pubDate>Mon, 14 Oct 2024 03:00:35 -0400</pubDate>

									<content:encoded><![CDATA[<p>Final abstract</p>
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				<title>Anna E. Kijas deposited Modelling Performance – Conceptual Realities vs. Practical Limitations in MEI in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1901598/</link>
				<pubDate>Mon, 14 Oct 2024 03:00:32 -0400</pubDate>

									<content:encoded><![CDATA[<p>Final abstract</p>
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				<title>Anna E. Kijas deposited Beyond the Standard Model in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1901597/</link>
				<pubDate>Mon, 14 Oct 2024 03:00:29 -0400</pubDate>

									<content:encoded><![CDATA[<p>Final abstract</p>
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				<title>Anna E. Kijas deposited Works of other authors and composers as templates – approaches to capture template research in digital music editions. A case study in the context of the Reger-Werkausgabe. in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1901596/</link>
				<pubDate>Mon, 14 Oct 2024 03:00:26 -0400</pubDate>

									<content:encoded><![CDATA[<p>Final abstract</p>
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				<guid isPermaLink="false">a1de7daff1cb880500aa260656b6d2bf</guid>
				<title>Anna E. Kijas deposited Issues of FRBR systematics in indexing sources that represent different versions of works. The example of Franz Liszt. in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1901595/</link>
				<pubDate>Mon, 14 Oct 2024 03:00:22 -0400</pubDate>

									<content:encoded><![CDATA[<p>Final abstract</p>
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				<guid isPermaLink="false">d5ce22760240a07a1656bf7de8217a17</guid>
				<title>Anna E. Kijas deposited Simplifying MEI for Searching Applications in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1901594/</link>
				<pubDate>Mon, 14 Oct 2024 03:00:19 -0400</pubDate>

									<content:encoded><![CDATA[<p>Final abstract</p>
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				<guid isPermaLink="false">2e9e0e37d376f3263d443d20854d8b3f</guid>
				<title>Anna E. Kijas deposited MEI-Basic support in MuseScore 4.2 in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1901593/</link>
				<pubDate>Mon, 14 Oct 2024 03:00:16 -0400</pubDate>

									<content:encoded><![CDATA[<p>Final abstract</p>
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				<guid isPermaLink="false">e70db161172ffeb687a6a7ef81cb923b</guid>
				<title>Anna E. Kijas deposited Indexing Hymnody: Comparative Analysis and Opportunities for Interoperability in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1901592/</link>
				<pubDate>Mon, 14 Oct 2024 03:00:13 -0400</pubDate>

									<content:encoded><![CDATA[<p>Final abstract</p>
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				<guid isPermaLink="false">3bbfef8d4816e6c26fbf542625050c10</guid>
				<title>Anna E. Kijas deposited Encoding and Analysis of Early Music: Aquitanian and Square Music Scripts in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1901591/</link>
				<pubDate>Mon, 14 Oct 2024 03:00:10 -0400</pubDate>

									<content:encoded><![CDATA[<p>Final abstract</p>
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				<guid isPermaLink="false">76ccf335e39080c5ba91c90f235bd19c</guid>
				<title>Anna E. Kijas deposited The “Clausula Archive of the Notre Dame Repertory”: End-to-end OMR, encoding, and analysis of medieval polyphony in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1901590/</link>
				<pubDate>Mon, 14 Oct 2024 03:00:07 -0400</pubDate>

									<content:encoded><![CDATA[<p>Final abstract</p>
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				<guid isPermaLink="false">a9e566e690df3c8c578d054db8b0910b</guid>
				<title>Anna E. Kijas deposited Modelling Multi-domain Voicing in the Goldberg Variations in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1901588/</link>
				<pubDate>Mon, 14 Oct 2024 03:00:02 -0400</pubDate>

									<content:encoded><![CDATA[<p>Final abstract</p>
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				<guid isPermaLink="false">979feb4f497ce72fafae4925b086f1b4</guid>
				<title>Ann E Mullaney deposited The Latin Sexual Vocabulary by J. N. Adams, 1982: Guide with Definitions by Ann Mullaney, July 6, 2024 in the group Renaissance / Early Modern Studies</title>
				<link>https://hcommons.org/activity/p/1891475/</link>
				<pubDate>Wed, 10 Jul 2024 03:01:26 -0400</pubDate>

									<content:encoded><![CDATA[<p>J. N. Adams (1943-2021) examined the expressions speakers and writers used to communicate about bodily functions during the first thousand years for which we have recorded Latin (roughly 500 BCE to 500 CE). Here you will find first the Table of Contents from Adams’s book with live links to sections below. Next, about 70 pages of a sort of map f&hellip;<span class="activity-read-more" id="activity-read-more-1891475"><a href="https://hcommons.org/activity/p/1891475/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">70fcf8064a2c01347aca265f94f847b8</guid>
				<title>Ann E Mullaney deposited The Latin Sexual Vocabulary by J. N. Adams, 1982: Guide with Definitions by Ann Mullaney, July 6, 2024 in the group Renaissance / Early Modern Studies</title>
				<link>https://hcommons.org/activity/p/1891472/</link>
				<pubDate>Wed, 10 Jul 2024 03:01:10 -0400</pubDate>

									<content:encoded><![CDATA[<p>J. N. Adams (1943-2021) examined the expressions speakers and writers used to communicate about bodily functions during the first thousand years for which we have recorded Latin (roughly 500 BCE to 500 CE). Here you will find first the Table of Contents from Adams’s book with live links to sections below. Next, about 70 pages of a sort of map f&hellip;<span class="activity-read-more" id="activity-read-more-1891472"><a href="https://hcommons.org/activity/p/1891472/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">5374a10a192da8a5a86362dfcf2a1d43</guid>
				<title>Elisabeth Moreau deposited Galenic Medicine and the Atomist Revival: Elements, Particles, and Minima in Late Renaissance Physiology in the group Renaissance / Early Modern Studies</title>
				<link>https://hcommons.org/activity/p/1889652/</link>
				<pubDate>Thu, 20 Jun 2024 03:01:00 -0400</pubDate>

									<content:encoded><![CDATA[<p>In the past decades, historians have emphasized the multidisciplinary nature and conceptual disparateness of the atomist revival in the early modern sciences. However, they have not investigated how medicine, and specifically the authority of Galen, has contributed to the emergence of this revival. Indeed, despite Galen’s rejection of atoms and c&hellip;<span class="activity-read-more" id="activity-read-more-1889652"><a href="https://hcommons.org/activity/p/1889652/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Eduardo Paredes Ocampo deposited Kemp y Juan Rana: reconstrucción e implicaciones culturales del gesto dancístico en la Inglaterra y España de la modernidad temprana in the group Renaissance / Early Modern Studies</title>
				<link>https://hcommons.org/activity/p/1887548/</link>
				<pubDate>Thu, 30 May 2024 03:00:06 -0400</pubDate>

									<content:encoded><![CDATA[<p>Comparative study examining the dance of Will Kemp (England) and Juan Rana (Spain), in the theatrical context of early modern Europe.</p>
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				<title>Cristina León Alfar edited the doc Late Tudor and Stuart Drama: Readings in Feminist Theories and Histories in the group Renaissance / Early Modern Studies</title>
				<link>https://hcommons.org/activity/p/1886884/</link>
				<pubDate>Wed, 22 May 2024 17:19:23 -0400</pubDate>

				
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				<title>Cristina León Alfar created the doc Late Tudor and Stuart Drama: Readings in Feminist Theories and Histories in the group Renaissance / Early Modern Studies</title>
				<link>https://hcommons.org/activity/p/1886883/</link>
				<pubDate>Wed, 22 May 2024 17:18:17 -0400</pubDate>

				
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				<title>Martine van Elk deposited Politics, Authorship, and Philosophy: Teaching Margaret Cavendish’s The Blazing World in the Diverse Graduate Classroom in the group Renaissance / Early Modern Studies</title>
				<link>https://hcommons.org/activity/p/1886480/</link>
				<pubDate>Sat, 18 May 2024 03:08:22 -0400</pubDate>

									<content:encoded><![CDATA[<p>This essay explores how Margaret Cavendish’s The Blazing World works differently when taught and read on its own and in combination with Cavendish’s other works. Focusing specifically on the graduate classroom, I examine and present strategies for teaching the book alongside works by other early modern women and for teaching it in a sin&hellip;<span class="activity-read-more" id="activity-read-more-1886480"><a href="https://hcommons.org/activity/p/1886480/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Oleksii Sapov-Erlinger deposited The Diff Concept of the Digital Interactive Mozart Edition in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1884617/</link>
				<pubDate>Wed, 01 May 2024 03:24:59 -0400</pubDate>

									<content:encoded><![CDATA[<p>The Digital Interactive Mozart Edition (<a href="https://dme.mozarteum.at/en/music/edition/" rel="nofollow ugc">https://dme.mozarteum.at/en/music/edition/</a>) provides two types of editions: Reference Texts (the musical text of the Neue Mozart Ausgabe encoded in the Music Encoding Initiative format) and Alternative Texts (entirely new MEI-based editions of selected works). To illustrate the distinctions between editions&hellip;<span class="activity-read-more" id="activity-read-more-1884617"><a href="https://hcommons.org/activity/p/1884617/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Patrick Hart deposited From Pulpit to Parish: Preaching Dance and Parish Dances in England and Scandinavia, 1300-1700 in the group Renaissance / Early Modern Studies</title>
				<link>https://hcommons.org/activity/p/1881705/</link>
				<pubDate>Mon, 01 Apr 2024 03:00:04 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article considers English and Scandinavian sermon tales alongside accounts of parish practice from 1300-1700, focusing on dance among the laity. It posits that the negative perspective of Scandinavian Protestants towards dance was a result of the medieval North Sea networks that brought England’s approach to dance to Nordic parishes, s&hellip;<span class="activity-read-more" id="activity-read-more-1881705"><a href="https://hcommons.org/activity/p/1881705/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Eduardo Paredes Ocampo deposited Reconstructing Relationships of Desire: Homosexuality in Spanish Golden Age Theater in the group Renaissance / Early Modern Studies</title>
				<link>https://hcommons.org/activity/p/1874118/</link>
				<pubDate>Wed, 31 Jan 2024 04:04:59 -0500</pubDate>

									<content:encoded><![CDATA[<p>The figure of the marión, maricón or puto—the male homosexual—appears in many Spanish Golden Age plays. The critical approaches to this dramatic type have centered on thematic and textual issues, ignoring the performative cues inscribed on the character. For this reason, this paper reconstructs the acting of male homoeroticism in the comed&hellip;<span class="activity-read-more" id="activity-read-more-1874118"><a href="https://hcommons.org/activity/p/1874118/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Eduardo Paredes Ocampo deposited Superhero Segismundo: Uncovering the Politics of Angry Gestures in the 2018 Graphic Novel Adaptation of La vida es  sueño in the group Renaissance / Early Modern Studies</title>
				<link>https://hcommons.org/activity/p/1871309/</link>
				<pubDate>Wed, 17 Jan 2024 03:00:37 -0500</pubDate>

									<content:encoded><![CDATA[<p>The comic adaptation of La vida es sueño by Calderón de la Barca (2018) emphasizes the emotion of anger as one of the forces that guides the plot. The protagonist, Segismundo, displays aggression through two main gestures: the clenching fist and the frown on his face. This article aims to answer the following questions: Why did the comic artist d&hellip;<span class="activity-read-more" id="activity-read-more-1871309"><a href="https://hcommons.org/activity/p/1871309/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Elisabeth Moreau deposited Temperament and the Senses: The Taste, Odor and Color of Drugs in Late-Renaissance Galenism in the group Renaissance / Early Modern Studies</title>
				<link>https://hcommons.org/activity/p/1865830/</link>
				<pubDate>Sat, 25 Nov 2023 03:00:15 -0500</pubDate>

									<content:encoded><![CDATA[<p>According to the medical tradition, the temperament of bodies came from the balance of their primary qualities – hot, cold, dry, and moist. However, physicians associated additional sensory properties with temperament in the field of pharmacology. These sensations included taste, color, and odor, which allow an appraisal of the constitution and a&hellip;<span class="activity-read-more" id="activity-read-more-1865830"><a href="https://hcommons.org/activity/p/1865830/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">f88890b56addb291db769c325765c4d3</guid>
				<title>Jeremy Fradkin deposited Christian Hospitality and the Case for Religious Refuge in Interregnum England in the group Renaissance / Early Modern Studies</title>
				<link>https://hcommons.org/activity/p/1862463/</link>
				<pubDate>Tue, 24 Oct 2023 03:00:07 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article shows how English supporters of Jewish immigration in the 1650s articulated a universal model of Christian hospitality for all foreigners fleeing religious persecution, regardless of whether they adhered to the Protestant faith of their English hosts. It thus urges a reconsideration of the widespread assumption that European&hellip;<span class="activity-read-more" id="activity-read-more-1862463"><a href="https://hcommons.org/activity/p/1862463/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">d9388f332d689899dede8ff32d2cfb70</guid>
				<title>Christopher Crosbie deposited Publicizing the Science of God: Milton's Raphael and the Boundaries of Knowledge in the group Renaissance / Early Modern Studies</title>
				<link>https://hcommons.org/activity/p/1859610/</link>
				<pubDate>Mon, 25 Sep 2023 18:02:25 -0400</pubDate>

									<content:encoded><![CDATA[<p>This essay reads Raphael, the principal expositor of scientific knowledge in Milton’s Paradise Lost, as embodying divergent, virtually antithetical, dispositions towards the prospect of free engagement with natural philosophy within the public sphere. At once stimulating Adam’s curiosity about the natural world while also overzealously cur&hellip;<span class="activity-read-more" id="activity-read-more-1859610"><a href="https://hcommons.org/activity/p/1859610/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">78328ca5455964c48418e28faa4de8b7</guid>
				<title>Christopher Crosbie deposited Sexuality, Corruption, and the Body Politic: The Paradoxical Tribute of The Misfortunes of Arthur to Elizabeth I in the group Renaissance / Early Modern Studies</title>
				<link>https://hcommons.org/activity/p/1859608/</link>
				<pubDate>Mon, 25 Sep 2023 18:02:10 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article examines how Thomas Hughes&#8217;s &#8220;The Misfortunes of Arthur&#8221; pays homage to Elizabeth I through its eclectic use of Arthurian traditions and deployment of imagery centered on corrupted sexuality and the body politic.</p>
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				<guid isPermaLink="false">03d229cf37db65aeabf488bb2924616f</guid>
				<title>Raffaele Viglianti deposited Introduction to publishing XML with static site and front-end technologies. in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1859045/</link>
				<pubDate>Wed, 20 Sep 2023 01:07:56 -0400</pubDate>

									<content:encoded><![CDATA[<p>Workshop material. This half-day workshop introduced strategies for handling XML when publishing with static site generators and front-end technologies. The workshop focused on isomorphic approaches to publishing XML data on the web or, in other words, publishing XML data with little or no transformation, or with a structure-preserving mapping&hellip;<span class="activity-read-more" id="activity-read-more-1859045"><a href="https://hcommons.org/activity/p/1859045/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">30dd4a0a2375f8e82800727e05ca4746</guid>
				<title>Oleksii Sapov-Erlinger deposited Encoding Orchestral Parts that Share a Staff in MEI: Guidelines and a Parts Extraction Tool in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1858680/</link>
				<pubDate>Sat, 16 Sep 2023 01:18:23 -0400</pubDate>

									<content:encoded><![CDATA[<p>It is common engraving practice for “two or more players – or a divided string section with only single notes per division” (Gould 2011) to share a staff in an orchestral score, such as clarinet I and clarinet II. This practice addresses issues such as stemming, sharing musical content, placement of ties and slurs, and more. With respect to these&hellip;<span class="activity-read-more" id="activity-read-more-1858680"><a href="https://hcommons.org/activity/p/1858680/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">fd4f994f707175fb94c7a6b7a21e56aa</guid>
				<title>Elisabeth Moreau deposited Simple and Compound Drugs in Late Renaissance Medicine: The Pharmacology of Andrea Cesalpino (1593) in the group Renaissance / Early Modern Studies</title>
				<link>https://hcommons.org/activity/p/1858430/</link>
				<pubDate>Thu, 14 Sep 2023 01:06:27 -0400</pubDate>

									<content:encoded><![CDATA[<p>From antiquity, Galenic physicians extensively discussed the active powers of simple and compound drugs. In their views, simple drugs, that is, single ingredients, acted according to their material qualities and the properties of their substance. As for compound drugs, their efficacy resulted from the mutual interaction of their ingredients and&hellip;<span class="activity-read-more" id="activity-read-more-1858430"><a href="https://hcommons.org/activity/p/1858430/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">0ca1fb337ad6727a49e85675d54cf6a8</guid>
				<title>Anna E. Kijas deposited Pedagogical Approaches to Encoding in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1858163/</link>
				<pubDate>Tue, 12 Sep 2023 01:08:42 -0400</pubDate>

									<content:encoded><![CDATA[<p>As practitioners and scholars who engage with music encoding we already understand the affordances that encoding music or text can bring to our research and scholarship. However, individuals who are not yet familiar with encoding schemas and the usefulness of digital methodologies may not have a clear understanding of the “why” in using a dig&hellip;<span class="activity-read-more" id="activity-read-more-1858163"><a href="https://hcommons.org/activity/p/1858163/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">a48abc36c4a6a2e15037a793ca16ce1f</guid>
				<title>David M. Weigl deposited Music Encoding Conference Proceedings 2022 - Front matter in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1857945/</link>
				<pubDate>Sat, 09 Sep 2023 01:14:21 -0400</pubDate>

									<content:encoded><![CDATA[<p>Front matter for the Proceedings of the Music Encoding Conference 2022.</p>
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				<guid isPermaLink="false">d8f62e63e6a8d9688df15886142a596a</guid>
				<title>David M. Weigl deposited Music Encoding Conference Proceedings 2022 - Table of Contents in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1857944/</link>
				<pubDate>Sat, 09 Sep 2023 01:14:18 -0400</pubDate>

									<content:encoded><![CDATA[<p>Table of Contents for the Proceedings of the Music Encoding Conference 2022.</p>
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				<guid isPermaLink="false">c69f8068905be3ffaf9330051a5fe9cd</guid>
				<title>David M. Weigl deposited Music Encoding Conference Proceedings 2022 - Foreword in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1857943/</link>
				<pubDate>Sat, 09 Sep 2023 01:14:15 -0400</pubDate>

									<content:encoded><![CDATA[<p>Foreword for the Proceedings of the Music Encoding Conference 2022.</p>
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				<guid isPermaLink="false">363c2ec1ee603e3f7aa90d6cb9852a5f</guid>
				<title>David M. Weigl deposited Singing another Tune: Open/Digital/Minimal Scholarly Edition of Castilian and Galician-Portuguese Lyric Poetry in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1857942/</link>
				<pubDate>Sat, 09 Sep 2023 01:14:12 -0400</pubDate>

									<content:encoded><![CDATA[<p>Opening keynote of the Music Encoding Conference 2022.</p>
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				<guid isPermaLink="false">318b8ddaa8a88643871e2b60693166ab</guid>
				<title>David M. Weigl deposited Optical Music Recognition Workflow for Neume Notation and its Encoding &#38; The Art of Teaching Computers in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1857941/</link>
				<pubDate>Sat, 09 Sep 2023 01:14:09 -0400</pubDate>

									<content:encoded><![CDATA[<p>Closing keynote of the Music Encoding Conference 2022.</p>
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				<guid isPermaLink="false">0aaa5078185a35904c558ce511298a05</guid>
				<title>David M. Weigl deposited Mysterium: A Corpus of Alexander Scriabin's Music for Solo Piano in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1857940/</link>
				<pubDate>Sat, 09 Sep 2023 01:14:06 -0400</pubDate>

									<content:encoded><![CDATA[<p>A new digital encoding of 207 works by Alexander Scriabin is reported. The corpus includes all of Scriabin’s works for solo piano with an opus number. Each work is in the **kern format, having first been encoded into Finale, exported to a MusicXML file, and then converted using the musicxml2hum command. The corpus’s content and method of enc&hellip;<span class="activity-read-more" id="activity-read-more-1857940"><a href="https://hcommons.org/activity/p/1857940/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">33eb200847485f71466a04b97bc67b36</guid>
				<title>David M. Weigl deposited Partitura: A Python Package for Symbolic Music Processing in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1857939/</link>
				<pubDate>Sat, 09 Sep 2023 01:14:03 -0400</pubDate>

									<content:encoded><![CDATA[<p>Partitura is a lightweight Python package for handling symbolic musical information. It provides easy access to features commonly used in music information retrieval tasks, like note arrays (lists of timed pitched events) and 2D piano roll matrices, as well as other score elements such as time and key signatures, performance directives, and repeat&hellip;<span class="activity-read-more" id="activity-read-more-1857939"><a href="https://hcommons.org/activity/p/1857939/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">a081f4c0280e2a7d31c398062cf29b05</guid>
				<title>David M. Weigl deposited Challenging the MEI Neumes Module: Encoding Armenian Neumes in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1857938/</link>
				<pubDate>Sat, 09 Sep 2023 01:14:00 -0400</pubDate>

									<content:encoded><![CDATA[<p>Chant notations are found across a large geographical area encompassing Europe and part of the Middle East (including the Levant and the historical Armenian lands). The Neumes Module represents a collective endeavour on the part of the MEI Community to capture in a machine- readable format the meaning of chant notations. In recent years intensive&hellip;<span class="activity-read-more" id="activity-read-more-1857938"><a href="https://hcommons.org/activity/p/1857938/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">a6c5df84f25dc0e8ae5d69c8793aaa95</guid>
				<title>David M. Weigl deposited MuseReduce: A Generic Framework for Hierarchical Music Analysis in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1857937/</link>
				<pubDate>Sat, 09 Sep 2023 01:13:57 -0400</pubDate>

									<content:encoded><![CDATA[<p>In comparison to computational linguistics, with its abundance of natural-language datasets, corpora of music analyses are rather fewer and generally smaller. This is partly due to difficulties inherent to the encoding of music analyses, whose multimodal representations—typically a combination of music notation, graphic notation, and natural l&hellip;<span class="activity-read-more" id="activity-read-more-1857937"><a href="https://hcommons.org/activity/p/1857937/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">f1929f3166af6b8afa5b752f66127049</guid>
				<title>David M. Weigl deposited The Match File Format: Encoding Alignments Between Scores and Performances in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1857936/</link>
				<pubDate>Sat, 09 Sep 2023 01:13:54 -0400</pubDate>

									<content:encoded><![CDATA[<p>This paper presents the specifications of match: a file format that extends a MIDI human performance with note-, beat-, and downbeat-level alignments to a corresponding musical score. This enables advanced analyses of the performance that are relevant for various tasks, such as expressive performance modelling, score following, music&hellip;<span class="activity-read-more" id="activity-read-more-1857936"><a href="https://hcommons.org/activity/p/1857936/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">3db698216046db40ec942957a3fee29a</guid>
				<title>David M. Weigl deposited Modelling and Editing Cross-Modal Synchronization on a Label Web Canvas in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1857935/</link>
				<pubDate>Sat, 09 Sep 2023 01:13:51 -0400</pubDate>

									<content:encoded><![CDATA[<p>We present how the open-source web framework Dezrann enables users to hear, study, and annotate music by interacting with synchronized views such as image scores, rendered scores, videos, and representations of audio as waveforms or spectrograms. We encode as unit conversions the cross-modal synchronization between these music representations.&hellip;<span class="activity-read-more" id="activity-read-more-1857935"><a href="https://hcommons.org/activity/p/1857935/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">e934f02ed502c8dc8069bf207ea98aa1</guid>
				<title>David M. Weigl deposited Community-Centered Sustainability: A Case Study of the Music Encoding Initiative in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1857934/</link>
				<pubDate>Sat, 09 Sep 2023 01:13:48 -0400</pubDate>

									<content:encoded><![CDATA[<p>Lacking institutional support, the vast majority of digital humanities communities and their respective projects confront the pervasive challenge of sustainability. Shifts in technologies, resources, and communities over time present systemic barriers to the long-term viability of digital projects. The “Communities sustaining digital c&hellip;<span class="activity-read-more" id="activity-read-more-1857934"><a href="https://hcommons.org/activity/p/1857934/" rel="nofollow ugc">[Read more]</a></span></p>
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