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	<title>SAH Commons | Cecilia Novero | Activity</title>
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				<title>cecinove2017 deposited Precariousness in the Frames of War: Dynamics of a Sensate Cosmopolitics: An “affect-oriented” reading of Haneke’s Code Unknown in the group German Literature and Culture</title>
				<link>https://hcommons.org/activity/p/1571434/</link>
				<pubDate>Wed, 24 May 2017 01:00:03 -0400</pubDate>

									<content:encoded><![CDATA[<p>Just prior to 9/11 the film Code Unknown: An Incomplete Tale of Different Journeys (2000) was released: a series of successive tableaux depicting the random and generally ‘aggressive’ encounters among strangers, neighbours, family members, lovers etc. displays a network of challenging interdependence amongst Parisians. The film was variously cri&hellip;<span class="activity-read-more" id="activity-read-more-1571434"><a href="https://hcommons.org/activity/p/1571434/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>cecinove2017 deposited Precariousness in the Frames of War: Dynamics of a Sensate Cosmopolitics: An “affect-oriented” reading of Haneke’s Code Unknown in the group Film Studies</title>
				<link>https://hcommons.org/activity/p/1571433/</link>
				<pubDate>Wed, 24 May 2017 01:00:03 -0400</pubDate>

									<content:encoded><![CDATA[<p>Just prior to 9/11 the film Code Unknown: An Incomplete Tale of Different Journeys (2000) was released: a series of successive tableaux depicting the random and generally ‘aggressive’ encounters among strangers, neighbours, family members, lovers etc. displays a network of challenging interdependence amongst Parisians. The film was variously cri&hellip;<span class="activity-read-more" id="activity-read-more-1571433"><a href="https://hcommons.org/activity/p/1571433/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Cecilia Novero&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1570933/</link>
				<pubDate>Fri, 19 May 2017 06:44:23 -0400</pubDate>

				
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				<title>cecinove2017 deposited Pirandello’s Character in Ruttmann’s Cacophonic Film Acciaio (1933)</title>
				<link>https://hcommons.org/activity/p/1570932/</link>
				<pubDate>Fri, 19 May 2017 06:24:54 -0400</pubDate>

									<content:encoded><![CDATA[<p>Zooming in on Acciaio: Pirandello and German Cinema<br />
Cecilia Novero, NZ [TITLE CHANGED]</p>
<p>Pirandello went to Berlin in 1928 with the hope that here, in the capital of both expressionist cinema and the so called “Strassenfilm”, his scenarios would capture the attention of directors such as Joe May, G.W. Pabst, F.W. Murnau, Robert Wiene, Fritz Lan&hellip;<span class="activity-read-more" id="activity-read-more-1570932"><a href="https://hcommons.org/activity/p/1570932/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>cecinove2017 deposited PRECARIOUSNESS IN THE FRAMES OF WAR: DYNAMICS OF A SENSATE COSMOPOLITICS An “affect-oriented” reading of Haneke’s Code Unknown</title>
				<link>https://hcommons.org/activity/p/1570931/</link>
				<pubDate>Fri, 19 May 2017 06:05:10 -0400</pubDate>

									<content:encoded><![CDATA[<p>“PRECARIOUSNESS IN THE FRAMES OF WAR: DYNAMICS OF A SENSATE COSMOPOLITICS: A reading of Haneke’s Code Unknown”</p>
<p>Just prior to 9/11 the film Code Unknown: An Incomplete Tale of Different Journeys (2000) was released: a series of successive tableaux depicting the random and generally ‘aggressive’ encounters among strangers, neighbours, family me&hellip;<span class="activity-read-more" id="activity-read-more-1570931"><a href="https://hcommons.org/activity/p/1570931/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Cecilia Novero changed their profile picture</title>
				<link>https://hcommons.org/activity/p/1570930/</link>
				<pubDate>Fri, 19 May 2017 05:38:22 -0400</pubDate>

				
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				<title>Cecilia Novero changed their profile picture</title>
				<link>https://hcommons.org/activity/p/1570929/</link>
				<pubDate>Fri, 19 May 2017 05:36:53 -0400</pubDate>

				
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