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	<title>SAH Commons | Catherine Pope | Activity</title>
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				<title>Catherine Pope&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1890777/</link>
				<pubDate>Mon, 01 Jul 2024 14:11:03 -0400</pubDate>

				
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				<title>Catherine Pope&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1865395/</link>
				<pubDate>Mon, 20 Nov 2023 10:55:57 -0500</pubDate>

				
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				<title>Catherine Pope changed their profile picture</title>
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				<pubDate>Mon, 20 Nov 2023 05:57:58 -0500</pubDate>

				
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				<title>Catherine Pope deposited “More like a woman stuck into boy’s clothes”: Sexual deviance in Florence Marryat’s Her Father’s Name in the group Victorian Studies</title>
				<link>https://hcommons.org/activity/p/1599156/</link>
				<pubDate>Wed, 31 Jan 2018 04:12:56 -0500</pubDate>

									<content:encoded><![CDATA[<p>Her Father’s Name (1876) is one of Marryat’s most radical and intriguing novels, featuring Leona Lacoste, a cross-dressing heroine, and Lucilla Evans, a textbook hysteric who falls in love with her. For centuries, the diagnosis of ‘hysteria’ was conveniently applied to any woman who exhibited transgressive behaviour, whether it be through sexual&hellip;<span class="activity-read-more" id="activity-read-more-1599156"><a href="https://hcommons.org/activity/p/1599156/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Catherine Pope deposited “More like a woman stuck into boy’s clothes”: Sexual deviance in Florence Marryat’s Her Father’s Name in the group Gender Studies</title>
				<link>https://hcommons.org/activity/p/1599155/</link>
				<pubDate>Wed, 31 Jan 2018 04:12:56 -0500</pubDate>

									<content:encoded><![CDATA[<p>Her Father’s Name (1876) is one of Marryat’s most radical and intriguing novels, featuring Leona Lacoste, a cross-dressing heroine, and Lucilla Evans, a textbook hysteric who falls in love with her. For centuries, the diagnosis of ‘hysteria’ was conveniently applied to any woman who exhibited transgressive behaviour, whether it be through sexual&hellip;<span class="activity-read-more" id="activity-read-more-1599155"><a href="https://hcommons.org/activity/p/1599155/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Catherine Pope deposited “More like a woman stuck into boy’s clothes”: Sexual deviance in Florence Marryat’s Her Father’s Name in the group Feminist Humanities</title>
				<link>https://hcommons.org/activity/p/1599154/</link>
				<pubDate>Wed, 31 Jan 2018 04:12:54 -0500</pubDate>

									<content:encoded><![CDATA[<p>Her Father’s Name (1876) is one of Marryat’s most radical and intriguing novels, featuring Leona Lacoste, a cross-dressing heroine, and Lucilla Evans, a textbook hysteric who falls in love with her. For centuries, the diagnosis of ‘hysteria’ was conveniently applied to any woman who exhibited transgressive behaviour, whether it be through sexual&hellip;<span class="activity-read-more" id="activity-read-more-1599154"><a href="https://hcommons.org/activity/p/1599154/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Catherine Pope deposited Who Pays for the Butter? Florence Marryat and the Married Women’s Property Acts in the group Victorian Studies</title>
				<link>https://hcommons.org/activity/p/1599153/</link>
				<pubDate>Wed, 31 Jan 2018 04:12:37 -0500</pubDate>

									<content:encoded><![CDATA[<p>Whereas many women writers were reticent on the issue of property, or vehemently opposed to improving the position of wives, Florence Marryat used her public platform to campaign for change. As such, her work forms an important contribution to our understanding of women and property in the nineteenth century. In this paper I discuss the ways in&hellip;<span class="activity-read-more" id="activity-read-more-1599153"><a href="https://hcommons.org/activity/p/1599153/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Catherine Pope deposited Who Pays for the Butter? Florence Marryat and the Married Women’s Property Acts in the group Feminist Humanities</title>
				<link>https://hcommons.org/activity/p/1599152/</link>
				<pubDate>Wed, 31 Jan 2018 04:12:34 -0500</pubDate>

									<content:encoded><![CDATA[<p>Whereas many women writers were reticent on the issue of property, or vehemently opposed to improving the position of wives, Florence Marryat used her public platform to campaign for change. As such, her work forms an important contribution to our understanding of women and property in the nineteenth century. In this paper I discuss the ways in&hellip;<span class="activity-read-more" id="activity-read-more-1599152"><a href="https://hcommons.org/activity/p/1599152/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Catherine Pope deposited Woman Against Woman - Geraldine Jewsbury vs Florence Marryat in the group Feminist Humanities</title>
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				<pubDate>Wed, 31 Jan 2018 04:12:31 -0500</pubDate>

									<content:encoded><![CDATA[<p>Florence Marryat (1833-99) was a novelist, editor, playwright, spiritualist, singer and actress. She wrote nearly seventy novels during her varied career, most of which were dismissed by critics but loved by her reading public. Much of the opprobrium aimed at her originated from fellow women authors such as Eliza Lynn Linton and Marie Corelli, but&hellip;<span class="activity-read-more" id="activity-read-more-1599151"><a href="https://hcommons.org/activity/p/1599151/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Catherine Pope deposited “More like a woman stuck into boy’s clothes”: Sexual deviance in Florence Marryat’s Her Father’s Name</title>
				<link>https://hcommons.org/activity/p/1598569/</link>
				<pubDate>Thu, 25 Jan 2018 17:39:24 -0500</pubDate>

									<content:encoded><![CDATA[<p>Her Father’s Name (1876) is one of Marryat’s most radical and intriguing novels, featuring Leona Lacoste, a cross-dressing heroine, and Lucilla Evans, a textbook hysteric who falls in love with her.</p>
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				<title>Catherine Pope deposited Who Pays for the Butter? Florence Marryat and the Married Women’s Property Acts</title>
				<link>https://hcommons.org/activity/p/1598568/</link>
				<pubDate>Thu, 25 Jan 2018 17:36:06 -0500</pubDate>

									<content:encoded><![CDATA[<p>Whereas many women writers were reticent on the issue of property, or vehemently opposed to improving the position of wives, Florence Marryat used her public platform to campaign for change. As such, her work forms an important contribution to our understanding of women and property in the nineteenth century.</p>
<p>In this paper I discuss the ways in&hellip;<span class="activity-read-more" id="activity-read-more-1598568"><a href="https://hcommons.org/activity/p/1598568/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Catherine Pope&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1598565/</link>
				<pubDate>Thu, 25 Jan 2018 17:18:42 -0500</pubDate>

				
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				<title>Catherine Pope deposited Woman Against Woman - Geraldine Jewsbury vs Florence Marryat</title>
				<link>https://hcommons.org/activity/p/1598559/</link>
				<pubDate>Thu, 25 Jan 2018 16:53:36 -0500</pubDate>

									<content:encoded><![CDATA[<p>Florence Marryat (1833-99) was a novelist, editor, playwright, spiritualist, singer and actress. She wrote nearly seventy novels during her varied career, most of which were dismissed by critics but loved by her reading public.  Much of the opprobrium aimed at her originated from fellow women authors such as Eliza Lynn Linton and Marie Corelli,&hellip;<span class="activity-read-more" id="activity-read-more-1598559"><a href="https://hcommons.org/activity/p/1598559/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Catherine Pope&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1588906/</link>
				<pubDate>Fri, 17 Nov 2017 16:35:08 -0500</pubDate>

				
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