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	<title>SAH Commons | Bernd Brabec | Activity</title>
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				<title>Bernd Brabec deposited Auditive Wissenskulturen: Wissen, Macht und die Welt der Klänge in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1856724/</link>
				<pubDate>Mon, 28 Aug 2023 01:11:41 -0400</pubDate>

									<content:encoded><![CDATA[<p>In der Einleitung zum Sammelband Auditive Wissenskulturen – Das Wissen klanglicher Praxis stellen die Autoren zuerst die Diskrepanzen der jeweiligen Beziehungen des Visuellen und des Auditiven zu Wissen anhand einiger Beispiele vor. Sie exemplifzieren auch, wie sowohl auditive Praxis als auch die Hervorbringung und Vermittlung von Wissen in s&hellip;<span class="activity-read-more" id="activity-read-more-1856724"><a href="https://hcommons.org/activity/p/1856724/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Bernd Brabec deposited Auditive Wissenskulturen: Wissen, Macht und die Welt der Klänge in the group Ethnomusicology</title>
				<link>https://hcommons.org/activity/p/1856723/</link>
				<pubDate>Mon, 28 Aug 2023 01:11:36 -0400</pubDate>

									<content:encoded><![CDATA[<p>In der Einleitung zum Sammelband Auditive Wissenskulturen – Das Wissen klanglicher Praxis stellen die Autoren zuerst die Diskrepanzen der jeweiligen Beziehungen des Visuellen und des Auditiven zu Wissen anhand einiger Beispiele vor. Sie exemplifzieren auch, wie sowohl auditive Praxis als auch die Hervorbringung und Vermittlung von Wissen in s&hellip;<span class="activity-read-more" id="activity-read-more-1856723"><a href="https://hcommons.org/activity/p/1856723/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Bernd Brabec deposited Auditive Wissenskulturen: Wissen, Macht und die Welt der Klänge in the group Anthropology</title>
				<link>https://hcommons.org/activity/p/1856722/</link>
				<pubDate>Mon, 28 Aug 2023 01:11:34 -0400</pubDate>

									<content:encoded><![CDATA[<p>In der Einleitung zum Sammelband Auditive Wissenskulturen – Das Wissen klanglicher Praxis stellen die Autoren zuerst die Diskrepanzen der jeweiligen Beziehungen des Visuellen und des Auditiven zu Wissen anhand einiger Beispiele vor. Sie exemplifzieren auch, wie sowohl auditive Praxis als auch die Hervorbringung und Vermittlung von Wissen in s&hellip;<span class="activity-read-more" id="activity-read-more-1856722"><a href="https://hcommons.org/activity/p/1856722/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Bernd Brabec deposited Auditive Wissenskulturen: Wissen, Macht und die Welt der Klänge</title>
				<link>https://hcommons.org/activity/p/1856632/</link>
				<pubDate>Sun, 27 Aug 2023 11:30:03 -0400</pubDate>

									<content:encoded><![CDATA[<p>In der Einleitung zum Sammelband Auditive Wissenskulturen – Das Wissen klanglicher Praxis stellen die Autoren zuerst die Diskrepanzen der jeweiligen Beziehungen des Visuellen und des Auditiven zu Wissen anhand einiger Beispiele vor. Sie exemplifzieren auch, wie sowohl auditive Praxis als auch die Hervorbringung und Vermittlung von Wissen in s&hellip;<span class="activity-read-more" id="activity-read-more-1856632"><a href="https://hcommons.org/activity/p/1856632/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Bernd Brabec deposited Academic (In)Discipline, Research (In)Sanity and the Conundrum of (Indigenous) Timescapes in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1836014/</link>
				<pubDate>Fri, 03 Mar 2023 02:24:42 -0500</pubDate>

									<content:encoded><![CDATA[<p>This contribution focuses on strategies to bridge what in anthropology is called ontological incommensurability: Indigenous worlds often seem inaccessible to modern thought. Instead of trying to open Indigenous worlds to Westerners, I rather intend to make Western worlds accessible to Indigenous thought; and likewise, academic disciplines&hellip;<span class="activity-read-more" id="activity-read-more-1836014"><a href="https://hcommons.org/activity/p/1836014/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Bernd Brabec deposited Academic (In)Discipline, Research (In)Sanity and the Conundrum of (Indigenous) Timescapes in the group Indigenous Studies</title>
				<link>https://hcommons.org/activity/p/1836013/</link>
				<pubDate>Fri, 03 Mar 2023 02:24:32 -0500</pubDate>

									<content:encoded><![CDATA[<p>This contribution focuses on strategies to bridge what in anthropology is called ontological incommensurability: Indigenous worlds often seem inaccessible to modern thought. Instead of trying to open Indigenous worlds to Westerners, I rather intend to make Western worlds accessible to Indigenous thought; and likewise, academic disciplines&hellip;<span class="activity-read-more" id="activity-read-more-1836013"><a href="https://hcommons.org/activity/p/1836013/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Bernd Brabec deposited Academic (In)Discipline, Research (In)Sanity and the Conundrum of (Indigenous) Timescapes in the group Ethnomusicology</title>
				<link>https://hcommons.org/activity/p/1836012/</link>
				<pubDate>Fri, 03 Mar 2023 02:24:27 -0500</pubDate>

									<content:encoded><![CDATA[<p>This contribution focuses on strategies to bridge what in anthropology is called ontological incommensurability: Indigenous worlds often seem inaccessible to modern thought. Instead of trying to open Indigenous worlds to Westerners, I rather intend to make Western worlds accessible to Indigenous thought; and likewise, academic disciplines&hellip;<span class="activity-read-more" id="activity-read-more-1836012"><a href="https://hcommons.org/activity/p/1836012/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Bernd Brabec deposited Academic (In)Discipline, Research (In)Sanity and the Conundrum of (Indigenous) Timescapes in the group Anthropology</title>
				<link>https://hcommons.org/activity/p/1836011/</link>
				<pubDate>Fri, 03 Mar 2023 02:24:22 -0500</pubDate>

									<content:encoded><![CDATA[<p>This contribution focuses on strategies to bridge what in anthropology is called ontological incommensurability: Indigenous worlds often seem inaccessible to modern thought. Instead of trying to open Indigenous worlds to Westerners, I rather intend to make Western worlds accessible to Indigenous thought; and likewise, academic disciplines&hellip;<span class="activity-read-more" id="activity-read-more-1836011"><a href="https://hcommons.org/activity/p/1836011/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Bernd Brabec&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1835926/</link>
				<pubDate>Thu, 02 Mar 2023 16:43:15 -0500</pubDate>

				
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				<title>Bernd Brabec de Mori deposited Academic (In)Discipline, Research (In)Sanity and the Conundrum of (Indigenous) Timescapes</title>
				<link>https://hcommons.org/activity/p/1835925/</link>
				<pubDate>Thu, 02 Mar 2023 16:40:20 -0500</pubDate>

									<content:encoded><![CDATA[<p>This contribution focuses on strategies to bridge what in anthropology is called ontological incommensurability: Indigenous worlds often seem inaccessible to modern thought. Instead of trying to open Indigenous worlds to Westerners, I rather intend to make Western worlds accessible to Indigenous thought; and likewise, academic disciplines&hellip;<span class="activity-read-more" id="activity-read-more-1835925"><a href="https://hcommons.org/activity/p/1835925/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Bernd Brabec changed their profile picture</title>
				<link>https://hcommons.org/activity/p/1835928/</link>
				<pubDate>Thu, 02 Mar 2023 11:45:56 -0500</pubDate>

				
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				<title>Bernd Brabec de Mori deposited Shipibo Laughing Songs and the Transformative Faculty: Performing or Becoming the Other (2013) in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1635848/</link>
				<pubDate>Wed, 20 Mar 2019 16:37:22 -0400</pubDate>

									<content:encoded><![CDATA[<p>Shipibo indigenous people perform a sophisticated array of vocal musical genres, including short ‘laughing songs’ called osanti. These song-jokes make fun of certain non-humans, mostly animals. They are by definition sung from within the non-humans’ perspective. Osanti are only performed by trained specialists in indigenous medicine and sorce&hellip;<span class="activity-read-more" id="activity-read-more-1635848"><a href="https://hcommons.org/activity/p/1635848/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Bernd Brabec de Mori deposited Shipibo Laughing Songs and the Transformative Faculty: Performing or Becoming the Other (2013) in the group Medical Humanities</title>
				<link>https://hcommons.org/activity/p/1635847/</link>
				<pubDate>Wed, 20 Mar 2019 16:37:20 -0400</pubDate>

									<content:encoded><![CDATA[<p>Shipibo indigenous people perform a sophisticated array of vocal musical genres, including short ‘laughing songs’ called osanti. These song-jokes make fun of certain non-humans, mostly animals. They are by definition sung from within the non-humans’ perspective. Osanti are only performed by trained specialists in indigenous medicine and sorce&hellip;<span class="activity-read-more" id="activity-read-more-1635847"><a href="https://hcommons.org/activity/p/1635847/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Bernd Brabec de Mori deposited Shipibo Laughing Songs and the Transformative Faculty: Performing or Becoming the Other (2013) in the group Indigenous Studies</title>
				<link>https://hcommons.org/activity/p/1635846/</link>
				<pubDate>Wed, 20 Mar 2019 16:37:09 -0400</pubDate>

									<content:encoded><![CDATA[<p>Shipibo indigenous people perform a sophisticated array of vocal musical genres, including short ‘laughing songs’ called osanti. These song-jokes make fun of certain non-humans, mostly animals. They are by definition sung from within the non-humans’ perspective. Osanti are only performed by trained specialists in indigenous medicine and sorce&hellip;<span class="activity-read-more" id="activity-read-more-1635846"><a href="https://hcommons.org/activity/p/1635846/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Bernd Brabec de Mori deposited Shipibo Laughing Songs and the Transformative Faculty: Performing or Becoming the Other (2013) in the group Ethnomusicology</title>
				<link>https://hcommons.org/activity/p/1635845/</link>
				<pubDate>Wed, 20 Mar 2019 16:37:08 -0400</pubDate>

									<content:encoded><![CDATA[<p>Shipibo indigenous people perform a sophisticated array of vocal musical genres, including short ‘laughing songs’ called osanti. These song-jokes make fun of certain non-humans, mostly animals. They are by definition sung from within the non-humans’ perspective. Osanti are only performed by trained specialists in indigenous medicine and sorce&hellip;<span class="activity-read-more" id="activity-read-more-1635845"><a href="https://hcommons.org/activity/p/1635845/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Bernd Brabec de Mori deposited Shipibo Laughing Songs and the Transformative Faculty: Performing or Becoming the Other (2013) in the group Anthropology</title>
				<link>https://hcommons.org/activity/p/1635844/</link>
				<pubDate>Wed, 20 Mar 2019 16:37:06 -0400</pubDate>

									<content:encoded><![CDATA[<p>Shipibo indigenous people perform a sophisticated array of vocal musical genres, including short ‘laughing songs’ called osanti. These song-jokes make fun of certain non-humans, mostly animals. They are by definition sung from within the non-humans’ perspective. Osanti are only performed by trained specialists in indigenous medicine and sorce&hellip;<span class="activity-read-more" id="activity-read-more-1635844"><a href="https://hcommons.org/activity/p/1635844/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Bernd Brabec de Mori deposited Shipibo Laughing Songs and the Transformative Faculty: Performing or Becoming the Other (2013)</title>
				<link>https://hcommons.org/activity/p/1634688/</link>
				<pubDate>Sun, 10 Mar 2019 03:19:12 -0400</pubDate>

									<content:encoded><![CDATA[<p>Shipibo indigenous people perform a sophisticated array of vocal musical genres, including short ‘laughing songs’ called osanti. These song-jokes make fun of certain non-humans, mostly animals. They are by definition sung from within the non-humans’ perspective. Osanti are only performed by trained specialists in indigenous medicine and sorce&hellip;<span class="activity-read-more" id="activity-read-more-1634688"><a href="https://hcommons.org/activity/p/1634688/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Bernd Brabec&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1634685/</link>
				<pubDate>Sun, 10 Mar 2019 01:35:58 -0500</pubDate>

				
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