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	<title>SAH Commons | Andrew Murphie | Activity</title>
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				<title>Andrew Murphie deposited Convolving Signals: Thinking the performance of computational processes in the group Communication Studies</title>
				<link>https://hcommons.org/activity/p/1836007/</link>
				<pubDate>Fri, 03 Mar 2023 02:23:46 -0500</pubDate>

									<content:encoded><![CDATA[<p>In contemporary performance, “action” seems to include acts, emergent action and the potential for action—even sometimes non-action. Performers include the human and nonhuman, the living and the nonliving. Through all this runs a complexity of technics—technologies and techniques—and these increasingly involve computational processes. How do we&hellip;<span class="activity-read-more" id="activity-read-more-1836007"><a href="https://hcommons.org/activity/p/1836007/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Andrew Murphie deposited Virtual Theory: the virtual (and virtual technics) in Deleuze, Bergson, Massumi, Grosz, Žižek, Lévy, De Landa and others in the group Communication Studies</title>
				<link>https://hcommons.org/activity/p/1836006/</link>
				<pubDate>Fri, 03 Mar 2023 02:23:45 -0500</pubDate>

									<content:encoded><![CDATA[<p>Exploration, from 20 years ago, of the concept of the virtual in Deleuze, De Landa, Massumi, Grosz, Bergson, Zizek and others. This is the main concern though it is tie into VR and related technologies (as things were around 2004). I wrote this a very long time ago and never quite published it (I don&#8217;t think I tried). So it&#8217;s very much a draft.&hellip;<span class="activity-read-more" id="activity-read-more-1836006"><a href="https://hcommons.org/activity/p/1836006/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Andrew Murphie deposited The World as Medium/ The Third Media Revolution 2020 in the group Communication Studies</title>
				<link>https://hcommons.org/activity/p/1836005/</link>
				<pubDate>Fri, 03 Mar 2023 02:23:43 -0500</pubDate>

									<content:encoded><![CDATA[<p>Presented in the spirit of Open Educational Resources. Full Course Outline for The World as Medium and/vs The Third Media Revolution. Level 3 course designed across many programs (Journalism and Comms, BA, Design, PR, Screen and Sound, Law, etc). So it&#8217;s a somewhat generalist course. It begins with a summary of standard approaches (from standard&hellip;<span class="activity-read-more" id="activity-read-more-1836005"><a href="https://hcommons.org/activity/p/1836005/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Andrew Murphie deposited Technics Lifeless and Technics Alive: Activity Without and With Content in the group Communication Studies</title>
				<link>https://hcommons.org/activity/p/1836004/</link>
				<pubDate>Fri, 03 Mar 2023 02:23:39 -0500</pubDate>

									<content:encoded><![CDATA[<p>How did so much of contemporary technics become so disappointing, so deadening? How is technics being thought, and worked with, to enliven? What different assemblages and principles are involved? This chapter begins in sympathy with Michel Serres’ “aggrieved shame” and then moves to Wendy Hui Kyong Chun&#8217;s discussion of an &#8220;undeadness&#8221; at the heart&hellip;<span class="activity-read-more" id="activity-read-more-1836004"><a href="https://hcommons.org/activity/p/1836004/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Andrew Murphie deposited Convolving Signals: Thinking the performance of computational processes</title>
				<link>https://hcommons.org/activity/p/1835869/</link>
				<pubDate>Thu, 02 Mar 2023 05:36:53 -0500</pubDate>

									<content:encoded><![CDATA[<p>In contemporary performance, “action” seems to include acts, emergent action and the potential for action—even sometimes non-action. Performers include the human and nonhuman, the living and the nonliving. Through all this runs a complexity of technics—technologies and techniques—and these increasingly involve computational processes. How do we&hellip;<span class="activity-read-more" id="activity-read-more-1835869"><a href="https://hcommons.org/activity/p/1835869/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Andrew Murphie deposited Virtual Theory: the virtual (and virtual technics) in Deleuze, Bergson, Massumi, Grosz, Žižek, Lévy, De Landa and others</title>
				<link>https://hcommons.org/activity/p/1835868/</link>
				<pubDate>Thu, 02 Mar 2023 05:28:05 -0500</pubDate>

									<content:encoded><![CDATA[<p>Exploration, from 20 years ago, of the concept of the virtual in Deleuze, De Landa, Massumi, Grosz, Bergson, Zizek and others. This is the main concern though it is tie into VR and related technologies (as things were around 2004). I wrote this a very long time ago and never quite published it (I don&#8217;t think I tried). So it&#8217;s very much a draft.&hellip;<span class="activity-read-more" id="activity-read-more-1835868"><a href="https://hcommons.org/activity/p/1835868/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Andrew Murphie deposited The World as Medium/ The Third Media Revolution 2020</title>
				<link>https://hcommons.org/activity/p/1835867/</link>
				<pubDate>Thu, 02 Mar 2023 05:18:45 -0500</pubDate>

									<content:encoded><![CDATA[<p>Presented in the spirit of Open Educational Resources. Full Course Outline for The World as Medium and/vs The Third Media Revolution. Level 3 course designed across many programs (Journalism and Comms, BA, Design, PR, Screen and Sound, Law, etc). So it&#8217;s a somewhat generalist course. It begins with a summary of standard approaches (from standard&hellip;<span class="activity-read-more" id="activity-read-more-1835867"><a href="https://hcommons.org/activity/p/1835867/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Andrew Murphie deposited Technics Lifeless and Technics Alive: Activity Without and With Content</title>
				<link>https://hcommons.org/activity/p/1835866/</link>
				<pubDate>Thu, 02 Mar 2023 05:14:30 -0500</pubDate>

									<content:encoded><![CDATA[<p>How did so much of contemporary technics become so disappointing, so deadening? How is technics being thought, and worked with, to enliven? What different assemblages and principles are involved? This chapter begins in sympathy with Michel Serres’ “aggrieved shame” and then moves to Wendy Hui Kyong Chun&#8217;s discussion of an &#8220;undeadness&#8221; at the heart&hellip;<span class="activity-read-more" id="activity-read-more-1835866"><a href="https://hcommons.org/activity/p/1835866/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Andrew Murphie&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1835865/</link>
				<pubDate>Thu, 02 Mar 2023 04:33:50 -0500</pubDate>

				
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				<title>Andrew Murphie&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1714547/</link>
				<pubDate>Sun, 25 Oct 2020 07:58:49 -0400</pubDate>

				
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				<title>Andrew Murphie deposited "The World as Medium: A Whiteheadian Media Philosophy"</title>
				<link>https://hcommons.org/activity/p/1714546/</link>
				<pubDate>Sun, 25 Oct 2020 07:26:48 -0400</pubDate>

									<content:encoded><![CDATA[<p>Contemporary media and world are often finding what seem to be strange continuities and overlaps. Direct, exploitable and constantly inventive continuities between media and world are now the rule, not the exception. Indeed, the overlap sometimes seems almost total. Yet I will suggest that what looks strange in such assemblages<br />
has always been&hellip;<span class="activity-read-more" id="activity-read-more-1714546"><a href="https://hcommons.org/activity/p/1714546/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">9a48830c0a2ed66bf14b72b423674950</guid>
				<title>Andrew Murphie&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1714544/</link>
				<pubDate>Sun, 25 Oct 2020 05:58:25 -0400</pubDate>

				
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				<title>Andrew Murphie deposited On being affected: feeling in the folding of multiple catastrophes</title>
				<link>https://hcommons.org/activity/p/1633892/</link>
				<pubDate>Sun, 03 Mar 2019 09:22:00 -0500</pubDate>

									<content:encoded><![CDATA[<p>How possible is it for a life of ongoing feeling to hold, given the world’s current becomings? Much of this article will consider three of the most pervasive of the current disruptions as disruptions of living and feeling: climate change, social change, and, in more detail, what I will call a ‘third media revolution’. All three of these disru&hellip;<span class="activity-read-more" id="activity-read-more-1633892"><a href="https://hcommons.org/activity/p/1633892/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Andrew Murphie deposited Fielding Affect: Some Propositions</title>
				<link>https://hcommons.org/activity/p/1633891/</link>
				<pubDate>Sun, 03 Mar 2019 09:16:13 -0500</pubDate>

									<content:encoded><![CDATA[<p>Capacious has wisely positioned itself as a journal for “emerging affect inquiry . . . across any and all academic disciplines”1. Yet elsewhere we find something like an attempt to coalesce—occasionally even to delimit and police—a field of study. There is now—tentatively, at times argumentatively—something we call affect studies, or perhaps as&hellip;<span class="activity-read-more" id="activity-read-more-1633891"><a href="https://hcommons.org/activity/p/1633891/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Andrew Murphie deposited Auditland</title>
				<link>https://hcommons.org/activity/p/1633890/</link>
				<pubDate>Sun, 03 Mar 2019 09:07:05 -0500</pubDate>

									<content:encoded><![CDATA[<p>Audit—the ongoing evaluation of performance—began as a fairly narrow range of technical procedures in financial accounting. However, it has now expanded its range to “account” for a wide range of behaviours, thoughts and feelings, in the workplace and elsewhere. This article suggests that audit cultures are a response to the “abyss of the diffe&hellip;<span class="activity-read-more" id="activity-read-more-1633890"><a href="https://hcommons.org/activity/p/1633890/" rel="nofollow ugc">[Read more]</a></span></p>
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