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	<title>SAH Commons | Amadeu Corbera Jaume | Activity</title>
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				<title>Amadeu Corbera Jaume deposited El «musicólogo transterrado». Los escritos etnomusicológicos de Baltasar Samper en México (1947-1964) in the group Ethnomusicology</title>
				<link>https://hcommons.org/activity/p/1761920/</link>
				<pubDate>Sun, 19 Dec 2021 02:23:38 -0500</pubDate>

									<content:encoded><![CDATA[<p>En este artículo presentamos una primera aproximación a un conjunto de textos hasta ahora desconocidos del músico y musicólogo catalán exiliado Baltasar Samper, responsable, desde 1947 y hasta su muerte, de dirigir los trabajos etnomusicológicos de la Sección de Investigaciones Musicales del Instituto Nacional de Bellas Artes mexicano. Con esto q&hellip;<span class="activity-read-more" id="activity-read-more-1761920"><a href="https://hcommons.org/activity/p/1761920/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Amadeu Corbera Jaume deposited El «musicólogo transterrado». Los escritos etnomusicológicos de Baltasar Samper en México (1947-1964) in the group Catalan Culture</title>
				<link>https://hcommons.org/activity/p/1761919/</link>
				<pubDate>Sun, 19 Dec 2021 02:23:38 -0500</pubDate>

									<content:encoded><![CDATA[<p>En este artículo presentamos una primera aproximación a un conjunto de textos hasta ahora desconocidos del músico y musicólogo catalán exiliado Baltasar Samper, responsable, desde 1947 y hasta su muerte, de dirigir los trabajos etnomusicológicos de la Sección de Investigaciones Musicales del Instituto Nacional de Bellas Artes mexicano. Con esto q&hellip;<span class="activity-read-more" id="activity-read-more-1761919"><a href="https://hcommons.org/activity/p/1761919/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Amadeu Corbera Jaume deposited El «musicólogo transterrado». Los escritos etnomusicológicos de Baltasar Samper en México (1947-1964)</title>
				<link>https://hcommons.org/activity/p/1761881/</link>
				<pubDate>Sat, 18 Dec 2021 10:00:51 -0500</pubDate>

									<content:encoded><![CDATA[<p>En este artículo presentamos una primera aproximación a un conjunto de textos hasta ahora desconocidos del músico y musicólogo catalán exiliado Baltasar Samper, responsable, desde 1947 y hasta su muerte, de dirigir los trabajos etnomusicológicos de la Sección de Investigaciones Musicales del Instituto Nacional de Bellas Artes mexicano. Con esto q&hellip;<span class="activity-read-more" id="activity-read-more-1761881"><a href="https://hcommons.org/activity/p/1761881/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Amadeu Corbera Jaume deposited Josep Massot i la musicologia catalana in the group Ethnomusicology</title>
				<link>https://hcommons.org/activity/p/1740073/</link>
				<pubDate>Sun, 30 May 2021 02:25:05 -0400</pubDate>

									<content:encoded><![CDATA[<p>Article sobre l&#8217;aportació de l&#8217;historiador Josep Massot a la musicologia catalana. Publicat al núm. 56 de la revista &#8220;Modèlics&#8221; de l&#8217;Associació d&#8217;Amics del Seminari de Mallorca, dedicat íntegrament a homenatjar el pare Massot.</p>
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				<title>Amadeu Corbera Jaume deposited Josep Massot i la musicologia catalana in the group Cultural Studies</title>
				<link>https://hcommons.org/activity/p/1740072/</link>
				<pubDate>Sun, 30 May 2021 02:24:52 -0400</pubDate>

									<content:encoded><![CDATA[<p>Article sobre l&#8217;aportació de l&#8217;historiador Josep Massot a la musicologia catalana. Publicat al núm. 56 de la revista &#8220;Modèlics&#8221; de l&#8217;Associació d&#8217;Amics del Seminari de Mallorca, dedicat íntegrament a homenatjar el pare Massot.</p>
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				<title>Amadeu Corbera Jaume deposited Josep Massot i la musicologia catalana in the group Catalan Culture</title>
				<link>https://hcommons.org/activity/p/1740071/</link>
				<pubDate>Sun, 30 May 2021 02:24:51 -0400</pubDate>

									<content:encoded><![CDATA[<p>Article sobre l&#8217;aportació de l&#8217;historiador Josep Massot a la musicologia catalana. Publicat al núm. 56 de la revista &#8220;Modèlics&#8221; de l&#8217;Associació d&#8217;Amics del Seminari de Mallorca, dedicat íntegrament a homenatjar el pare Massot.</p>
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				<title>Amadeu Corbera Jaume deposited Josep Massot i la musicologia catalana</title>
				<link>https://hcommons.org/activity/p/1740030/</link>
				<pubDate>Sat, 29 May 2021 18:22:09 -0400</pubDate>

									<content:encoded><![CDATA[<p>Article sobre l&#8217;aportació de l&#8217;historiador Josep Massot a la musicologia catalana. Publicat al núm. 56 de la revista &#8220;Modèlics&#8221; de l&#8217;Associació d&#8217;Amics del Seminari de Mallorca, dedicat íntegrament a homenatjar el pare Massot.</p>
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				<title>Amadeu Corbera Jaume deposited Mallorca 1930: la compositora Cicely Foster in the group Ethnomusicology</title>
				<link>https://hcommons.org/activity/p/1736334/</link>
				<pubDate>Tue, 27 Apr 2021 02:25:07 -0400</pubDate>

									<content:encoded><![CDATA[<p>Cicely Foster (1903-2002) va ser una compositora anglesa, alumna entre d&#8217;altres d&#8217;Alfredo Casella, Alfred Cortot i Nadia Boulanger. El 1932 ella i el seu marit, el pintor nord-americà Archie Gittes, es varen instal·lar a Mallorca. L&#8217;illa era aleshores un refugi de bohemis i artites estrangers, entre els quals Robert Graves, Albert Vigoleis T&hellip;<span class="activity-read-more" id="activity-read-more-1736334"><a href="https://hcommons.org/activity/p/1736334/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Amadeu Corbera Jaume deposited Mallorca 1930: la compositora Cicely Foster in the group Cultural Studies</title>
				<link>https://hcommons.org/activity/p/1736333/</link>
				<pubDate>Tue, 27 Apr 2021 02:24:52 -0400</pubDate>

									<content:encoded><![CDATA[<p>Cicely Foster (1903-2002) va ser una compositora anglesa, alumna entre d&#8217;altres d&#8217;Alfredo Casella, Alfred Cortot i Nadia Boulanger. El 1932 ella i el seu marit, el pintor nord-americà Archie Gittes, es varen instal·lar a Mallorca. L&#8217;illa era aleshores un refugi de bohemis i artites estrangers, entre els quals Robert Graves, Albert Vigoleis T&hellip;<span class="activity-read-more" id="activity-read-more-1736333"><a href="https://hcommons.org/activity/p/1736333/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Amadeu Corbera Jaume deposited Mallorca 1930: la compositora Cicely Foster in the group Catalan Culture</title>
				<link>https://hcommons.org/activity/p/1736332/</link>
				<pubDate>Tue, 27 Apr 2021 02:24:52 -0400</pubDate>

									<content:encoded><![CDATA[<p>Cicely Foster (1903-2002) va ser una compositora anglesa, alumna entre d&#8217;altres d&#8217;Alfredo Casella, Alfred Cortot i Nadia Boulanger. El 1932 ella i el seu marit, el pintor nord-americà Archie Gittes, es varen instal·lar a Mallorca. L&#8217;illa era aleshores un refugi de bohemis i artites estrangers, entre els quals Robert Graves, Albert Vigoleis T&hellip;<span class="activity-read-more" id="activity-read-more-1736332"><a href="https://hcommons.org/activity/p/1736332/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Amadeu Corbera Jaume deposited Mallorca 1930: la compositora Cicely Foster</title>
				<link>https://hcommons.org/activity/p/1736164/</link>
				<pubDate>Mon, 26 Apr 2021 14:11:48 -0400</pubDate>

									<content:encoded><![CDATA[<p>Cicely Foster (1903-2002) va ser una compositora anglesa, alumna entre d&#8217;altres d&#8217;Alfredo Casella, Alfred Cortot i Nadia Boulanger. El 1932 ella i el seu marit, el pintor nord-americà Archie Gittes, es varen instal·lar a Mallorca. L&#8217;illa era aleshores un refugi de bohemis i artites estrangers, entre els quals Robert Graves, Albert Vigoleis T&hellip;<span class="activity-read-more" id="activity-read-more-1736164"><a href="https://hcommons.org/activity/p/1736164/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Amadeu Corbera Jaume deposited Palmira Jaquetti i el final del lied noucentista in the group Ethnomusicology</title>
				<link>https://hcommons.org/activity/p/1711495/</link>
				<pubDate>Fri, 09 Oct 2020 02:23:38 -0400</pubDate>

									<content:encoded><![CDATA[<p>El 1938, en plena guerra civil, la musicòloga, compositora i traductora Palmira Jaquetti Isant va publicar el que seria el seu únic llibre de poemes, &#8220;L&#8217;estel dins la llar&#8221;. Pau Casals i Baltasar Samper varen posar música a quatre d&#8217;aquests poemes; en el cas de Samper, ho va fer en un cicle inacabat de cançons per a veu i conjunt instrumental tit&hellip;<span class="activity-read-more" id="activity-read-more-1711495"><a href="https://hcommons.org/activity/p/1711495/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">3eb6b49c63c6040870bf228315621c9a</guid>
				<title>Amadeu Corbera Jaume deposited Palmira Jaquetti i el final del lied noucentista in the group Catalan Culture</title>
				<link>https://hcommons.org/activity/p/1711494/</link>
				<pubDate>Fri, 09 Oct 2020 02:23:38 -0400</pubDate>

									<content:encoded><![CDATA[<p>El 1938, en plena guerra civil, la musicòloga, compositora i traductora Palmira Jaquetti Isant va publicar el que seria el seu únic llibre de poemes, &#8220;L&#8217;estel dins la llar&#8221;. Pau Casals i Baltasar Samper varen posar música a quatre d&#8217;aquests poemes; en el cas de Samper, ho va fer en un cicle inacabat de cançons per a veu i conjunt instrumental tit&hellip;<span class="activity-read-more" id="activity-read-more-1711494"><a href="https://hcommons.org/activity/p/1711494/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Amadeu Corbera Jaume deposited Palmira Jaquetti i el final del lied noucentista</title>
				<link>https://hcommons.org/activity/p/1711406/</link>
				<pubDate>Thu, 08 Oct 2020 15:20:37 -0400</pubDate>

									<content:encoded><![CDATA[<p>El 1938, en plena guerra civil, la musicòloga, compositora i traductora Palmira Jaquetti Isant va publicar el que seria el seu únic llibre de poemes, &#8220;L&#8217;estel dins la llar&#8221;. Pau Casals i Baltasar Samper varen posar música a quatre d&#8217;aquests poemes; en el cas de Samper, ho va fer en un cicle inacabat de cançons per a veu i conjunt instrumental tit&hellip;<span class="activity-read-more" id="activity-read-more-1711406"><a href="https://hcommons.org/activity/p/1711406/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Amadeu Corbera Jaume deposited Music, Noise and Singing in Silence: Industrial Soundscape and Working Experience in the Factory. The Case of Menorca. in the group Ethnomusicology</title>
				<link>https://hcommons.org/activity/p/1684584/</link>
				<pubDate>Sat, 18 Apr 2020 16:25:22 -0400</pubDate>

									<content:encoded><![CDATA[<p>In preindustrial societies, singing and working was &#8211; and still is &#8211; conceived as part of the same activity, of the same life experience. However, the great social transformation that will imply the industrialization of much of the Catalan Countries at the end of the 19th century, and the progressive impetus of the capitalist production system,&hellip;<span class="activity-read-more" id="activity-read-more-1684584"><a href="https://hcommons.org/activity/p/1684584/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">e3e18bf6a3ead5e7c605f28e9e79f271</guid>
				<title>Amadeu Corbera Jaume deposited Music, Noise and Singing in Silence: Industrial Soundscape and Working Experience in the Factory. The Case of Menorca. in the group Catalan Culture</title>
				<link>https://hcommons.org/activity/p/1684583/</link>
				<pubDate>Sat, 18 Apr 2020 16:25:22 -0400</pubDate>

									<content:encoded><![CDATA[<p>In preindustrial societies, singing and working was &#8211; and still is &#8211; conceived as part of the same activity, of the same life experience. However, the great social transformation that will imply the industrialization of much of the Catalan Countries at the end of the 19th century, and the progressive impetus of the capitalist production system,&hellip;<span class="activity-read-more" id="activity-read-more-1684583"><a href="https://hcommons.org/activity/p/1684583/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Amadeu Corbera Jaume deposited Music, Noise and Singing in Silence: Industrial Soundscape and Working Experience in the Factory. The Case of Menorca.</title>
				<link>https://hcommons.org/activity/p/1684523/</link>
				<pubDate>Fri, 17 Apr 2020 20:52:02 -0400</pubDate>

									<content:encoded><![CDATA[<p>In preindustrial societies, singing and working was &#8211; and still is &#8211; conceived as part of the same activity, of the same life experience. However, the great social transformation that will imply the industrialization of much of the Catalan Countries at the end of the 19th century, and the progressive impetus of the capitalist production system,&hellip;<span class="activity-read-more" id="activity-read-more-1684523"><a href="https://hcommons.org/activity/p/1684523/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Amadeu Corbera Jaume deposited Dues dones recol·lectores de cançons: la relació entre Maria Antònia Salvà i Palmira in the group Ethnomusicology</title>
				<link>https://hcommons.org/activity/p/1676360/</link>
				<pubDate>Sun, 26 Jan 2020 16:25:27 -0500</pubDate>

									<content:encoded><![CDATA[<p>En aquest article presentam la relació entre Maria Antònia Salvà i Palmira Jaquetti, dues dones que des de perspectives i amb finalitats diferents, s&#8217;acostaren i s&#8217;interessaren pel món de la cançó popular.</p>
<p><a href="http://www.escolademallorqui.cat/wp-content/uploads/2020/01/PAPERS-DE-SA-TORRE-72.pdf" rel="nofollow ugc">http://www.escolademallorqui.cat/wp-content/uploads/2020/01/PAPERS-DE-SA-TORRE-72.pdf</a></p>
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				<guid isPermaLink="false">06bfad92c35de43897cdc5c190b35562</guid>
				<title>Amadeu Corbera Jaume deposited Dues dones recol·lectores de cançons: la relació entre Maria Antònia Salvà i Palmira in the group Catalan Culture</title>
				<link>https://hcommons.org/activity/p/1676359/</link>
				<pubDate>Sun, 26 Jan 2020 16:25:27 -0500</pubDate>

									<content:encoded><![CDATA[<p>En aquest article presentam la relació entre Maria Antònia Salvà i Palmira Jaquetti, dues dones que des de perspectives i amb finalitats diferents, s&#8217;acostaren i s&#8217;interessaren pel món de la cançó popular.</p>
<p><a href="http://www.escolademallorqui.cat/wp-content/uploads/2020/01/PAPERS-DE-SA-TORRE-72.pdf" rel="nofollow ugc">http://www.escolademallorqui.cat/wp-content/uploads/2020/01/PAPERS-DE-SA-TORRE-72.pdf</a></p>
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				<guid isPermaLink="false">156237339296b0ce55b07865f25eb91e</guid>
				<title>Amadeu Corbera Jaume deposited Dues dones recol·lectores de cançons: la relació entre Maria Antònia Salvà i Palmira</title>
				<link>https://hcommons.org/activity/p/1676269/</link>
				<pubDate>Fri, 24 Jan 2020 23:42:32 -0500</pubDate>

									<content:encoded><![CDATA[<p>En aquest article presentam la relació entre Maria Antònia Salvà i Palmira Jaquetti, dues dones que des de perspectives i amb finalitats diferents, s&#8217;acostaren i s&#8217;interessaren pel món de la cançó popular.</p>
<p><a href="http://www.escolademallorqui.cat/wp-content/uploads/2020/01/PAPERS-DE-SA-TORRE-72.pdf" rel="nofollow ugc">http://www.escolademallorqui.cat/wp-content/uploads/2020/01/PAPERS-DE-SA-TORRE-72.pdf</a></p>
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				<title>Amadeu Corbera Jaume deposited The long road to industrial musicology: the Minorcan example in the group Ethnomusicology</title>
				<link>https://hcommons.org/activity/p/1673281/</link>
				<pubDate>Sun, 22 Dec 2019 16:25:21 -0500</pubDate>

									<content:encoded><![CDATA[<p>One could call «industrial musicology» the study of the musical life in factories and workshops. Unlike agrarian societies, there are very few works about industrial workers’ musical activity, neither at the Catalan Countries nor Europe. Based on British and Catalan scholars’ few theoretical works, our research Música popular i indust&hellip;<span class="activity-read-more" id="activity-read-more-1673281"><a href="https://hcommons.org/activity/p/1673281/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">37d3082618e24df1544be7e7b1bfaf82</guid>
				<title>Amadeu Corbera Jaume deposited The long road to industrial musicology: the Minorcan example in the group Catalan Culture</title>
				<link>https://hcommons.org/activity/p/1673280/</link>
				<pubDate>Sun, 22 Dec 2019 16:25:21 -0500</pubDate>

									<content:encoded><![CDATA[<p>One could call «industrial musicology» the study of the musical life in factories and workshops. Unlike agrarian societies, there are very few works about industrial workers’ musical activity, neither at the Catalan Countries nor Europe. Based on British and Catalan scholars’ few theoretical works, our research Música popular i indust&hellip;<span class="activity-read-more" id="activity-read-more-1673280"><a href="https://hcommons.org/activity/p/1673280/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Amadeu Corbera Jaume deposited The long road to industrial musicology: the Minorcan example</title>
				<link>https://hcommons.org/activity/p/1673225/</link>
				<pubDate>Sat, 21 Dec 2019 20:43:34 -0500</pubDate>

									<content:encoded><![CDATA[<p>One could call «industrial musicology» the study of the musical life in factories and workshops. Unlike agrarian societies, there are very few works about industrial workers’ musical activity, neither at the Catalan Countries nor Europe. Based on British and Catalan scholars’ few theoretical works, our research Música popular i indust&hellip;<span class="activity-read-more" id="activity-read-more-1673225"><a href="https://hcommons.org/activity/p/1673225/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Amadeu Corbera Jaume deposited Apunts de musicologia mallorquina in the group Ethnomusicology</title>
				<link>https://hcommons.org/activity/p/1640530/</link>
				<pubDate>Sun, 19 May 2019 16:26:25 -0400</pubDate>

									<content:encoded><![CDATA[<p>Taking the idea of a &#8220;radical ethnomusicology&#8221; from Ed Emery (2017), I want to expose that the fact there is not a normal academic situation for ethnomusicology in the Balearic Islands it is also an opportunity to develop a radical and transforming scholar field, and I also rise some questions that I believe a radical Catalan ethnomusicology&hellip;<span class="activity-read-more" id="activity-read-more-1640530"><a href="https://hcommons.org/activity/p/1640530/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
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							</item>
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				<title>Amadeu Corbera Jaume deposited Apunts de musicologia mallorquina in the group Cultural Studies</title>
				<link>https://hcommons.org/activity/p/1640529/</link>
				<pubDate>Sun, 19 May 2019 16:26:19 -0400</pubDate>

									<content:encoded><![CDATA[<p>Taking the idea of a &#8220;radical ethnomusicology&#8221; from Ed Emery (2017), I want to expose that the fact there is not a normal academic situation for ethnomusicology in the Balearic Islands it is also an opportunity to develop a radical and transforming scholar field, and I also rise some questions that I believe a radical Catalan ethnomusicology&hellip;<span class="activity-read-more" id="activity-read-more-1640529"><a href="https://hcommons.org/activity/p/1640529/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
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							</item>
					<item>
				<guid isPermaLink="false">23b027f2fbecfb79c6080b0a1379c472</guid>
				<title>Amadeu Corbera Jaume deposited Redescobrint Samper in the group Catalan Culture</title>
				<link>https://hcommons.org/activity/p/1640528/</link>
				<pubDate>Sun, 19 May 2019 16:26:19 -0400</pubDate>

									<content:encoded><![CDATA[<p>In this article we present the close relationship between Baltasar Samper and Manuel Blancafort, two of the most prominent Catalan composers of the first half of the 20th Century, and the rediscovery of the forgotten piano roll of one Samper&#8217;s most succesful works, which now can be heard to hear for the first time in 90 years. Edit Sonograma&hellip;<span class="activity-read-more" id="activity-read-more-1640528"><a href="https://hcommons.org/activity/p/1640528/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
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							</item>
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				<guid isPermaLink="false">13a410d41558fb283028d396b1e23463</guid>
				<title>Amadeu Corbera Jaume deposited El llarg camí de la musicologia industrial: l’exemple de Menorca in the group Ethnomusicology</title>
				<link>https://hcommons.org/activity/p/1640526/</link>
				<pubDate>Sun, 19 May 2019 16:25:35 -0400</pubDate>

									<content:encoded><![CDATA[<p>One could call «industrial musicology» the study of the musical life in factories and workshops. Unlike agrarian societies, there are very few works about industrial workers’ musical activity, neither at the Catalan Countries nor Europe. Based on British and Catalan scholars’ few theoretical works, our research Música popular i indust&hellip;<span class="activity-read-more" id="activity-read-more-1640526"><a href="https://hcommons.org/activity/p/1640526/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
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							</item>
					<item>
				<guid isPermaLink="false">73583db618eb4334a21ed7a1eb8fac30</guid>
				<title>Amadeu Corbera Jaume deposited El llarg camí de la musicologia industrial: l’exemple de Menorca in the group Cultural Studies</title>
				<link>https://hcommons.org/activity/p/1640525/</link>
				<pubDate>Sun, 19 May 2019 16:25:29 -0400</pubDate>

									<content:encoded><![CDATA[<p>One could call «industrial musicology» the study of the musical life in factories and workshops. Unlike agrarian societies, there are very few works about industrial workers’ musical activity, neither at the Catalan Countries nor Europe. Based on British and Catalan scholars’ few theoretical works, our research Música popular i indust&hellip;<span class="activity-read-more" id="activity-read-more-1640525"><a href="https://hcommons.org/activity/p/1640525/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
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							</item>
					<item>
				<guid isPermaLink="false">73583db618eb4334a21ed7a1eb8fac30</guid>
				<title>Amadeu Corbera Jaume deposited El llarg camí de la musicologia industrial: l’exemple de Menorca in the group Catalan Culture</title>
				<link>https://hcommons.org/activity/p/1640524/</link>
				<pubDate>Sun, 19 May 2019 16:25:29 -0400</pubDate>

									<content:encoded><![CDATA[<p>One could call «industrial musicology» the study of the musical life in factories and workshops. Unlike agrarian societies, there are very few works about industrial workers’ musical activity, neither at the Catalan Countries nor Europe. Based on British and Catalan scholars’ few theoretical works, our research Música popular i indust&hellip;<span class="activity-read-more" id="activity-read-more-1640524"><a href="https://hcommons.org/activity/p/1640524/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
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							</item>
					<item>
				<guid isPermaLink="false">ff4c8b9f41d78f7ffc1b523ceae1a8a8</guid>
				<title>Amadeu Corbera Jaume deposited BALTASAR SAMPER, COMPOSITOR: EL REDESCOBRIMENT D’UN MÚSIC CATALÀ A L’EXILI in the group Ethnomusicology</title>
				<link>https://hcommons.org/activity/p/1640523/</link>
				<pubDate>Sun, 19 May 2019 16:25:28 -0400</pubDate>

									<content:encoded><![CDATA[<p>Baltasar Samper i Marquès (1888-­1966), from Majorca, was one of the most promi­nent musicians of the first third of the 20th century, forming part of the musical elite of Catalonia until the outbreak of the Spanish Civil War. A long exile, first in France and later in Mexico, from where he was never to return, pushed him into the background an&hellip;<span class="activity-read-more" id="activity-read-more-1640523"><a href="https://hcommons.org/activity/p/1640523/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
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					<item>
				<guid isPermaLink="false">c11b01d2beb24d08420f6cbe0445dc09</guid>
				<title>Amadeu Corbera Jaume deposited BALTASAR SAMPER, COMPOSITOR: EL REDESCOBRIMENT D’UN MÚSIC CATALÀ A L’EXILI in the group Cultural Studies</title>
				<link>https://hcommons.org/activity/p/1640522/</link>
				<pubDate>Sun, 19 May 2019 16:25:21 -0400</pubDate>

									<content:encoded><![CDATA[<p>Baltasar Samper i Marquès (1888-­1966), from Majorca, was one of the most promi­nent musicians of the first third of the 20th century, forming part of the musical elite of Catalonia until the outbreak of the Spanish Civil War. A long exile, first in France and later in Mexico, from where he was never to return, pushed him into the background an&hellip;<span class="activity-read-more" id="activity-read-more-1640522"><a href="https://hcommons.org/activity/p/1640522/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
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							</item>
					<item>
				<guid isPermaLink="false">c11b01d2beb24d08420f6cbe0445dc09</guid>
				<title>Amadeu Corbera Jaume deposited BALTASAR SAMPER, COMPOSITOR: EL REDESCOBRIMENT D’UN MÚSIC CATALÀ A L’EXILI in the group Catalan Culture</title>
				<link>https://hcommons.org/activity/p/1640521/</link>
				<pubDate>Sun, 19 May 2019 16:25:21 -0400</pubDate>

									<content:encoded><![CDATA[<p>Baltasar Samper i Marquès (1888-­1966), from Majorca, was one of the most promi­nent musicians of the first third of the 20th century, forming part of the musical elite of Catalonia until the outbreak of the Spanish Civil War. A long exile, first in France and later in Mexico, from where he was never to return, pushed him into the background an&hellip;<span class="activity-read-more" id="activity-read-more-1640521"><a href="https://hcommons.org/activity/p/1640521/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
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							</item>
					<item>
				<guid isPermaLink="false">b7123b2e24c0eb86d0140adbbdcec20d</guid>
				<title>Amadeu Corbera Jaume deposited Apunts de musicologia mallorquina</title>
				<link>https://hcommons.org/activity/p/1640495/</link>
				<pubDate>Sat, 18 May 2019 16:22:37 -0400</pubDate>

									<content:encoded><![CDATA[<p>Taking the idea of a &#8220;radical ethnomusicology&#8221; from Ed Emery (2017), I want to expose that the fact there is not a normal academic situation for ethnomusicology in the Balearic Islands it is also an opportunity to develop a radical and transforming scholar field, and I also rise some questions that I believe a radical Catalan ethnomusicology&hellip;<span class="activity-read-more" id="activity-read-more-1640495"><a href="https://hcommons.org/activity/p/1640495/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
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							</item>
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				<guid isPermaLink="false">5a0d47d1286919ec55ca747f69c14a6b</guid>
				<title>Amadeu Corbera Jaume deposited Redescobrint Samper</title>
				<link>https://hcommons.org/activity/p/1640494/</link>
				<pubDate>Sat, 18 May 2019 16:02:16 -0400</pubDate>

									<content:encoded><![CDATA[<p>In this article we present the close relationship between Baltasar Samper and Manuel Blancafort, two of the most prominent Catalan composers of the first half of the 20th Century, and the rediscovery of the forgotten piano roll of one Samper&#8217;s most succesful works, which now can be heard to hear for the first time in 90 years. Edit Sonograma&hellip;<span class="activity-read-more" id="activity-read-more-1640494"><a href="https://hcommons.org/activity/p/1640494/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
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							</item>
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				<guid isPermaLink="false">3a6693fe65896b92dba094ebde68bac3</guid>
				<title>Amadeu Corbera Jaume deposited El llarg camí de la musicologia industrial: l’exemple de Menorca</title>
				<link>https://hcommons.org/activity/p/1640493/</link>
				<pubDate>Sat, 18 May 2019 15:52:10 -0400</pubDate>

									<content:encoded><![CDATA[<p>One could call «industrial musicology» the study of the musical life in factories and workshops. Unlike agrarian societies, there are very few works about industrial workers’ musical activity, neither at the Catalan Countries nor Europe. Based on British and Catalan scholars’ few theoretical works, our research Música popular i indust&hellip;<span class="activity-read-more" id="activity-read-more-1640493"><a href="https://hcommons.org/activity/p/1640493/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
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				<guid isPermaLink="false">5dd75f3eddbd7038902e159101b75acb</guid>
				<title>Amadeu Corbera Jaume&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1640492/</link>
				<pubDate>Sat, 18 May 2019 15:41:36 -0400</pubDate>

				
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							</item>
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				<guid isPermaLink="false">5675cd22da945f636369e79108c6ec33</guid>
				<title>Amadeu Corbera Jaume deposited BALTASAR SAMPER, COMPOSITOR: EL REDESCOBRIMENT D’UN MÚSIC CATALÀ A L’EXILI</title>
				<link>https://hcommons.org/activity/p/1640491/</link>
				<pubDate>Sat, 18 May 2019 15:36:38 -0400</pubDate>

									<content:encoded><![CDATA[<p>Baltasar Samper i Marquès (1888-­1966), from Majorca, was one of the most promi­nent musicians of the first third of the 20th century, forming part of the musical elite of Catalonia until the outbreak of the Spanish Civil War. A long exile, first in France and later in Mexico, from where he was never to return, pushed him into the background an&hellip;<span class="activity-read-more" id="activity-read-more-1640491"><a href="https://hcommons.org/activity/p/1640491/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
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				<guid isPermaLink="false">c6aab5151cb859c595073e7262ee2d68</guid>
				<title>Amadeu Corbera Jaume deposited Música i industrialització a Menorca in the group Ethnomusicology</title>
				<link>https://hcommons.org/activity/p/1607816/</link>
				<pubDate>Sat, 05 May 2018 04:12:27 -0400</pubDate>

									<content:encoded><![CDATA[<p>Singing while working and working while singing have appeared to be, throughout history, the same social activity without a clear or categorical distinction. In this paper we explore this field in the industrial shoemaking environment in Menorca (Balearic Islands), regarding it as a social process of adaptation and resistance against contemporary&hellip;<span class="activity-read-more" id="activity-read-more-1607816"><a href="https://hcommons.org/activity/p/1607816/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
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				<guid isPermaLink="false">3fc1e5d0a02c282e1961728fed6e04e9</guid>
				<title>Amadeu Corbera Jaume deposited Música i industrialització a Menorca in the group Cultural Studies</title>
				<link>https://hcommons.org/activity/p/1607815/</link>
				<pubDate>Sat, 05 May 2018 04:12:26 -0400</pubDate>

									<content:encoded><![CDATA[<p>Singing while working and working while singing have appeared to be, throughout history, the same social activity without a clear or categorical distinction. In this paper we explore this field in the industrial shoemaking environment in Menorca (Balearic Islands), regarding it as a social process of adaptation and resistance against contemporary&hellip;<span class="activity-read-more" id="activity-read-more-1607815"><a href="https://hcommons.org/activity/p/1607815/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
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							</item>
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				<guid isPermaLink="false">82fb3aca29b06166dbf1607fa6ea8e5e</guid>
				<title>Amadeu Corbera Jaume deposited Música i industrialització a Menorca in the group Catalan Culture</title>
				<link>https://hcommons.org/activity/p/1607814/</link>
				<pubDate>Sat, 05 May 2018 04:12:25 -0400</pubDate>

									<content:encoded><![CDATA[<p>Singing while working and working while singing have appeared to be, throughout history, the same social activity without a clear or categorical distinction. In this paper we explore this field in the industrial shoemaking environment in Menorca (Balearic Islands), regarding it as a social process of adaptation and resistance against contemporary&hellip;<span class="activity-read-more" id="activity-read-more-1607814"><a href="https://hcommons.org/activity/p/1607814/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
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							</item>
					<item>
				<guid isPermaLink="false">55b4fa0e3b1f0ab6a6bec48663e9d9f7</guid>
				<title>Amadeu Corbera Jaume deposited Música i industrialització a Menorca</title>
				<link>https://hcommons.org/activity/p/1607772/</link>
				<pubDate>Fri, 04 May 2018 17:09:19 -0400</pubDate>

									<content:encoded><![CDATA[<p>Singing while working and working while singing have appeared to be, throughout history, the same social activity without a clear or categorical distinction. In this paper we explore this field in the industrial shoemaking environment in Menorca (Balearic Islands), regarding it as a social process of adaptation and resistance against contemporary&hellip;<span class="activity-read-more" id="activity-read-more-1607772"><a href="https://hcommons.org/activity/p/1607772/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
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							</item>
					<item>
				<guid isPermaLink="false">6e008d4759cb89bd970ac84cef1cb6f8</guid>
				<title>Amadeu Corbera Jaume deposited Baltasar Samper, compositor: el redescobriment d’un músic català a l’exili in the group Catalan Culture</title>
				<link>https://hcommons.org/activity/p/1605491/</link>
				<pubDate>Thu, 05 Apr 2018 04:13:23 -0400</pubDate>

									<content:encoded><![CDATA[<p>Catalan Mallorca-born musician Baltasar Samper i Marquès (1888-1966) was one of the most outstanding artists of the first third of the 20th century, forming part of the Catalan musical elite until the outbreak of the civil war. A long exile, first in France and later in Mexico, from where he never returned, has made him an almost forgotten&hellip;<span class="activity-read-more" id="activity-read-more-1605491"><a href="https://hcommons.org/activity/p/1605491/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
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				<guid isPermaLink="false">e7f8be53bb3933a1acd2ef16bac7f5f6</guid>
				<title>Amadeu Corbera Jaume&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1587936/</link>
				<pubDate>Fri, 10 Nov 2017 16:45:40 -0500</pubDate>

				
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				<guid isPermaLink="false">bee836115de20e22fe6fb53ae5a74364</guid>
				<title>Amadeu Corbera Jaume created the group Catalan Culture</title>
				<link>https://hcommons.org/activity/p/1587387/</link>
				<pubDate>Tue, 07 Nov 2017 15:04:02 -0500</pubDate>

				
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				<guid isPermaLink="false">37be784c411cb76187b0a94e4a9e370d</guid>
				<title>Amadeu Corbera Jaume deposited Apunts de musicologia mallorquina</title>
				<link>https://hcommons.org/activity/p/1586809/</link>
				<pubDate>Mon, 06 Nov 2017 15:23:58 -0500</pubDate>

									<content:encoded><![CDATA[<p>Taking the idea of a &#8220;radical ethnomusicology&#8221; from Ed Emery (2017), I want to expose that the fact there is not a normal academic situation for ethnomusicology in the Balearic Islands it is also an opportunity to develop a radical and transforming scholar field, and I also rise some questions that I believe a radical Catalan ethnomusicology&hellip;<span class="activity-read-more" id="activity-read-more-1586809"><a href="https://hcommons.org/activity/p/1586809/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
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				<title>Amadeu Corbera Jaume deposited Música, mestre! Sobre el llibre de Elvira Asensi in the group Ethnomusicology</title>
				<link>https://hcommons.org/activity/p/1580348/</link>
				<pubDate>Sat, 02 Sep 2017 01:00:02 -0400</pubDate>

									<content:encoded><![CDATA[<p>Review about Elvira Asensi book&#8217;s &#8220;Música mestre!&#8221;, about Valencian wind orchestras at the beginning of the 20th century.</p>
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				<guid isPermaLink="false">892e232f4d9e7d9334c3a831323e32f9</guid>
				<title>Amadeu Corbera Jaume deposited Música, mestre! Sobre el llibre de Elvira Asensi</title>
				<link>https://hcommons.org/activity/p/1580262/</link>
				<pubDate>Thu, 31 Aug 2017 22:44:47 -0400</pubDate>

									<content:encoded><![CDATA[<p>Review about Elvira Asensi book&#8217;s &#8220;Música mestre!&#8221;, about Valencian wind orchestras at the beginning of the 20th century.</p>
]]></content:encoded>
				
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							</item>
					<item>
				<guid isPermaLink="false">eeaf260fbea4f20db0b7527c45563f35</guid>
				<title>Amadeu Corbera Jaume deposited Vine a la festa! La creació i consolidació de l’escena pop catalana: 1991-2008 in the group Ethnomusicology</title>
				<link>https://hcommons.org/activity/p/1578915/</link>
				<pubDate>Wed, 16 Aug 2017 01:02:38 -0400</pubDate>

									<content:encoded><![CDATA[<p>A principis dels anys 90, amb el boom del Rock català, comença formar-se tota una escena musical pròpia dels Països Catalans, amb un model de funcionament diferenciat del de l’escena espanyola. Actualment, aquesta escena ha canviat, s’han obert noves vies: per una banda, l’eco del Rock català segueix vigent, mentre que per l’altra es&hellip;<span class="activity-read-more" id="activity-read-more-1578915"><a href="https://hcommons.org/activity/p/1578915/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
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					<item>
				<guid isPermaLink="false">c68de9e9db4f3dd881d773ce5f666941</guid>
				<title>Amadeu Corbera Jaume deposited Vine a la festa! La creació i consolidació de l’escena pop catalana: 1991-2008</title>
				<link>https://hcommons.org/activity/p/1578827/</link>
				<pubDate>Tue, 15 Aug 2017 04:17:58 -0400</pubDate>

									<content:encoded><![CDATA[<p>A principis dels anys 90, amb el boom del Rock català, comença formar-se tota una escena musical pròpia dels Països Catalans, amb un model de funcionament diferenciat del de l’escena espanyola. Actualment, aquesta escena ha canviat, s’han obert noves vies: per una banda, l’eco del Rock català segueix vigent, mentre que per l’altra es&hellip;<span class="activity-read-more" id="activity-read-more-1578827"><a href="https://hcommons.org/activity/p/1578827/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
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				<guid isPermaLink="false">5d95a37822cd3aae9d41e8d555410f52</guid>
				<title>Amadeu Corbera Jaume deposited Seguint el rastre de la Sibil ! la a Menorca in the group Ethnomusicology</title>
				<link>https://hcommons.org/activity/p/1578820/</link>
				<pubDate>Tue, 15 Aug 2017 01:00:01 -0400</pubDate>

									<content:encoded><![CDATA[<p>El cant de la Sibil·la és una tradició medieval que avui encara es canta a l&#8217;illa de Mallorca durant la nit de Nadal. Però existeixen traces que demostren el coneixement popular d&#8217;aquesta representació a l&#8217;illa de Menorca almenys fins al segle XIX. </p>
<p>The Chant of the Sibyl is a medieval tradition that is still sung in the island of Mallorca duri&hellip;<span class="activity-read-more" id="activity-read-more-1578820"><a href="https://hcommons.org/activity/p/1578820/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
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