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	<title>SAH Commons | Alessia Palanti | Group Activity</title>
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	<description>Public group activity feed of which Alessia Palanti is a member.</description>
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				<title>Alexa Alice Joubin started the topic CFP: Virtuality, Embodiment, and Meaning-Making in AI in the forum MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/groups/screen-arts-and-culture/forum/topic/cfp-virtuality-embodiment-and-meaning-making-in-ai/</link>
				<pubDate>Sun, 22 Feb 2026 05:48:02 -0500</pubDate>

									<content:encoded><![CDATA[<p>&lt;p style=&#8221;text-align: center;&#8221;&gt;Call for Papers&lt;/p&gt;<br />
&lt;p style=&#8221;text-align: center;&#8221;&gt;<em>Critical AI</em> (Duke University Press)&lt;/p&gt;<br />
&lt;p style=&#8221;text-align: center;&#8221;&gt;Virtuality, Embodiment, and Meaning-Making in AI Technologies&lt;/p&gt;<br />
&lt;p style=&#8221;text-align: center;&#8221;&gt;Special cluster edited by Alexa Alice Joubin&lt;/p&gt;<br />
&nbsp;</p>
<p>This special issue cluster calls on&hellip;<span class="activity-read-more" id="activity-read-more-1944517"><a href="https://mla.hcommons.org/groups/screen-arts-and-culture/forum/topic/cfp-virtuality-embodiment-and-meaning-making-in-ai/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Philip Trotter started the topic MLA 2026 Convention Session in the forum TC Women’s and Gender Studies</title>
				<link>https://mla.hcommons.org/groups/womens-and-gender-studies/forum/topic/mla-2026-convention-session-2/</link>
				<pubDate>Sat, 03 Jan 2026 17:45:32 -0500</pubDate>

									<content:encoded><![CDATA[<p>Please find attached a <a href="https://mla.hcommons.org/?get_group_doc=144/1767461751-MLA26_IllnessHealingandRelationalitySession_AbstractandDetails1.pdf" rel="nofollow ugc">link</a> to the abstract and details for the MLA 2026 Convention Session: “Illness, Healing, and Relationality in Eighteenth-Century Women’s Health Writing.”</p>
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				<title>William J. Spurlin created the doc Call for Papers: African Literature Association 2026 Conference in the group TC Sexuality Studies</title>
				<link>https://mla.hcommons.org/activity/p/1936465/</link>
				<pubDate>Thu, 11 Dec 2025 21:35:30 -0500</pubDate>

				
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				<title>William J. Spurlin created the doc Call for Papers: African Literature Association 2026 Conference in the group TC Sexuality Studies</title>
				<link>https://mla.hcommons.org/activity/p/1936464/</link>
				<pubDate>Thu, 11 Dec 2025 21:32:29 -0500</pubDate>

				
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				<title>Ryan Calabretta-Sajder started the topic Teaching Assistant Professor of World Languages &#38; Humanities Technologies in the forum LLC 20th- and 21st-Century Italian</title>
				<link>https://mla.hcommons.org/groups/20th-and-21st-century-italian/forum/topic/teaching-assistant-professor-of-world-languages-humanities-technologies-2/</link>
				<pubDate>Wed, 10 Dec 2025 23:48:01 -0500</pubDate>

									<content:encoded><![CDATA[<p>Please see the attached position and share widely.</p>
<p>&nbsp;</p>
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				<title>Berna Gueneli started the topic CF Applicants: Assistant Professor of Film Studies, UGA, Athens, due 1/15/26 in the forum MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/groups/screen-arts-and-culture/forum/topic/cf-applicants-assistant-professor-of-film-studies-uga-athens-due-1-15-26/</link>
				<pubDate>Thu, 20 Nov 2025 16:47:57 -0500</pubDate>

									<content:encoded><![CDATA[<p>&lt;span style=&#8221;font-weight: 400;&#8221;&gt;The Department of Theatre and Film at the University of Georgia welcomes applications for the position of Assistant Professor of Film Studies. &lt;/span&gt;</p>
<p>&nbsp;</p>
<p>&lt;span style=&#8221;font-weight: 400;&#8221;&gt;Area of specialization is open. Desired areas of specialization include, but are not limited to, one or more of the following:&hellip;<span class="activity-read-more" id="activity-read-more-1934957"><a href="https://mla.hcommons.org/groups/screen-arts-and-culture/forum/topic/cf-applicants-assistant-professor-of-film-studies-uga-athens-due-1-15-26/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Guylian Nemegeer started the topic CFP - Incontri. Rivista Europea di Studi Italiani in the forum TC Women’s and Gender Studies</title>
				<link>https://mla.hcommons.org/groups/womens-and-gender-studies/forum/topic/cfp-incontri-rivista-europea-di-studi-italiani-2/</link>
				<pubDate>Wed, 22 Oct 2025 14:01:55 -0400</pubDate>

									<content:encoded><![CDATA[<p>&lt;span style=&#8221;font-weight: 400;&#8221;&gt;Dear colleagues,&lt;/span&gt;</p>
<p>&lt;span style=&#8221;font-weight: 400;&#8221;&gt;For its upcoming issues, &lt;/span&gt;&lt;i&gt;&lt;span style=&#8221;font-weight: 400;&#8221;&gt;Incontri. Rivista europea di studi italiani&lt;/span&gt;&lt;/i&gt;&lt;span style=&#8221;font-weight: 400;&#8221;&gt; is currently accepting essay submissions and proposals for special issues.&lt;/span&gt;</p>
<p>&lt;i&gt;&lt;span&hellip;<span class="activity-read-more" id="activity-read-more-1932698"><a href="https://mla.hcommons.org/groups/womens-and-gender-studies/forum/topic/cfp-incontri-rivista-europea-di-studi-italiani-2/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Guylian Nemegeer started the topic CFP - Incontri. Rivista Europea di Studi Italiani in the forum LLC 20th- and 21st-Century Italian</title>
				<link>https://mla.hcommons.org/groups/20th-and-21st-century-italian/forum/topic/cfp-incontri-rivista-europea-di-studi-italiani/</link>
				<pubDate>Wed, 22 Oct 2025 13:31:13 -0400</pubDate>

									<content:encoded><![CDATA[<p>&lt;span style=&#8221;font-weight: 400;&#8221;&gt;Dear colleagues,&lt;/span&gt;</p>
<p>&lt;span style=&#8221;font-weight: 400;&#8221;&gt;For its upcoming issues, &lt;/span&gt;&lt;i&gt;&lt;span style=&#8221;font-weight: 400;&#8221;&gt;Incontri. Rivista europea di studi italiani&lt;/span&gt;&lt;/i&gt;&lt;span style=&#8221;font-weight: 400;&#8221;&gt; is currently accepting essay submissions and proposals for special issues.&lt;/span&gt;</p>
<p>&lt;i&gt;&lt;span&hellip;<span class="activity-read-more" id="activity-read-more-1932694"><a href="https://mla.hcommons.org/groups/20th-and-21st-century-italian/forum/topic/cfp-incontri-rivista-europea-di-studi-italiani/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Guylian Nemegeer started the topic CFP: Literature, Spiritualities and the Politics of Meaning in Liberal Italy in the forum LLC 20th- and 21st-Century Italian</title>
				<link>https://mla.hcommons.org/groups/20th-and-21st-century-italian/forum/topic/cfp-literature-spiritualities-and-the-politics-of-meaning-in-liberal-italy/</link>
				<pubDate>Fri, 13 Jun 2025 16:07:16 -0400</pubDate>

									<content:encoded><![CDATA[<p>Dear colleagues,</p>
<p>I am pleased to share the CFP for a special issue of <em>Romance Studies</em>, titled “Literature, Spiritualities and the Politics of Meaning in Liberal Italy (1861–1915)”.</p>
<p>Scholars interested in contributing are invited to submit an abstract by <strong>31 August 2025</strong>.</p>
<p>Further details can be found in the attached document.</p>
<p>Best regar&hellip;<span class="activity-read-more" id="activity-read-more-1920112"><a href="https://mla.hcommons.org/groups/20th-and-21st-century-italian/forum/topic/cfp-literature-spiritualities-and-the-politics-of-meaning-in-liberal-italy/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Letizia Modena started the topic Narrating Renewal: Literary, Visual, and Physical Cultures of Urban Regeneration in the forum LLC 20th- and 21st-Century Italian</title>
				<link>https://mla.hcommons.org/groups/20th-and-21st-century-italian/forum/topic/narrating-renewal-literary-visual-and-physical-cultures-of-urban-regeneration/</link>
				<pubDate>Tue, 10 Jun 2025 15:36:44 -0400</pubDate>

									<content:encoded><![CDATA[<p><strong>Call for Papers – Roundtable Proposal; </strong><strong>2026 NeMLA Convention, </strong>March 5-8, Pittsburgh, PA .</p>
<p><strong>Narrating Renewal: Literary, Visual, and Physical Cultures of Urban Regeneration</strong></p>
<p>This roundtable explores how <strong>urban regeneration</strong> is represented, shaped, and critiqued through literature, film, photography, and physical practice. It invites i&hellip;<span class="activity-read-more" id="activity-read-more-1919934"><a href="https://mla.hcommons.org/groups/20th-and-21st-century-italian/forum/topic/narrating-renewal-literary-visual-and-physical-cultures-of-urban-regeneration/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Lisa Nalbone started the topic CFP: Amplifying Women’s Voices of Resistance in the forum TC Women’s and Gender Studies</title>
				<link>https://mla.hcommons.org/groups/womens-and-gender-studies/forum/topic/cfp-amplifying-womens-voices-of-resistance-2/</link>
				<pubDate>Thu, 03 Apr 2025 16:06:21 -0400</pubDate>

									<content:encoded><![CDATA[<p>CFP for “Amplifying Women’s Voices of Resistance: Challenging Power, Shaping Change”, for a special issue of the <em>South Atlantic Review: The Journal of the South Atlantic Modern Language Association</em>.</p>
<p>This special issue seeks to honor and amplify the voices of women who have resisted, challenged, and redefined societal norms—both histori&hellip;<span class="activity-read-more" id="activity-read-more-1915775"><a href="https://mla.hcommons.org/groups/womens-and-gender-studies/forum/topic/cfp-amplifying-womens-voices-of-resistance-2/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Robert Nguyen started the topic MLA 2026 CFPs, TC Adaptation Studies forum in the forum MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/groups/screen-arts-and-culture/forum/topic/mla-2026-cfps-tc-adaptation-studies-forum/</link>
				<pubDate>Mon, 10 Mar 2025 15:39:32 -0400</pubDate>

									<content:encoded><![CDATA[<p>Good morning,</p>
<p>Good morning,</p>
<p>As I thought they may be of interest to folks working in Screen Arts and Culture, I am posting here info on the panels that the TC Adaptation Studies forum will be sponsoring for the 2026 MLA convention. Also included is further detail on the panel we are co-sponsoring with the GS Comics and Graphic Narratives&hellip;<span class="activity-read-more" id="activity-read-more-1913593"><a href="https://mla.hcommons.org/groups/screen-arts-and-culture/forum/topic/mla-2026-cfps-tc-adaptation-studies-forum/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Michael Subialka started the topic CFP "Who Do We Resemble? Selfhood, Perception, and Modernist Multiplicity" in the forum LLC 20th- and 21st-Century Italian</title>
				<link>https://mla.hcommons.org/groups/20th-and-21st-century-italian/forum/topic/cfp-who-do-we-resemble-selfhood-perception-and-modernist-multiplicity/</link>
				<pubDate>Tue, 25 Feb 2025 00:14:49 -0500</pubDate>

									<content:encoded><![CDATA[<p>&lt;div data-olk-copy-source=&#8221;MailCompose&#8221;&gt;Luigi Pirandello’s &lt;i&gt;One, No One, and One Hundred Thousand&lt;/i&gt; (1926) presents a radical meditation on the fragmentation of identity, the impossibility of “true” self-perception, and the crisis of being seen differently by others. Published exactly a century ago, the novel interrogates the ways in which i&hellip;<span class="activity-read-more" id="activity-read-more-1912481"><a href="https://mla.hcommons.org/groups/20th-and-21st-century-italian/forum/topic/cfp-who-do-we-resemble-selfhood-perception-and-modernist-multiplicity/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Tanya Shilina-Conte started the topic New Book: Black Screens, White Frames: Gilles Deleuze and the Filmmaking Machine in the forum MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/groups/screen-arts-and-culture/forum/topic/new-book-black-screens-white-frames-gilles-deleuze-and-the-filmmaking-machine-4/</link>
				<pubDate>Sun, 16 Feb 2025 03:38:23 -0500</pubDate>

									<content:encoded><![CDATA[<p><em><strong>Black Screens, White Frames: Gilles Deleuze and the Filmmaking Machine</strong></em><strong> by Tanya Shilina-Conte is now available from Oxford University Press&lt;u&gt;: &lt;/u&gt;</strong><a href="https://global.oup.com/academic/product/black-screens-white-frames-9780197511336?cc=us&amp;lang=en&amp;" rel="nofollow ugc">&lt;u&gt;</a><a href="https://global.oup.com/academic/product/black-screens-white-frames-9780197511336?cc=us&#038;lang=en&#038;#&lt;/u&#038;gt" rel="nofollow ugc">https://global.oup.com/academic/product/black-screens-white-frames-9780197511336?cc=us&#038;lang=en&#038;#&lt;/u&#038;gt</a>;<br />
&lt;div class=&#8221;clearfix text-formatted field field&#8211;name-body field&#8211;type-text-with-summary&hellip;<span class="activity-read-more" id="activity-read-more-1911692"><a href="https://mla.hcommons.org/groups/screen-arts-and-culture/forum/topic/new-book-black-screens-white-frames-gilles-deleuze-and-the-filmmaking-machine-4/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Doris Hambuch deposited Humorous Takes on Marriage in the UAE: Digital Comics, Social Media Comedy and Short Films in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1900964/</link>
				<pubDate>Mon, 07 Oct 2024 03:08:29 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article investigates humorous representations of marriage in digital comics, standup comedy and short films created by Emirati artists and content creators who primarily rely on social media as their most effective form of distribution. Studied against theories of humor in the Western and the Arabic traditions, selected examples demonstrate&hellip;<span class="activity-read-more" id="activity-read-more-1900964"><a href="https://mla.hcommons.org/activity/p/1900964/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Doris Hambuch deposited Ways of Seeing Nujoom Alghanem’s Nearby Sky (سماء قريبة) and Sharp Tools (آلات حادة) as Docupoetry,Comment voir le ciel proche de Nujoom Alghanem (سماء قريبة) et les outils tranchants (آلات حادة) comme docupoésie in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1900962/</link>
				<pubDate>Mon, 07 Oct 2024 03:03:00 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article proposes to establish a<br />
sub-category called “docupoetry” to<br />
classify the documentary films by<br />
Emirati poet and filmmaker Nujoom<br />
Alghanem. Detailed analysis of two<br />
selected films, Sharp Tools (2017) and<br />
Nearby Sky (2014), illustrates the<br />
unique composition, cinematography,<br />
and use of poetic devices, such<br />
as rhythm, sym&hellip;<span class="activity-read-more" id="activity-read-more-1900962"><a href="https://mla.hcommons.org/activity/p/1900962/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Alexa Alice Joubin deposited "Screens as Anthropomorphic Interfaces: How AI Changes Shakespearean Theatrical Publics," Shakespeare Bulletin 41.4 (Winter 2023): 529-553 in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1900896/</link>
				<pubDate>Sun, 06 Oct 2024 04:21:10 -0400</pubDate>

									<content:encoded><![CDATA[<p>Whom does the screen interface serve, and how do artificial intelligence (AI) tools affect theatrical publics across both the playing space and the playgoing space? Screens are a site where cultural and performative meanings are generated and negotiated. This article draws on interface theories to analyze the roles of screens in regulating&hellip;<span class="activity-read-more" id="activity-read-more-1900896"><a href="https://mla.hcommons.org/activity/p/1900896/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Alexa Alice Joubin deposited Enhancing the Trustworthiness of Generative Artificial Intelligence in Responsive Pedagogy in the Context of Humanities Higher Education in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1900890/</link>
				<pubDate>Sun, 06 Oct 2024 04:13:22 -0400</pubDate>

									<content:encoded><![CDATA[<p>How do we enhance the trustworthiness of generative artificial intelligence (AI) as a tool to foster students’ curiosity to learn about humanities subjects in higher education? This study analyzes what conversational AI tools can realistically accomplish in the humanities higher education context and what the substantive, rather than hyped, c&hellip;<span class="activity-read-more" id="activity-read-more-1900890"><a href="https://mla.hcommons.org/activity/p/1900890/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Alexa Alice Joubin deposited "Encountering global Shakespeare in Yemen, Kuwait and China," in Contemporary Readings in Global Performances of Shakespeare, ed. Alexa Alice Joubin (Arden Bloomsbury, 2024), pp. 285-294 in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1900885/</link>
				<pubDate>Sun, 06 Oct 2024 04:05:26 -0400</pubDate>

									<content:encoded><![CDATA[<p>This chapter consists of Alexa Alice Joubin&#8217;s interview of a scholar and educator who has practiced global Shakespeare around the globe. Katherine Hennessey has had the unique experiences and privilege of teaching Shakespeare in Yemen, Kuwait, China, and elsewhere. She has lived and worked in eight very different countries over the past fifteen&hellip;<span class="activity-read-more" id="activity-read-more-1900885"><a href="https://mla.hcommons.org/activity/p/1900885/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Alexa Alice Joubin deposited Contemporary Readings in Global Performances of Shakespeare, ed. Alexa Alice Joubin. London: Arden Bloomsbury, 2024 in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1900083/</link>
				<pubDate>Sun, 29 Sep 2024 04:05:17 -0400</pubDate>

									<content:encoded><![CDATA[<p>Focusing on the modern period, this book employs a site-specific lens to examine global performances of Shakespeare onstage and onscreen. Heterotopia and thick description as methodologies help us capture, rather than flatten, cultural spaces and their dynamic interplay. The global is a set of geographical and cultural sites created by artistic&hellip;<span class="activity-read-more" id="activity-read-more-1900083"><a href="https://mla.hcommons.org/activity/p/1900083/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Fatma Fulya Tepe started the topic New article on Turkish Girls' Studies in the discussion TC Women’s and Gender Studies</title>
				<link>https://mla.hcommons.org/groups/womens-and-gender-studies/forum/topic/new-article-on-turkish-girls-studies/</link>
				<pubDate>Sun, 30 Jun 2024 08:28:57 -0400</pubDate>

									<content:encoded><![CDATA[<p>Dear All,</p>
<p>I am a Turkish researcher who is an associate professor in sociology with a focus on Turkish girlhood studies from İstanbul Aydın University, Turkey. I recently published an article with the title &#8220;A Study on the Poem “Zamane Kızları” (Girls of Today) Regarding the Representations of Young Turkish Girls from a Male-centered Perspect&hellip;<span class="activity-read-more" id="activity-read-more-1890680"><a href="https://mla.hcommons.org/groups/womens-and-gender-studies/forum/topic/new-article-on-turkish-girls-studies/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Ramzi Salti deposited Women’s Voices in Arabic Music by Ramzi Salti (Stanford University) in the group TC Women’s and Gender Studies</title>
				<link>https://mla.hcommons.org/activity/p/1890606/</link>
				<pubDate>Sat, 29 Jun 2024 04:01:15 -0400</pubDate>

									<content:encoded><![CDATA[<p>This is the corrected and edited transcript of Dr. Ramzi Salti’s talk about “Women’s Voices in Arabic Music” which was presented for Women’s History Month at Santa Rosa Junior College on March 7, 2024.  You can also watch the video on YouTube (with CC on).</p>
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				<title>Niamh Thornton deposited María Félix A Mexican Film Star and her Legacy in the group TC Women’s and Gender Studies</title>
				<link>https://mla.hcommons.org/activity/p/1890472/</link>
				<pubDate>Fri, 28 Jun 2024 03:08:37 -0400</pubDate>

									<content:encoded><![CDATA[<p>María Félix (1914-2002) left her mark on Mexican and European film as well as fashion, art and jewellery design. Cartier created one-of-a-kind pieces; Leonora Carrington and Diego Rivera painted portraits; Carlos Fuentes wrote a play; Agustín Lara, a bestselling song. But she was nobody&#8217;s muse.</p>
<p>Did Félix really bring baby crocodiles to the Car&hellip;<span class="activity-read-more" id="activity-read-more-1890472"><a href="https://mla.hcommons.org/activity/p/1890472/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Niamh Thornton deposited María Félix A Mexican Film Star and her Legacy in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1890470/</link>
				<pubDate>Fri, 28 Jun 2024 03:01:22 -0400</pubDate>

									<content:encoded><![CDATA[<p>María Félix (1914-2002) left her mark on Mexican and European film as well as fashion, art and jewellery design. Cartier created one-of-a-kind pieces; Leonora Carrington and Diego Rivera painted portraits; Carlos Fuentes wrote a play; Agustín Lara, a bestselling song. But she was nobody&#8217;s muse.</p>
<p>Did Félix really bring baby crocodiles to the Car&hellip;<span class="activity-read-more" id="activity-read-more-1890470"><a href="https://mla.hcommons.org/activity/p/1890470/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Susan Larson deposited Comfort and Domestic Space in Modern Spain in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1890326/</link>
				<pubDate>Thu, 27 Jun 2024 03:05:42 -0400</pubDate>

									<content:encoded><![CDATA[<p>Comfort and domestic space are complex narratives that can help draw our attention to everything from urban planning, everyday objects, and new technologies to class conflict, racial and ethnic segregation, and the gendering of domestic labour. Comfort and Domestic Space in Modern Spain delves into the history of ideas surrounding the modern home.&hellip;<span class="activity-read-more" id="activity-read-more-1890326"><a href="https://mla.hcommons.org/activity/p/1890326/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Alexa Alice Joubin deposited The Shakespearean International Yearbook: Disability Performance and Global Shakespeare. General Editor: Alexa Alice Joubin; Co-editor: Natalia Khomenko; Guest Editor: Katherine Schaap Williams. Routledge, 2024 in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1886051/</link>
				<pubDate>Mon, 13 May 2024 04:19:53 -0400</pubDate>

									<content:encoded><![CDATA[<p>The fields of critical disability studies and global Shakespeare have a great deal to say to each other, which is why we are creating this opportunity for an interdisciplinary dialogue and reflection.</p>
<p>     This year’s Shakespearean International Yearbook focuses on the theme of global disability performances of Shakespeare. Curated by K&hellip;<span class="activity-read-more" id="activity-read-more-1886051"><a href="https://mla.hcommons.org/activity/p/1886051/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Alexa Alice Joubin deposited "Screening Dutch Formosa in 2000: Taiwan as China’s Renegade Province in Wu Ziniu’s The Sino-Dutch War 1661," in Scenes from Dutch Formosa: Staging Taiwan’s Colonial Past, ed. Llyn Scott (Portland ME: MerwinAsia, 2014), pp. 153-179 in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1886042/</link>
				<pubDate>Mon, 13 May 2024 04:01:41 -0400</pubDate>

									<content:encoded><![CDATA[<p>What does Koxinga mean to today’s China and Taiwan? How does Wu Ziniu’s film The Sino-Dutch War 1661, a 2000 mainland Chinese film about seventeenth-century Dutch Formosa–with a mainland Chinese / Hong Kong / Japanese cast–complicate the questions of belonging and betrayal?</p>
<p>     Taiwan’s cultural identities have always been political&hellip;<span class="activity-read-more" id="activity-read-more-1886042"><a href="https://mla.hcommons.org/activity/p/1886042/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Fatma Fulya Tepe started the topic New Article: Banal misogynism in Turkish media in the discussion TC Women’s and Gender Studies</title>
				<link>https://mla.hcommons.org/groups/womens-and-gender-studies/forum/topic/new-article-banal-misogynism-in-turkish-media-at-the-beginning-of-the-multi-par-2/</link>
				<pubDate>Wed, 27 Mar 2024 14:14:48 -0400</pubDate>

									<content:encoded><![CDATA[<p>Dear Colleagues,</p>
<p>I , Assoc. Prof. Dr. Fatma Fulya Tepe, from Istanbul Aydin University, Faculty of Education, published a new article titled “Banal misogynism in Turkish media at the beginning of the multi-party era: the case of Boşboğaz” in the Journal of Graphic Novels and Comics which is a Q1 journal. You can find the abstract and the link&hellip;<span class="activity-read-more" id="activity-read-more-1880905"><a href="https://mla.hcommons.org/groups/womens-and-gender-studies/forum/topic/new-article-banal-misogynism-in-turkish-media-at-the-beginning-of-the-multi-par-2/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Alexa Alice Joubin deposited Keynote: Cinematic Representations of East Asian American Women, Tucker-Boatwright Festival and Symposium: Hollywood &#38; the Asian American Imagination, Richmond, February 23, 2024 in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1878852/</link>
				<pubDate>Thu, 07 Mar 2024 04:03:03 -0500</pubDate>

									<content:encoded><![CDATA[<p>My keynote explores such questions as: What are the patterns in Hollywood representations of East Asian American women from romantic comedy to science fiction films? How do racism and sexism intersect in these patterns? Watch the video recording on YouTube (<a href="https://youtu.be/iHjKOYf-IXQ" rel="nofollow ugc">https://youtu.be/iHjKOYf-IXQ</a>) to gain a better understanding how gender biases are&hellip;<span class="activity-read-more" id="activity-read-more-1878852"><a href="https://mla.hcommons.org/activity/p/1878852/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Alexa Alice Joubin deposited Global Shakespeare as Heterotopia, Lecture at University of Oxford and Georgetown University, February 26, 2024 in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1878067/</link>
				<pubDate>Thu, 29 Feb 2024 04:24:33 -0500</pubDate>

									<content:encoded><![CDATA[<p>Global Shakespeare as Heterotopia by Alexa Alice Joubin. Lecture video now available on YouTube, <a href="https://youtu.be/R8mbUd_mHjQ" rel="nofollow ugc">https://youtu.be/R8mbUd_mHjQ</a>   Drawing on her forthcoming book, Contemporary Readings in Global Performances of Shakespeare (Bloomsbury, 2024), Alexa Alice Joubin examines cultural encounters with Shakespeare’s plays as heterotopia, a set of parallel s&hellip;<span class="activity-read-more" id="activity-read-more-1878067"><a href="https://mla.hcommons.org/activity/p/1878067/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Dustin Friedman deposited Toward a Decolonial Queer Humanism: Thomas Hardy's The Well-Beloved and André Aciman's Call Me by Your Name in the group TC Sexuality Studies</title>
				<link>https://mla.hcommons.org/activity/p/1878057/</link>
				<pubDate>Thu, 29 Feb 2024 04:03:38 -0500</pubDate>

									<content:encoded><![CDATA[<p>This essay situates queer negativity within the modernist tradition. In The Well-Beloved (1897), Thomas Hardy satirizes the then-popular notion of racial memory for its racist, colonialist implications, inaugurating the modernist critique of romantic love as complicit with the self-delusions of the liberal-humanist subject. Despite the view shared&hellip;<span class="activity-read-more" id="activity-read-more-1878057"><a href="https://mla.hcommons.org/activity/p/1878057/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Kendra Leonard deposited Jewishness between Performance and Appropriation: Music for The Merchant of Venice (2004) in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1877420/</link>
				<pubDate>Thu, 22 Feb 2024 03:06:31 -0500</pubDate>

									<content:encoded><![CDATA[<p>The performance history of The Merchant of Venice is one entangled with what producers and directors hear as the sounds of Jewishness, be it traditional prayer, like the Shema or Kaddish, or contrived nonsense, like the “old Hebraic song of sacrifice” sung by Anthony Sher in a 1987 stage production. In this essay, I interrogate composer Joc&hellip;<span class="activity-read-more" id="activity-read-more-1877420"><a href="https://mla.hcommons.org/activity/p/1877420/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Kendra Leonard deposited Imagining Women’s Archives of Silent Film Music in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1877413/</link>
				<pubDate>Thu, 22 Feb 2024 03:01:54 -0500</pubDate>

									<content:encoded><![CDATA[<p>Although women comprised the majority of American cinema accompanists during the silent film period (c. 1895–1927), few of their music libraries or compositions have survived, whereas collections created by male cinema musicians dominate the silent film music archives. Women musicians suggested, shaped, and helped define the musical tastes of t&hellip;<span class="activity-read-more" id="activity-read-more-1877413"><a href="https://mla.hcommons.org/activity/p/1877413/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Alexa Alice Joubin deposited Review of Rethinking Chinese Socialist Theaters of Reform, in CLEAR: Chinese Literature: Essays, Articles, Reviews 45 (2023): 335-338 in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1876066/</link>
				<pubDate>Mon, 12 Feb 2024 04:16:30 -0500</pubDate>

									<content:encoded><![CDATA[<p>Going against the grain, this collection counters the common perception of the Maoist era as a time of ideological conformity. The contributors persuasively demonstrate that theatre activities were varied and lively between the 1950s and 1970s. While there was state control over the arts, performances in urban spaces were more frequently censored&hellip;<span class="activity-read-more" id="activity-read-more-1876066"><a href="https://mla.hcommons.org/activity/p/1876066/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Alexa Alice Joubin deposited Review of Performing the Socialist State by Xiaomei Chen, in CLEAR: Chinese Literature: Essays, Articles, Reviews 45 (2023): 338-340 in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1876062/</link>
				<pubDate>Mon, 12 Feb 2024 04:11:08 -0500</pubDate>

									<content:encoded><![CDATA[<p>In this review, Alexa Alice Joubin outlines the main argument of Xiaomei Chen&#8217;s Performing the Socialist State: Modern Chinese Theater and Film Culture. &#8220;The eight chronologically- and thematically-organized chapters in this book provide a much-needed critical survey of spoken drama (huaju) from its inception through the Republican and Maoist eras&hellip;<span class="activity-read-more" id="activity-read-more-1876062"><a href="https://mla.hcommons.org/activity/p/1876062/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Alexa Alice Joubin deposited "Trans Studies at the Crossroad: From Racialized Invisibility to Gendered Legibility," The Oxford Handbook of Shakespeare and Race, ed. Patricia Akhimie (Oxford University Press, 2024), pp. 195-211. in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1876057/</link>
				<pubDate>Mon, 12 Feb 2024 04:05:28 -0500</pubDate>

									<content:encoded><![CDATA[<p>Premodern critical race studies, long intertwined with Shakespeare studies, have broadened our understanding of the definitions and discourse of race and racism to include not only phenotype, but also religious and political identity, regional, national, and linguistic difference, and systems of differentiation based upon culture and custom. This&hellip;<span class="activity-read-more" id="activity-read-more-1876057"><a href="https://mla.hcommons.org/activity/p/1876057/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Alexa Alice Joubin deposited AI, Theater, and Interface Theory, keynote at Imaging Across Time: Wenshan International Conference, National Chengchi University, Taipei, Taiwan, November 18, 2023 in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1875820/</link>
				<pubDate>Sun, 11 Feb 2024 04:05:29 -0500</pubDate>

									<content:encoded><![CDATA[<p>What happens when AI goes to theatre with human audiences? Generative AI&#8217;s natural-language conversational interface has frequently been cast as an anthropomorphic interface. In performance, digital screen as interface has evolved from a vehicle for dramatic messages to a meaning-making agent with an anthropomorphic presence. While the tendency to&hellip;<span class="activity-read-more" id="activity-read-more-1875820"><a href="https://mla.hcommons.org/activity/p/1875820/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Fatma Fulya Tepe started the topic New short story: Professor Mali Romantic-Longhair and the Girl in the discussion TC Women’s and Gender Studies</title>
				<link>https://mla.hcommons.org/groups/womens-and-gender-studies/forum/topic/new-short-story-professor-mali-romantic-longhair-and-the-girl/</link>
				<pubDate>Wed, 31 Jan 2024 04:24:23 -0500</pubDate>

									<content:encoded><![CDATA[<p>Dear Colleagues,</p>
<p>I and Emeritus Prof. Dr. Per Bauhn from Linnaeus University in Sweden have just published a short story on sexual harassment in a Turkish university context titled as <strong>“Professor Mali Romantic-Longhair and the Girl”</strong> in the <em><strong>Journal of International Women&#8217;s Studies </strong></em><em><strong>(</strong></em><strong><em>JIWS.)</em></strong> We present the link and the info to the short story bel&hellip;<span class="activity-read-more" id="activity-read-more-1874120"><a href="https://mla.hcommons.org/groups/womens-and-gender-studies/forum/topic/new-short-story-professor-mali-romantic-longhair-and-the-girl/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Alexa Alice Joubin deposited "Open and Intersectional Pedagogy: Teaching the Early Modern with Generative Artificial Intelligence," MLA, Philadelphia, January 6, 2024 in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1872233/</link>
				<pubDate>Wed, 24 Jan 2024 04:05:38 -0500</pubDate>

									<content:encoded><![CDATA[<p>What a piece of theatre work is AI. Since AI outputs can be seen as a theatrical performance, in her 10-minute paper at the MLA, Alexa Alice Joubin argued that we can teach critical questioning skills using generative AI. She demonstrated responsible and creative ways to teach students meta-cognition, using Shakespeare and early modern studies as&hellip;<span class="activity-read-more" id="activity-read-more-1872233"><a href="https://mla.hcommons.org/activity/p/1872233/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Alexa Alice Joubin deposited "Open and Intersectional Pedagogy: Teaching the Early Modern with Generative Artificial Intelligence," MLA convention, Philadelphia, January 6, 2024 in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1872218/</link>
				<pubDate>Wed, 24 Jan 2024 03:05:57 -0500</pubDate>

									<content:encoded><![CDATA[<p>What a piece of theatre work is AI Since AI outputs can be seen as a theatrical performance, in her 10-minute paper at the MLA, Alexa Alice Joubin argued that we can teach critical questioning skills using generative AI. She demonstrated responsible and creative ways to teach students meta-cognition, using Shakespeare and early modern studies as&hellip;<span class="activity-read-more" id="activity-read-more-1872218"><a href="https://mla.hcommons.org/activity/p/1872218/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Laura G. Gutierrez replied to the topic Nominations for Forum Executive Committee in the discussion MS Screen Arts and Culture via email</title>
				<link>https://mla.hcommons.org/groups/screen-arts-and-culture/forum/topic/nominations-for-forum-executive-committee/#post-1036981</link>
				<pubDate>Thu, 18 Jan 2024 19:14:03 -0500</pubDate>

									<content:encoded><![CDATA[<p>I have gotten this email close to 20 times. I am also no longer a member of MLA so I don’t have an active account and don’t know how to unsubscribe. Make it stop please</p>
<p>From: Alenda Chang &lt;noreply@hcommons.org&gt;<br />
Date: Thursday, January 18, 2024 at 1:11 PM<br />
To: Gutierrez, Laura G &lt;lauragutierrez@utexas.edu&gt;<br />
Subject: [MLA Commons] MS Screen Arts and&hellip;<span class="activity-read-more" id="activity-read-more-1871632"><a href="https://mla.hcommons.org/groups/screen-arts-and-culture/forum/topic/nominations-for-forum-executive-committee/#post-1036981" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Ramzi Salti deposited Vivian and Her Son in the group TC Women’s and Gender Studies</title>
				<link>https://mla.hcommons.org/activity/p/1870108/</link>
				<pubDate>Mon, 08 Jan 2024 04:07:49 -0500</pubDate>

									<content:encoded><![CDATA[<p>This short story, written by Dr. Ramzi Salti, was published as part of his book titled &#8220;The Native Informant and Other Stories: Six Tales of Defiance from the Arab World&#8221;.  It has been turned into a short film titled &#8220;The 40th Day&#8217;&#8211;available on YouTube at <a href="https://youtu.be/fspvJSiSQkc" rel="nofollow ugc">https://youtu.be/fspvJSiSQkc</a>. Complete E-Book now available on Google Play and Kindle.</p>
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				<title>Ramzi Salti deposited Vivian and Her Son in the group TC Sexuality Studies</title>
				<link>https://mla.hcommons.org/activity/p/1870107/</link>
				<pubDate>Mon, 08 Jan 2024 04:05:52 -0500</pubDate>

									<content:encoded><![CDATA[<p>This short story, written by Dr. Ramzi Salti, was published as part of his book titled &#8220;The Native Informant and Other Stories: Six Tales of Defiance from the Arab World&#8221;.  It has been turned into a short film titled &#8220;The 40th Day&#8217;&#8211;available on YouTube at <a href="https://youtu.be/fspvJSiSQkc" rel="nofollow ugc">https://youtu.be/fspvJSiSQkc</a>. Complete E-Book now available on Google Play and Kindle.</p>
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				<title>Alenda Chang started the topic MS Screen Arts and Culture sessions at MLA 2024 in the discussion MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/groups/screen-arts-and-culture/forum/topic/ms-screen-arts-and-culture-sessions-at-mla-2024/</link>
				<pubDate>Thu, 04 Jan 2024 03:11:46 -0500</pubDate>

									<content:encoded><![CDATA[<p>Hi everyone! As this year&#8217;s forum executive committee chair for MS Screen Arts and Culture, I just wanted to alert everyone to the sessions that our forum has organized/sponsored. Thanks to our committee members for their hard work.</p>
<p>Organized by yours truly, tomorrow (THU) at 3:30PM we kick off with #92 &#8220;The Micropolitics of Environmental Media&#8221;&hellip;<span class="activity-read-more" id="activity-read-more-1869725"><a href="https://mla.hcommons.org/groups/screen-arts-and-culture/forum/topic/ms-screen-arts-and-culture-sessions-at-mla-2024/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Michael Subialka started the topic Call for Submissions, PSA Vol 36 (2024) in the discussion LLC 20th- and 21st-Century Italian</title>
				<link>https://mla.hcommons.org/groups/20th-and-21st-century-italian/forum/topic/call-for-submissions-psa-vol-36-2024/</link>
				<pubDate>Sat, 09 Dec 2023 21:50:31 -0500</pubDate>

									<content:encoded><![CDATA[<p>Dear Colleagues, We are happy to announce that we are now accepting submissions for the next volume (36) of PSA, the peer-reviewed scholarly journal of the Pirandello Society of America (<a href="https://www.pirandellosociety.org/" rel="nofollow ugc">https://www.pirandellosociety.org/</a>). This is an open topic issue – any work on or relating to Luigi Pirandello is invited. The volume will be published in 2024&hellip;<span class="activity-read-more" id="activity-read-more-1867363"><a href="https://mla.hcommons.org/groups/20th-and-21st-century-italian/forum/topic/call-for-submissions-psa-vol-36-2024/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Fatma Fulya Tepe started the topic new article: Osman Hamdi Bey – an Ottoman Orientalist or a Humanist Ottoman? in the discussion TC Women’s and Gender Studies</title>
				<link>https://mla.hcommons.org/groups/womens-and-gender-studies/forum/topic/new-article-osman-hamdi-bey-an-ottoman-orientalist-or-a-humanist-ottoman-7/</link>
				<pubDate>Tue, 05 Dec 2023 15:12:19 -0500</pubDate>

									<content:encoded><![CDATA[<p>Dear Colleagues,</p>
<p>Emeritus Prof. Dr. Per Bauhn from Linnaeus University, Sweden published an article titled &#8220;Osman Hamdi Bey – an Ottoman Orientalist or a Humanist Ottoman?&#8221; in Nordic Review of Iconography.<br />
I present the abstract of this article below and the article can be downloaded for free from the link b&hellip;<span class="activity-read-more" id="activity-read-more-1866839"><a href="https://mla.hcommons.org/groups/womens-and-gender-studies/forum/topic/new-article-osman-hamdi-bey-an-ottoman-orientalist-or-a-humanist-ottoman-7/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Alexa Alice Joubin deposited "Radical Listening and the Global Politics of Inclusiveness," Inclusive Shakespeares: Identity, Pedagogy, Performance, ed. Sonya Freeman Loftis, Mardy Philippian, Justin P. Shaw (Palgrave, 2023), pp. 221-234 in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1866124/</link>
				<pubDate>Tue, 28 Nov 2023 04:05:33 -0500</pubDate>

									<content:encoded><![CDATA[<p>Inclusiveness in higher education is distinct from advocacy journalism, which means we have to work actively against any ineffectual default to rituals of inclusion. When implemented unilaterally as a one-size-fits-all social imposition, some gestures of inclusion risk becoming empty rituals. As multifocal, multilingual, and multicultural&hellip;<span class="activity-read-more" id="activity-read-more-1866124"><a href="https://mla.hcommons.org/activity/p/1866124/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Dorothy Stringer replied to the topic Psychology, Psychoanalysis, and Literature Panels at the 2024 MLA Convention in the discussion TC Women’s and Gender Studies</title>
				<link>https://mla.hcommons.org/groups/womens-and-gender-studies/forum/topic/psychology-psychoanalysis-and-literature-panels-at-the-2024-mla-convention-3/#post-1036033</link>
				<pubDate>Sun, 26 Nov 2023 19:38:53 -0500</pubDate>

									<content:encoded><![CDATA[<p>Apologies for missing info; dates and times as follows:</p>
<p>194 &#8211; Lacan and the Event: Papers in Honor of Mari Ruti</p>
<p>Friday, 5 January 2024 8:30 AM &#8211; 9:45 AM</p>
<p>Marriott &#8211; Franklin 7 (Level 4)</p>
<p>&nbsp;</p>
<p>648 &#8211; Queer Theory and Psychoanalysis</p>
<p>Sunday, 7 January 2024 8:30 AM &#8211; 9:45 AM</p>
<p>Marriott &#8211; Franklin 2 (Level 4)</p>
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				<title>Dorothy Stringer replied to the topic Psychology, Psychoanalysis, and Literature Panels at the 2024 MLA Convention in the discussion TC Sexuality Studies</title>
				<link>https://mla.hcommons.org/groups/sexuality-studies/forum/topic/psychology-psychoanalysis-and-literature-panels-at-the-2024-mla-convention-2/#post-1036032</link>
				<pubDate>Sun, 26 Nov 2023 19:36:56 -0500</pubDate>

									<content:encoded><![CDATA[<p>Apologies for missing info; dates and times as follows:</p>
<p>194 &#8211; Lacan and the Event: Papers in Honor of Mari Ruti</p>
<p>Friday, 5 January 2024 8:30 AM &#8211; 9:45 AM</p>
<p>Marriott &#8211; Franklin 7 (Level 4)</p>
<p>&nbsp;</p>
<p>648 &#8211; Queer Theory and Psychoanalysis</p>
<p>Sunday, 7 January 2024 8:30 AM &#8211; 9:45 AM</p>
<p>Marriott &#8211; Franklin 2 (Level 4)</p>
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				<title>Hania A.M. Nashef deposited Songs of Nostalgia: Creative Activism and Exile in Elia Suleiman’s "It Must be Heaven" and Panah Panahi’s "Hit the Road" in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1864815/</link>
				<pubDate>Thu, 16 Nov 2023 04:00:51 -0500</pubDate>

									<content:encoded><![CDATA[<p>Abstract | The final scene of Elia Suleiman’s film, It Must be Heaven (2019), ends with the actor/director sitting in an Arab bar in the city of Haifa, while the young crowd is dancing to “Arabyon Ana” (2000) by Lebanese singer Yuri Mrakadi. The Arabic music is a testimony to a Palestinian-Arab culture that resists erasure.</p>
<p>The songs in Sulei&hellip;<span class="activity-read-more" id="activity-read-more-1864815"><a href="https://mla.hcommons.org/activity/p/1864815/" rel="nofollow ugc">[Read more]</a></span></p>
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