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	<title>SAH Commons | Aaron Hynds | Activity</title>
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				<title>Aaron Hynds deposited The Death of the Performer: Thoughts Towards a Barthesian Theory of Contemporary Music in the group Music and Sound</title>
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				<pubDate>Sat, 28 Jan 2017 01:00:49 -0500</pubDate>

									<content:encoded><![CDATA[<p>When examining a particular creative work, one has to be aware of a number of hidden relationships embedded within that work as a whole. Who created this work? What was their goal in doing so (if there ever was an established goal)? How am I supposed to interpret this work, given the nature in which it was created? Going down these paths of&hellip;<span class="activity-read-more" id="activity-read-more-1559864"><a href="https://hcommons.org/activity/p/1559864/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Aaron Hynds deposited The Death of the Performer: Thoughts Towards a Barthesian Theory of Contemporary Music in the group Cultural Studies</title>
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				<pubDate>Sat, 28 Jan 2017 01:00:49 -0500</pubDate>

									<content:encoded><![CDATA[<p>When examining a particular creative work, one has to be aware of a number of hidden relationships embedded within that work as a whole. Who created this work? What was their goal in doing so (if there ever was an established goal)? How am I supposed to interpret this work, given the nature in which it was created? Going down these paths of&hellip;<span class="activity-read-more" id="activity-read-more-1559863"><a href="https://hcommons.org/activity/p/1559863/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Aaron Hynds deposited The Death of the Performer: Thoughts Towards a Barthesian Theory of Contemporary Music</title>
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				<pubDate>Wed, 25 Jan 2017 23:45:51 -0500</pubDate>

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